Story behind Tulsidasji writing the Sri Ramcharitmanas in Awadhi :
On the command of Hanumanji, Tulsidasji went to Kashi and stayed at a Brahmin’s house. There, at Prahladghat, he began writing the Ramayana in Sanskrit. 1/8.
As per Mūla Gosāīm̐ Carita, Chaupais of Doha 37
In the daytime how much ever he would write, would get erased at night. This incident happened everyday and he didn’t understand what to do.
Then finally on the 8th day Lord Shiva came in his dream telling him to write the story in his own language.
Tulsidasji at once got up with the words of the dream echoing in his heart.
At that moment Lord Shiva and Devi Parvati appeared and Tulsidasji bowed down to them with his eight limbs. Lord Shiva said, “Write this poem in your own language and don’t go behind the language of the gods. Do what will be beneficial to others and leave the old tradition.
Go to Awadh and write your story there. With my blessings your poem will be as fruitful as the Sama and Richa (Rigvedic verse).”
Saying this Lord Shiva disappeared and Tulsidasji headed for Awadh.
Since Tulsidasji was a Sarayūpārīṇa Brahmin, who are found in the Awadh region, ‘his language’ was Awadhi. Oh well then following the orders of Lord Shiva, Tulsidasji writes his story in his ‘own language’, Awadhi and alludes to this in the Balakand of the Ramcharitmanas:
Despite a black cow being so, her milk is still is very beneficial and thinking this people drink it. In the same way despite being in the rural language, smart people still sing and hear this story of Sri Sitaramji-
Doha 10
The Mūla Gosāīm̐ Carita is the most widely referred biography of Tulsidasji, written by a disciple called Venimadhav.
Image : Hanuman Carrying the Mountain of Medicinal Herbs (left); Rama Battles Ravana (right).
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Tradition of Shanmatha By Shankara Bhagavatpada (Adi Shankaracharya) and Panchayatana Puja
At the time of Shankaracharya, people in different parts of our nation worshipped different deities.
Shankaracharya took a different approach which was in harmony with our scriptures.1/10
He accepted devotion to all forms of the god because in reality everything is Brahman who is
Nirguna (without any attributes),
Nirakaara (without any shape) and
Nirvikaara (without any change).
Vedanta talks about the same Brahman.
All forms are true only at empirical plane of reality while in the absolute plane of reality everything is Brahman who is eternal, infinite & pure bliss.
One can devote himself to any form of that supreme as long as one attains a pure mind
Place kalash filled with water, energize water placing right hand on it & chanting these namas & drink it
Chandra sthotram with 28 names of his helps to strengthen the condition. You can read this sthotra twice daily in your morning and evening puja routine. If want to do for someone who is in challenging situations chabt it in multiples of 10 with sankalp of their gotra and nama.
This navratri is one among the four navratris celebrated in an yr. It indicates a shift in day & night duration corresponding to the equinox.
This navratri is called as Lalitha Navaratri and the presiding diety is Mata Lalithambika Tripurasundari
It starts with chaitra shudha padyami and ends with Raama Navami & Dashmi. Special parayanas of Rama and Lalitha are performed during these 9 days. Some of the best choices are as guided below
1. Lalitha Sahasranamam ( If you are not a beginner ) Trikala Parayan. I.e Tri kala sandhya read for once in morning , evening and night. 2. Shri Sūktam (If initiated) 3. Rama Raksha Sthotram at Trikala sandhyas 4. Aditya Hrudayam - Mornings 1-7 Times
The famous aartī, "Jaya Jagadish Hare" is composed by Pandit Shardha Ram Phillauri.
It is said to have been composed as a Universal aartī by the author. The popular imagination phenomenon might have made it limited to Lord Vishnu. 1/n
The aarti made its first raw cinematic appearance in a song from the 1952 movie, Anand Math.
In here, the Govinda damodar Stotram of Sri Bilva Mangala Thakura is adapted with the 'Jai Jagdish Hare' refrain.
The rendition of the written aarti reaches its zenith in a later 1970 movie, Purab Aur Paschim. The protrayed song in the movie, playing background of the aartī, beautifully portrays the devotion towards the Radha-Krishna.
Why camphor is placed on the chin of Venkateshwara Balaji of Tirupati
In the very olden days the Tirupati hill was a very dense forest and was surrounded by great flora and fauna where not much humans used to reside. It was quiet difficult for humans to easily survive.
Shrimad Ramanujulu after installing shankhu Chakra, wished to pray Venkatesha with different kinds of flowers & leaves, which ofcourse was quiet challenging for people to travel & carry from below the hill to the temple on top. Maha vishnu is Almkara Priya(loves Decorations).
Thinking about this at Shri Ranga Matam he announced to his disciples about his wish & asked if any disciple would want to stay at Tirupaty on the hill top, plant a garden & take care of the Alamkara needs.Shree Anantalvar took the opportunity as a boon & expressed his interest.