Hmm. @nhannahjones has an MA and a Pulitzer and is a MacArthur Fellow. UNC hired as a Distinguished Professor Daniel Wallace, who is a best-selling author but only has a BA and most definitely isn't from a "traditional academic-type background," but he's white.
UNC also hired Alan Shapiro as a Distinguished Professor. He also only has a BA but is an award-winning poet. Still, not "traditional" blah, blah, blah, which generally means "PhD" or MFA. And, yeah, he's white.
In the UNC Journalism School, Chad Heartwood is an award-winning documentarian who only has an MA. And is white.
Steven King is a UNC associate professor who has an MA and was an Emmy-winning video-journalist prior to being hired. Again, not "traditional" or "academic," but white.
Susan King is the Dean of the UNC Hussman School of Journalism. She has an MA and was a journalist prior to being hired by UNC, which is not an academic route. But she's white.
It's not just race that was used against Nikole Hannah-Jones. Terence Oliver is Black with an MA and a huge journalism resume. He was hired as a UNC Distinguished Professor in 2010. Of course, he wasn't the subject of a slanderous blast of hysteria by idiot conservatives.
The point here is that the excuse that @nhannahjones doesn't come from a "traditional academic-type background" is a lie. That hasn't mattered to the UNC trustees pretty much ever.
It's great that Liz Cheney is trying to drag the GOP into the realm of reality, but the Big Lie isn't just about Trump claiming he won. It's about states passing all kinds of laws to respond to non-existent fraud and irregularities.
It's all well and good to assert that Trump lost the 2020 election, but that's just part of the job. I don't know where Liz Cheney stands on the voter suppression laws in Georgia, Florida, etc. But she did vote against HR 1
Huh. My pal @Creterman just showed me that he has a DVD bootleg of Disney's Song of the South. So we're gonna watch it. We haven't seen it since we were kids. I wonder how it's aged. Let's see...
And away we go.
With cinematography by Gregg Toland, who also did Citizen Kane.
This has been bugging me for over a month: How the hell were they allowed to build a damn gallows in front of the Capitol? Like...you'd think someone would get out there and say, "Whoa, you're not allowed to do that."
And, I mean, this wasn't some little mockup or prop. It could support at least two people.
That means people were carrying in large pieces of solid wood. How was that allowed? Did they have a permit? Because I'm pretty sure that if I just started building a functioning gallows in Central Park, the cops would halt that pretty damn quickly.
JFC, I came across this Ross Douthat column from November 13, 2016. It's titled, no shit, "He Made America Feel Great Again," and it's a speculative piece about how wildly successful Trump's first term "was," pretending to look back from 2020, after his reelection. Holy fuck.
Where to begin? How about with: "Here we are four years later, watching Trump bask in the glow of an easy re-election over the Warren-Booker Democratic ticket." Oh, Ross, how simple you are.
Then it gets just absurd: "Trump’s Keynesianism was mostly defense spending and tax cuts, but it included a huge infrastructure push — soon nicknamed 'TrumpWorks' — that doubled as a jobs program." Infrastructure Week forever in Douthat-Land!
This is the first time I've seen Kelly Loeffler speak. Jesus fuck, what a Klonopin-infused conservabot. There's no way that creepy fuckin' thing is human.
I mean, I've had fuckin' nightmares where Kelly Loeffler-like androids try to harvest my soul to power their batteries. I never thought those goddamn things were real.
I mean, if Pastor Warnock took out a crucifix, a sharp wooden stake, and a mallet and said, "I have these here just in case," everyone would nod and say, "Yeah, that makes sense."
I've been thinking a lot about a conversation I had with a dear Canadian friend in Calgary in January. We were talking about images of the United States and he brought up the Simon and Garfunkel song "America."
"I've always loved the hope in it," he said, "when they sing...
'They've all come to look for America.' That's how the world wants to see your country."
I said that was a lovely line, but the one that resonates most for me is "'Kathy, I'm lost,' I said though I knew she was sleeping/'I'm empty and aching and I don't know why.'"
I explained, "I just see that as the failure of America to live up to what it promises. So we just feel adrift and helpless." I added, "Or maybe that's just how I feel now" before smirking, "But, sure, leave behind the health care and relative stability here to look for America."