"If you could Zack Snyder DA2, what would you change?"
Wow. I'm willing to bet Mark or Mike (or anyone else on the team) would give very different answers than me, but it's enough to give a sober man pause, because that was THE Project of Multiple Regrets.
I mean, it's the most hypothetical of hypotheticals. It's never gonna happen. I wouldn't be surprised if EA considered DA2 its embarrassing red-headed stepchild. We'd also need to ignore that in many ways DA2 was as good as it was bad BECAUSE of how it was made.
But that aside?
First, either restore the progressive changes to Kirkwall we'd planned over the passing of in-game years or reduce the time between acts to months instead of years... which, in hindsight, probably should have been done as soon as the progressive stuff was cut.
I'm sure you're like "get rid of repeated levels!" ...but I don't care about that. All I wanted was for Kirkwall to feel like a bigger city. Way more crowded. More alive! Fewer blood mages.
I'd want to restore the plot where a mage Hawke came THIS close to becoming an abomination. An entire story spent trapped in one's own head while trapped on the edge of possession.
Why? Because Hawke is the only mage who apparently never struggles with this. It was a hard cut.
I'd want to restore all those alternate lines we cut, meaning people forget they'd met you. Or that they knew you were a mage. Or, oh god, that maybe they'd romanced you in DAO. So much carnage.
I'd want to restore the Act 3 plots we cut only because they were worked on too late, but which would have made the buildup to the mage/templar clash less sudden.
Though I don't remember what they were, now. Some never got beyond being index cards posted on the wall. 😬
As I mentioned elsewhere, I'd want to restore Orsino's end battle so he wouldn't need to turn on you even if you sided with him.
And I'd want an end fight with the templars that didn't require Meredith to have red lyrium and go full Tetsuo.
Heck, maybe an end decision where you sided with neither the mages nor the templars. Because it certainly ended up feeling like you could brand both sides as batshit pretty legitimately, no?
That was never planned, tho. No idea how to make that feel like an actual path atm.
Maybe an option to go "umm, Anders... what are you DOING?" 👀
And, of course, a Varric romance, because Mary took that "slimy car salesman" character we'd planned and did the impossible with him. I can feel Mary glaring at me for even suggesting this, tho.
Lastly, the original expanded opening to the game which allowed you to spend time with Bethany and Carver BEFORE the darkspawn attacked.
And, um, that's about it off the top of my head. Zack Snyder, WHAT PANDORA'S BOX HAVE YOU OPENED.
Shit, I remembered two more things:
1) Restore the "Varric exaggerates the heck out of the story" at the beginning of every Act, until Cassandra calls him on it. Yes, that was a thing.
2) Make DA: Exodus. Yes, I am still bitter.
God damn it, I meant "Make DA: Exalted March". The DA2 expansion, NOT Exodus since that was DA2's original name and makes no sense.
Because the expansion ended with Varric dying, and that will always be on my "things left undone" list.
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May as well make this its own thread. First, the Laws of Naming Things, written after many long years during which naming *anything* in the game was the most contentious thing the team could ever do.
Example 1: "Qunari". At first, everyone hated it. "It sounds too much like canary". "The Qun is way too difficult to pronounce." Etc. etc. 6 months later, no-one wanted to change it. That's what they were called... what else could they be?
Example 2: The DA world was not supposed to be called "Thedas". That was a temp name: "THE/DA/Setting". But we left it too long, and when we sat down to give it a proper name... nothing else sounded right. In our minds, the name had stuck.
I was going to write up my coming out story for #NationalComingOutDay, but then I thought... wow, this story is really irrelevant now, isn't it? (thread inc)
By irrelevant I mean... well, when I was growing up, there were no examples of gay anything I could look to. Did you know that Liberace and even Boy George were initially thought to be straight? Eccentric, sure, but straight. Being gay was simply... 𝑑𝑒𝑣𝑖𝑎𝑛𝑡.
I remember a TV special called "An Early Frost" that came on TV when I was a teenager. It was about AIDS. Everything that I first heard that related to gayness which wasn't about 𝑠𝑒𝑥 was about AIDS. Gay sex meant death, and to many... we deserved it.
Preston Watamaniuk, the CD on Anthem, once told a frustrated Producer that the Writer tasks couldn’t be scheduled as rigorously as he wanted because “Writing is like Jazz”.
I’ve held onto that phrase ever since.
Now, before any other Producers (or backseat Producers) clutch their pearls, I *don’t* mean “Writers can’t be scheduled”. Of course they can. Don’t be silly.
What it means is that, when it comes to creative tasks, velocities can vary. You must take into account factors like inspiration, “juice”, and the need for iteration to achieve a vague definition of quality.
Look. If your first response to millions of women telling us they're afraid of and systemically oppressed by men is to worry at how all this talk will negatively impact "the good ones"...
...you're probably not one of "the good ones".
"Oh, you're just virtue signalling," sneers Skippy the Masculine Wonder.
Look, Skippy. The bar is pretty low right now. Considering how many men aggressively signal their boorishness, never mind anything approaching "virtue", let's not pretend to worry about sincerity just yet.
And, yes, I am sub-tweeting Skippy, someone I know IRL. Deal with it, Skippy.
So I've seen a number of comments from folks in the industry (or who are trying to get into the industry) struggling with feelings of self-worth, imposter syndrome, etc. I've a few thoughts on this, if you care to listen. (Thread incoming)
Here's the thing: I've met a lot of really successful folks in the industry. Maybe you include me among them. And you know what? They 𝑎𝑙𝑙 struggle. They're 𝑎𝑙𝑙 just winging it half the time, thinking "what the hell am I even doing here?"
Sure, every now and again you have that moment of brilliance where you do something cool and it worked out and you think "yeaaaahh I got this", but those are nowhere near as common as the moments of crippling anxiety or certainty you're a fraud who only lucked into your position.