I am going to engage in some #ClassicsDiscourse; you will all have to forgive me.

When I saw that @AntigoneJournal was running a bit by Peter Singer, I was disappointed. When I *read* the bit by Singer I was...confused?

This? This is what you flushed your reputation for?
1/14
I will, I hope, spare you all from reading it (google will provide if you must) but for the better part of 800 words, Singer tells that he had never known about Apuleius' Metamorphoses (aka 'The Golden Ass') until quite recently. "Hey I just read this" - not a great start. 2/14
He concludes, and I am not at all kidding you, that this must be because it is *bad* - because how else would noted ::checks notes:: philosopher, animal rights advocate and eugenicist (careful, that last step is a doozy) have missed it?

Clearly, it must just be bad! 3/14
To be clear, Apuleius was sufficiently popular that his work was copied, painstakingly, by hand, for centuries in multiple manuscripts, such that it is the only Roman novel - though there were others - that we have transmitted to the present complete. 4/14
A work so obscure that it was translated into English in 2011, and 2007, and 1998, and 1994, and 1989, and 1962, and 1950 (Robert Graves! Such obscurity!) and in 1910 and 1904 and 1853 and 1851 and 1822 and Year Of Our Lord FIFTEEN SIXTY-SIX. 5/14
This is a book so obscure it was translated into English first a full 60 years before noted-unimportant-author Thucydides.

Machiavelli made an (incomplete) riff translation of Apuleius. C.S. Lewis based a book on it. The 'Beauty and the Beast' tale-type is from this book. 6/14
(Beauty and the Beast - presumably another obscure tale! Must be bad!)

I was assigned this book (in translation) as an undergrad and translated it cover-to-cover in a Latin course as a post-bacc. There is a *mountain* of modern scholarship on it.

It is not obscure. 7/14
But don't worry, Singer - noted author of ::checks notes:: zero works of intentional fiction - has identified where famous, celebrated 1900-year-old fiction writer Apuleius went wrong.

See, it was all of the digressions: 8/14
Peter Singer - noted ::checks notes:: advocate for the murder of disabled people - it seems, has learned from other, better authors that they sometimes use frame stories, but he has not learned why.

And he doesn't care to!

9/14
So he is going to *fix* the World's Literal Oldest Surviving Novel by producing an edited version which - in his own😬words - "cut[s] out the episodes that stay from the main story...but still retaining the material that shows Apuleius' remarkably empathy for an animal..." 10/14
All of this is in service to the notion that Apuleius was really writing a book about animal rights which...I have my doubts. Especially if apparently the only way to make it work is to hacksaw off every part of the work which doesn't fit that thesis. 11/14
But my real question is why a "new and open forum for Classics" thought that running a 1300 word ad for what is essentially a bowdlerized version of a key classical text by a non-Classicist (and not the classically trained translator) was worth their digital pixels. 12/14
And that is of course before one gets into the considerable controversy behind the fellow himself which one might think, given the manifest paucity of the inducement of the paper itself, would have been enough to warn @AntigoneJournal off.

Was there really nothing better? 13/14
Why, @AntigoneJournal, it profits a journal nothing to give its reputation for the whole world.

But for Wales?


(My apologies to Wales and the Welsh for this likely unwelcome and demeaning comparison). end/14

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More from @BretDevereaux

24 Apr
This is an entirely fair question in response to my article in @ForeignPolicy on why we ought to avoid the term warrior (foreignpolicy.com/2021/04/19/uni…), so let's answer it. 1/25
First, we need to think about the state of the civ-mil. Is the civ-mil relationship generally good and healthy, as @EmanThinks 's argues?

I think the evidence suggests, no, the combination of changing attitudes and GWOT indicate that the civ-mil relationship is not great, 2/25
I would certainly not be the first to point out that it is a problem the huge gap between public trust in civic institutions and public trust in the military. As Lindsey Cohn noted in 2018 in War on the Rocks (warontherocks.com/2018/03/the-pr…) the growing tendency...3/25
Read 25 tweets
10 Mar
One thing I find odd is the sometimes facile dismissal (as unserious/unscholarly) of public-facing history which takes the form of "condition now is like condition then, what lessons can we take from that?"

As someone who occasionally writes in this genre, I have thoughts. 1/21
Now I don't want to conflate different kinds similar sounding arguments here. It is certainly reasonable to be tired of a particular (esp. if badly flawed) historical argument coming up again and again (e.g., the over-worn 'Thucydides trap'). 2/21
And I also don't mean the argument by non-historians that casts the historian as a useless, thin-necked poindexter who could not possibly have anything interesting to say from the 'ivory tower.'

Those folks are fools and blockheads and may safely be ignored as such. 3/21
Read 22 tweets
8 Mar
So I was watching a short video talking about people being confused about punctuation and can we please stop it with the notion that things which are contingent or arbitrary must also be purposeless or meaningless?

Yes, the way we use punctuation is entirely arbitrary...
...but so is the side of the road we drive on.

That doesn't make either thing purposeless. Drive on the wrong side of the road because it is arbitrary, and the meaning and function of the arbitrary rule will hit you like a mack truck. Possibly *as* a mack truck.
(I suppose I should clarify that the argument of the video in question was that the rules of punctuation, like all of the rules of grammar are fundamentally arbitrary (yes), and therefore 'boring' (maybe) and so may be safely jettisoned for a more expressive, free-form use (no))
Read 9 tweets
7 Mar
It being the season, the 'I got into XYZ PhD Program!' tweets kind of break my heart.

I don't rain on any parades - if you are celebrating, celebrate. You earned it!

But there's sorrow b/c unless things change, there won't be any more jobs in 5-7 years than there are now...
...and so I find myself torn between acknowledging the academic achievements - which are very real; admissions are very selective - and mourning for the fresh souls we are feeding into the academic hazing wood-chipper and dumping from there into the job market sludge.
And I can't even offer my own odd trajectory as advice. "Get a PhD, get burned by the job market, keep trying, then get some viral tweets and reddit threads and become very-low-grade internet famous for a blog' is not a career plan.

It sure wasn't my career plan.
Read 8 tweets
3 Mar
This is a really interesting question. I can't put a full answer to the question on twitter (but it has been on the blog's to-do list for a while), but I can discuss it in a little depth and give at least some idea for folks unfamiliar and seeing it show up w/ students. 1/xx
So the quickly: Europa Universalis IV is a grand strategy game where the player plays as a state (note: not a ruler, but the state itself. Rulers come and go) between c. 1450 and c. 1800.

It is, as the name suggests, the fourth such game from Swedish developer Paradox. 2/xx
As compared to other popular historical war games like Total War or Civilization, Paradox's games (including EU4) tend to trade a lot more heavily on historical accuracy and so present at least the *idea* of being a historical simulation as much as a game. 3/xx
Read 47 tweets
1 Mar
Pet peeve of mine, but there are many 'history facts' twitter feeds (good) and they often include images with the facts (also good) but sometimes don't the dates of the images.

Always differentiate 1 Period artwork, 2 scholarly reconstruction or 3 random early-modern painting.
Lay readers often cannot tell the different between period artwork/scholarly reconstruction and Renaissance of early modern (or modern) interpolation.

They tend to assume, quite reasonably, if you are showing a picture, it's because 'that's what it looked like.'
Now there's value too in showing, say, a Renaissance painting of a classical scene with some history facts about the event as a way to say 'look, this remained relevant an interesting, here's another take on it.'

But you've gotta date that painting!
Read 4 tweets

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