48 years (1919-1966)
3 generations of scholars
A critical synthesis of 1259 Manuscripts
&
12,985 plus pages across 19 volumes

-

The making of the Critical Edition of Mahabharata - A long thread Image
Mahabharata is often deemed the fifth Veda, meaning it is equally venerable as the four Vedas.

The critical edition calls it "an inexhaustible mine for the investigation of religion, mythology, philosophy, law, customs, political and social institutions of the ancient India"
A.K. Ramanujan once said that no Indian reads Mahabharata for the "first time". For many centuries common Indians have grown up with the stories and morals of Mahabharata.

But the variations in recensions of the Mahabharata matched the diversity of India equally maddeningly.
From 19th century onwards scholars and students of the epic increasingly demanded for a "Critical Edition" i.e., a common account to put it in layman's terms.

Bhandarkar Oriental Research Institute, which was founded in 1917, took up this herculean task in 1919.
N.V Udagikar initiated the project with a specimen of "Virat Parva".

Then in 1925, V.S. Sukthankar (Pictured below) was appointed as the first general editor of the project and he continued until his death on 21 January 1943. Image
In his own words , “What the promoters of this scheme desire to produce and supply is briefly this: a critical edition of the Mahābhārata in the preparation of which all important versions of the great epic shall have been taken into consideration...".
With this idea, many manuscripts were collected and collated from all across the country, from Kashmir to Kerala. They were in many scripts and languages.

Visvabharati of Sir Rabindranath Tagore & Sarswathi Mahal, Thanjavur also helped the institute in this collation effort.
Each manuscript was analysed and compared stanza by stanza; even the phrasing & wording in each line.

In the final form, stanzas appearing in the most number of manuscripts were taken as the authentic account. And that formed the "constituted text", which has 89,000 stanzas.
The critical edition also comes with a comprehensive "Critical Apparatus" which gives differing versions of the stanzas in the constituted text, and a Prolegomena on the material and methodology (volume I), written by V.S. Sukthankar.
After V.S. Sukthankar, S.K. Belvalkar was appointed as the general editor on April 1, 1943.

Upon his retirement P. L. Vaidya was appointed as General Editor of the project in 1961, while R. N. Dandekar became the joint general editor in 1957.
After 48 years & a critical study of 1259 manuscripts, the project was completed in 1966.

This photo depicts Dr. Sarvapalli Radhakrishnan, then President of India, felicitating Dr. P. L. Vaidya, on the occasion of the conclusion of the project, September 22, 1966 Image
This monumental effort needed public support and funding. It was the munificent donation of Shrimant Balasaheb Pant Pratinidhi, then chief of the Aundh Sansthan (in current satara district) who provided the much needed impetus.
The introduction of the Critical Edition explains what they aimed for succinctly.

"It is but a modest attempt to present a version of the epic as old as the extant manuscripts material will permit us to reach with some semblance of confidence... " cont.
"It is not the best text of the great epic... It only claims to be the most ancient one according to the direct line of transmission, purer than others as it is free of the obvious errors of copying and spurious addition" Image
Ever since its completion, the critical edition has become the gold standard for the study of Mahabharata. It is has been the most authentic source of reference for scholars around the world, and even for BR Chopra, who credited it as the source in his popular TV series. Image
The Critical Edition of the Mahabharata is the most cherished creation of the Bhandarkar Oriental Research Institute.

It is also going be the source material for our upcoming course, "18 Parvans of Mahabharata: An Introduction to the Incredible Epic".

Image
As we begin our "Mahabharata Month", we could not think of a better topic to start with.

Stay tuned and join us @BhandarkarI in this celebration of the #IncredibleMahabharata

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More from @BhandarkarI

2 Jun
The story of Lake Sudarshan -

A lake Emperor Chandragupta Maurya constructed > 2300 years ago, and which irrigated Junagadh (Gujarat) region for more than 777 years

(Thread) Image
The great Emperor, Chandragupta Maurya (324-297 BCE) once ordered his minister Pushyagupta to construct an irrigation lake in the present day Junagadh.

Thus at the foothills of Mount Girnar & the confluence of rivers "Suvarna Sikata" &"Palashini", lake Sudarshan was constructed.
Decades later, Emperor Ashok ordered his Greek governor, Tushaspha to design and construct irrigation canals on the lake Sudarshan.
Read 9 tweets
26 May
Today a total lunar eclipse is occurring on Vaishakh Purnima.

1402 years ago in 619 CE, a lunar eclipse occurred on Vaishakh Purnima as well.

On that day, Chalukya king Pulkeshin commissioned a copperplate inscription that eulogized his victory over Emperor Harshwardhan

1/5 this copperplate. inscription was commissioned by King Pulke
The battle between King Pulkeshin and Emperor Harshwardhan, and its outcome, was a defining moment of India's early-medieval history.

The exact timeline of the event was long uncertain, and was thought to have occurred somewhere between 610 CE - 634 CE.

2/5
However it was the discovery and the study of this inscription, and the mention of a lunar eclipse on Vaishakh purnima in it, which helped ascertain the exact year of the battle i.e., 619 CE.

3/5
Read 6 tweets
16 May
Let us tell you a story of how we digitised 7,000,000 pages of almost 16,000 rare books at to create borilib.com: one of the first world-class Indian digital library of rare books.

(thread)
Established in 1917, Bhandarkar Oriental Research Institute is home to more than 153,000 rare books (& 28,000 manuscripts). It includes collections on topics such as Vedas, Ayurveda, Buddhism, Jainism, Sanskrit & its Grammar, and Ancient Indian Philosophies to name a few.
As the institute approached its centenary year (2017), we recognised the need to evolve in a new direction. We recognised the need to protect the treasure in our care, and also the significance of making it accessible.

Hence started the mission to digitise our library.
Read 13 tweets
14 May
(Thread) Announcement of the new online course on the Mahabharata -

*18 Parvans of Mahabharata: Introduction to the Incredible Epic*
The grand epic of Mahabharata is one of the foundational heritages of India.

Mahabharata through Its core of Dharmashastra, Its insights into the intricacy of the human nature and stories of complex relationships has left an indelible mark on India's evolution.
For BORI, Mahabharata is a soul of our legacy.

Our "Critical Edition of Mahabharata" takes into account various versions of the epic compiled over centuries, and it runs into 15,000 pages of total 19 volumes.

The generational project lasted for 48 years - from 1919 to 1966.
Read 8 tweets
22 Apr
On this #EarthDay lets celebrate the profound relationship we share with our celestial mother.

Across cultures, ancient ancestors have sung praises of Earth.

Thousands of years ago In India, in Atharva Veda's "Bhoomi Sukta", our ancestors cherished Earth soulfully.

(Thread)
यस्यां समुद्र उत सिन्धुरापो यस्यामन्नं कृष्टयः संबभूवुः ।
यस्यामिदं जिन्वति प्राणदेजत्सा नो भूमिः पूर्वपेये दधातु ॥३॥

translated summary -

She is a beautiful tapestry of seas and rivers. In her, she holds our food, which manifests when we plough her.
यस्याश्चतस्रः प्रदिशः पृथिव्या यस्यामन्नं कृष्टयः संबभूवुः ।
या बिभर्ति बहुधा प्राणदेजत्सा नो भूमिर्गोष्वप्यन्ने दधातु ॥४॥

In her reside the four directions. She provides food, when ploughed. In her is alive, that what gives life. May she bestow us with the aliveness of life.
Read 6 tweets
27 Jan
Ganesha - The God of Asia (Thread)

As promised, here are 8 traces of Lord Ganesha from various countries & across many centuries. This thread is based on the book, "Ganesha - The God of Asia", by Dr. M K Dhavalikar & these images are from an exhibition by BORI of the same name.
The icon of Ganesha on the coin of King Hermaeus, who was the last Indo-Greek king, and who ruled circa B50 CE, and from the region near present day Kabul.
An illustration of a seated Ganesha from Japan
Read 11 tweets

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