It has been an extremely busy two months over @theblcklst so I'm putting everything that we're allowed to talk about yet in a single thread as both valuable information to screenwriters and film and television industry professionals and as a tribute to @theblcklst team
A thread:
Writers were selected via our partnership with @Google Assistant to receive $20K each and mentorship from writers including @maxbarbakow, Andy Siara, @MarjaLewisRyan, and @erivinoja.
We launched a partnership with @WarnerMedia that will grant FREE access to @theblcklst website hosting and a script evaluation to 600 screenwriters for whom that would be valuable, as identified by a wide variety of grassroots film organizations nationwide
On top of that, we partnered with @stayMACRO to give 500 MORE screenwriters free access to the site and find a writer who will receive $10K to develop a pitch for a @warnermedia WGA minimum blind script deal.
We announced a partnership with the @NRDC and the @redfordcenter for a Climate Storytelling Fellowship that will grant $10K to three writers and mentorship for six months.
So yeah, shoutout to Dino Simone, Olga Vasileva, Terry Huang, Megan Halpern, @thathagengrrl, and @tayolamos.
The funny thing is that there's more stuff I can't talk about yet than there are things in this thread.
As but one example of the stuff we can't talk about yet, we'll be announcing the first writer selected by @mgmstudios to receive a two step WGA minimum blind deal (~$100K) very soon. deadline.com/2020/12/mgm-th…
Honestly though, having @PhyliciaRashad as the Dean of one's school would be stressful. It's one thing to disappoint your elders in an academic environment, but that would be too much.
Get called into the Dean's office and see this on the other side of the desk.
* Daniel Kaluuya won an Oscar for Judas and the Black Messiah.
* He is not Leslie Odom Jr., who starred in One Night in Miami.
* Neither man is David Oyelowo, who directed The Water Man, which is out now. indiewire.com/2021/05/jason-…
Time to dig into this race and Hollywood study by noted social justice warriors..checks notes...@mckinsey (Yes, a joke)
Headline is obviously that Hollywood is losing $10B per year by not optimizing for the economics of Black talent but THERE'S MORE (1/x) deadline.com/2021/03/mckins…
A lot more. But yes, "By addressing the persistent racial inequities [re: the Black community], the industry could reap an additional $10 billion in annual revenue—about 7% more than the assessed baseline of $148 billion"
"The few Black creatives in prominent off-screen positions (creator/producer/writer/director) find themselves responsible for providing for other Black off-screen talent. Unless >=1 senior member of a production is Black, Black talent is largely shut out" mckinsey.com/Featured-Insig…
People seem to think this was a political statement when it was really just about me being generally curmudgeonly, hating being made to wait in the cold, and liking warm mittens.