Ancient Coin of the Day: Heading east today, to take a quick gander at some of the gorgeous coins produced by the Arcasids of Parthia, starting with this silver drachm of Arcases I, ca. 220-215 BC. #ACOTD#Parthia#Arcasid
The Arsacids were the ruling dynasty of Parthia from the mid-3rd Century BC until AD 224, taking their name from their founder Arsaces, who conquered Parthia ca. 238 BC, following its secession from the Seleucid kingdom.
Although autonomous coins were rapidly issued by the new dynasty, they necessarily owe much to the existing Seleucid coins, but yet were keen to communicate an idiosyncratic identity in order to distinguish the Arcasids.
Thus on the Obverse of this coin, we see the portrait of Arcases facing left, unlike the right-facing portraits on the majority of Hellenistic coins. The king also wears the bashlik – the traditional soft-pointed cap.
Similarly, on the Reverse, the archer figure now faces right - a posture that will be retained on Arsacid issues throughout the dynasty, but one which yet again drew a distinction with the archer figure on the earlier Seleucid coins.
The coins of Mithradates I, who ruled 171-138 BC, see a development of these numismatic tropes, particularly on the Reverse, where the archer figure is seen to be seated on an omphalos.
But the Reverse of Mithradates’ coin also shows a development of the Legend as the title ‘Great King’ now features - ΑΡΣΑΚΟΥ ΒΑΣΙΛΕΩΣ ΜΕΓΑΛΟΥ – though still with the dynastic name of Arcases.
Subsequent tinkering with the coin designs may be seen under Phraates II (138-127 BC), whose coins I rather admire. Note the diademed right-facing portrait, which is more stereotypically Hellenistic.
The Reverse here demonstrates further experimentation, not least with the depiction of a Tyche figure, but one with a bearded male head (perhaps indicating a fusion of the Seleucid ‘Agathos Daimon’/’Tyche’ pairing (?)).
But the Arcasid coinage perhaps peaks under Mithradates II (121-91 BC), whose coins – like this fabulous silver drachm – by the latter part of his show a portrait resplendent in a royal tiara.
The Reverse Legend here also steps things up a notch: ΒΑΣΙΛΕΩΣ ΒΑΣΙΛΕΩΝ ΜΕΓΑΛΟΥ ΕΠΙΦΑΝΟΥΣ - 'Great King of Kings, [God] Manifest' – the Greek being retained, although the legibility of the script is not what it was.
The departure from the Hellenistic models would continue in the ensuing years, including the period known as the Parthian 'Dark Age', where various figures competed for the throne.
For more on the Parthian ‘Dark Age’, see:
Simonetta, Alberto M. “A Proposed Revision of the Attributions of the Parthian Coins Struck during the So-Called 'Dark Age' and Its Historical Significance.” East and West, vol. 51, no. 1/2, 2001, pp. 69–108.
“errat, qui finem vesani quaerit amoris:
verus amor nullum novit habere modum.
terra prius falso partu deludet arantis,
et citius nigros Sol agitabit equos,
fluminaque ad caput incipient revocare liquores,...
"...aridus et sicco gurgite piscis erit,
quam possim nostros alio transferre dolores:
huius ero vivus, mortuus huius ero.
quod mihi si interdum talis concedere noctes...
"...illa velit, vitae longus et annus erit.
si dabit et multas, fiam immortalis in illis:
nocte una quivis vel deus esse potest.”
#EpigraphyTuesday – The Tombstone of Prima Florentia: ca. 2nd Century AD. Discovered in 1930 at Portus, a heart-breaking inscription, which also reflects the all-too-common domestic violence of the ancient world. #Latin
Image: Parco archeologico di Ostia antica; AE 1987.0177k
The stone was set up by a girl’s parents to commemorate her short life and brutal end: as the text refers to the murder of a teenage wife by her husband.
Text:
"Restutus Piscinesis
et Prima Restuta Primae
Florentiae filiae carissimae
fecerunt, qui ab Orfeu maritu in
Tiberi decepta est. December cognatu(s)
posuit. Q(uae) vix(it) ann(is) XVI s(emis?)"
“[...] dum talia secum
exigit Hippomenes, passu volat alite virgo.
quae quamquam Scythica non setius ire sagitta
Aonio visa est iuveni, tamen ille decorem
miratur magis: et cursus facit ipse decorem.
aura refert ablata citis talaria plantis,...
"tergaque iactantur crines per eburnea, quaeque
poplitibus suberant picto genualia limbo;
inque puellari corpus candore ruborem
traxerat, haud aliter, quam cum super atria velum...
"candida purpureum simulatas inficit umbras.
dum notat haec hospes, decursa novissima meta est,
et tegitur festa victrix Atalanta corona.”
#EpigraphyTuesday – The rather magnificent tombstone of Longinus Sdapeze, a member of ‘ala I Thracum’, a unit which may have played a role in the Claudian invasion of Britain AD 43. #Latin 🧵
Discovered in 1928 and showing evidence of ancient damage, including the break across the main inscription panel, the actual head of Longinus was not found until subsequent excavations in 1996.
Text:
“Longinus Sdapeze
Matyci (filius) duplicarius
ala prima Tracum pago
Sardi(ca) anno(rum) XL aeror(um) XV
heredes exs testam(ento) [f(aciendum)] c(uraverunt)
h(ic) s(itus) e(st)”
Ancient Coin of the Day: A gander at some coins from Britain prior to the Claudian invasion of AD 43, in particular those of Cunobelinus, the origin of Shakespeare’s Cymbeline. #ACOTD#Numismatics#Britain 🧵
Cunobelinus was a local British ruler who exerted control over a large area of south-east England, ca. AD 10-40, with a capital at Colchester. He claimed to be the son of Tasciovanus, who had ruled a kingdom centred to the north of the Thames.
The Obverse of this coin shows an ear of spelt, with the flanking Legend CA-MV, i.e. ‘Camulodunum’, Cunobelinus’ capital. Strabo (4.5.2) notes that grain is a major export of Britain, so the emblem could refer to Cunobelinus’ international trade.
“ergo aderat promissa dies et tempora Parcae
debita complerant, cum Turni iniuria Matrem
admonuit ratibus sacris depellere taedas.
hic primum nova lux oculis offulsit et ingens
visus ab Aurora caelum transcurrere nimbus...
"Idaeique chori; tum vox horrenda per auras
excidit et Troum Rutulorumque agmina complet:
“ne trepidate meas, Teucri, defendere navis
neve armate manus; maria ante exurere Turno
quam sacras dabitur pinus. vos ite solutae,
ite deae pelagi; genetrix iubet.” et sua quaeque...
"continuo puppes abrumpunt vincula ripis
delphinumque modo demersis aequora rostris
ima petunt. hinc virgineae (mirabile monstrum)
reddunt se totidem facies pontoque feruntur.”