A thread on the myth of 'safe spaces' in a caste society.

In a caste society, what people consider as a 'safe space' is primarily a caste endogamous space. Individuals feel safer in spaces that are populated by those belonging to their own caste or similar castes.
Which is exactly how most institutions are built in this country - on the basis of caste. And that includes these popular Chennai schools like PSBB.

The school positions itself as a Brahminical school meant for Brahmins.
By doing this, it deliberately keeps non-Brahmins out of its premises. But at the same time, Brahmins families feel safe and proud to send their kids to the school. The students too eventually grow up to become agents of Brahmanism.
And end up sending their own kids back to PSBB or similar such school.

In contrast, spaces which could be populated by those from other castes, mostly lower castes are considered as risky and dangerous. So the streets can be risky. The public parks are dangerous.
In fact, any place that can be populated by 'others' are naturally deemed as unsafe.

Which is why everyone is shocked to read about PSBB or the other schools the past one week.
They can't seem to comprehend how a Brahmin school turned out to be unsafe to its own Brahmin students. Because this challenges the very assumption of a caste society. That endogamous spaces are by default safe.
But if you think about it, the cases of sexual harassment at PSBB and the other schools prove yet again what worldwide studies have already told us. That most sexual violence are committed by someone who is known or close to the victim than a stranger.
The NCRB data says, in over 96% cases, the abuser is known to the victim. And this is when the cases of sexual abuses within family or known set up is grossly underreported.

You can read more about it here - who.int/.../publicatio…
Which means that in a country like India, most sexual violence actually occur in caste endogamous spaces. The same spaces that we often deem as safe.

In comparison, public spaces that people share with strangers from other castes must be relatively safer.
Even if they are considered risky and dangerous in popular imagination.

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More from @rajamanirajesh

26 May
A thread on the Savarnisation of Twitter and Insgram.

For the past 3 months or so, I have been trying to use Twitter and Instagram a little more frequently than I generally do.
Particularly because Twitter connects you to a variety of fiction writers and Instagram to film technicians and actors. And I was hoping that it could come handy for work purposes.
But I must confess that even though both these apps are pretty cool in terms of their interface and functions, the discussions that happen in these spaces are dull as fuck.
Read 14 tweets
26 May
In light of the social media discussions around Brahmin/Savarna stand-up comics' casteist 'jokes' and the sexual harassment cases at PSBB, several enthusiastic Brahmins seem to be busy calling out other Brahmins. (1/4)
Probably hoping that it would automatically give them some spontaneous clean chit.

Here is a polite reminder to all such well-meaning maama-s and maami-s. (2/4)
Irrespective of your upside down posturing and convincing performances, we are sorry to say that there is no overnight remedial process available. Don't forget that you have accumulated the same set of privileges as those you are calling out. (3/4)
Read 4 tweets
22 May
One thread on sir-ing and anna-ing people.

There is this strange and amusing phenomenon I have noticed in the Tamil film industry networks. And in fact, this is true for the Tamil political circles as well.
Whenever you meet someone who is even slightly younger to you (or sometimes even older than you), they always begin addressing you profusely as 'anna' or 'sir'.
But because I have been uncomfortable with both these terms, I often tell them that they could just call me by my first name. They initially hesitate to do that. But after repeated nudging, they agree to address you by your first name.
Read 11 tweets
20 May
A thread on Savarna standup comics and their supposed 'jokes'.

The debate around the casteist 'jokes' or tweets of Savarna standup comics has deliberately been reduced to arguing if one should 'forgive' them for something they did long ago or not.
I just want to say a few things in this regard.

The English standup comic scene in India is an elite space that is entirely monopolized by the Brahmin-Savarnas. That includes both the comics and the audience.
Which is why when Neville Shah made those casteist 'jokes', he wasn't rebuked by the audience. Instead, they lovingly lapped it up. So it is not true that Neville Shah cracked those 'jokes' because his mom died or something.
Read 21 tweets
22 Apr
A thread on 'Geeli Pucchi'!

One thing that struck me about Neeraj Ghaywan's short 'Geeli Pucchi' from the Netflix anthology 'Ajeeb Daastaan' is that it is probably one of those rare films that problematizes the role of the Brahmin woman in the caste structure.
The last decade might have seen several films that engage with the subject of caste from an anti-caste perspective. But most of these films locate their central conflict between an OBC and SC caste.
And whenever some Brahmin-Savarna filmmaker is involved, a Brahmin savior character is also thrown into the mix.
Read 22 tweets
20 Apr
One thing I realized during my three weeks long covid quarantine is that Hollywood popular cinema can make for a great watch during this period. When the quarantine started, I was being a little too ambitious and started with Krzysztof Kieslowski's 'Deklog'.
But very soon, I realized that even if one's symptoms are only mild, watching serious cinema can be very exhausting and draining.

So I quickly abandoned all sorts of serious films that demanded a lot of emotional or mental investment and went with simple Hollywood classics.
And I must say they made my quarantine quite enjoyable.

I started with Steven Spielberg's 'Catch Me If You Can' (2002). The film had the right amount of thrills and also felt like a fuzzy Christmas movie at the same time.
Read 14 tweets

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