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Jun 7, 2021 15 tweets 8 min read Read on X
Ancient Coin of the Day: Heading east today, to take a quick gander at some of the gorgeous coins produced by the Arcasids of Parthia, starting with this silver drachm of Arcases I, ca. 220-215 BC. #ACOTD #Parthia #Arcasid

Image: ANS 1991.65.1. Link - numismatics.org/collection/199… ImageImage
The Arsacids were the ruling dynasty of Parthia from the mid-3rd Century BC until AD 224, taking their name from their founder Arsaces, who conquered Parthia ca. 238 BC, following its secession from the Seleucid kingdom.
Although autonomous coins were rapidly issued by the new dynasty, they necessarily owe much to the existing Seleucid coins, but yet were keen to communicate an idiosyncratic identity in order to distinguish the Arcasids.
Thus on the Obverse of this coin, we see the portrait of Arcases facing left, unlike the right-facing portraits on the majority of Hellenistic coins. The king also wears the bashlik – the traditional soft-pointed cap. Image
Similarly, on the Reverse, the archer figure now faces right - a posture that will be retained on Arsacid issues throughout the dynasty, but one which yet again drew a distinction with the archer figure on the earlier Seleucid coins. Image
The coins of Mithradates I, who ruled 171-138 BC, see a development of these numismatic tropes, particularly on the Reverse, where the archer figure is seen to be seated on an omphalos.

Image: ANS 1944.100.82014. Link - numismatics.org/collection/194… ImageImage
This would seem to be a deliberate adaptation of the Seleucid Reverse, where the figure of Apollo was likewise seated on the omphalos.

Image: Coin of Antiochus I Soter: ANS 1967.152.671. Link – numismatics.org/collection/196… ImageImage
But the Reverse of Mithradates’ coin also shows a development of the Legend as the title ‘Great King’ now features - ΑΡΣΑΚΟΥ ΒΑΣΙΛΕΩΣ ΜΕΓΑΛΟΥ – though still with the dynastic name of Arcases. Image
Subsequent tinkering with the coin designs may be seen under Phraates II (138-127 BC), whose coins I rather admire. Note the diademed right-facing portrait, which is more stereotypically Hellenistic.

Image: ANS 1967.152.703. Link - numismatics.org/collection/196… ImageImage
The Reverse here demonstrates further experimentation, not least with the depiction of a Tyche figure, but one with a bearded male head (perhaps indicating a fusion of the Seleucid ‘Agathos Daimon’/’Tyche’ pairing (?)). Image
But the Arcasid coinage perhaps peaks under Mithradates II (121-91 BC), whose coins – like this fabulous silver drachm – by the latter part of his show a portrait resplendent in a royal tiara.

Image: ANS 1944.100.82449. Link - numismatics.org/collection/194… ImageImage
The Reverse Legend here also steps things up a notch: ΒΑΣΙΛΕΩΣ ΒΑΣΙΛΕΩΝ ΜΕΓΑΛΟΥ ΕΠΙΦΑΝΟΥΣ - 'Great King of Kings, [God] Manifest' – the Greek being retained, although the legibility of the script is not what it was. Image
The departure from the Hellenistic models would continue in the ensuing years, including the period known as the Parthian 'Dark Age', where various figures competed for the throne.
For more on the Parthian ‘Dark Age’, see:

Simonetta, Alberto M. “A Proposed Revision of the Attributions of the Parthian Coins Struck during the So-Called 'Dark Age' and Its Historical Significance.” East and West, vol. 51, no. 1/2, 2001, pp. 69–108.

jstor.org/stable/29757495
For more on later Parthian coins, see:

DILMAGHANI, J. “Parthian Coins from Mithradates II to Orodes II.” The Numismatic Chronicle (1966-), vol. 146, 1986, pp. 216–224.

jstor.org/stable/42667464

#ACOTD #Parthia #Arcasid

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More from @DocCrom

Sep 5, 2023
#EpigraphyTuesday – The Tombstone of Prima Florentia: ca. 2nd Century AD. Discovered in 1930 at Portus, a heart-breaking inscription, which also reflects the all-too-common domestic violence of the ancient world. #Latin

Image: Parco archeologico di Ostia antica; AE 1987.0177k Image
The stone was set up by a girl’s parents to commemorate her short life and brutal end: as the text refers to the murder of a teenage wife by her husband.
Text:

"Restutus Piscinesis
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Florentiae filiae carissimae
fecerunt, qui ab Orfeu maritu in
Tiberi decepta est. December cognatu(s)
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May 30, 2023
#LatinForTheDay – May 30 #Ovid 🧵

“[...] dum talia secum
exigit Hippomenes, passu volat alite virgo.
quae quamquam Scythica non setius ire sagitta
Aonio visa est iuveni, tamen ille decorem
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Read 9 tweets
May 30, 2023
#EpigraphyTuesday – The rather magnificent tombstone of Longinus Sdapeze, a member of ‘ala I Thracum’, a unit which may have played a role in the Claudian invasion of Britain AD 43. #Latin 🧵

Image: Colchester & Ipswich Museums (COLEM:1928.345). Link – cim-web.adlibhosting.com/ais6/Details/c… Image
Discovered in 1928 and showing evidence of ancient damage, including the break across the main inscription panel, the actual head of Longinus was not found until subsequent excavations in 1996.
Text:

“Longinus Sdapeze
Matyci (filius) duplicarius
ala prima Tracum pago
Sardi(ca) anno(rum) XL aeror(um) XV
heredes exs testam(ento) [f(aciendum)] c(uraverunt)
h(ic) s(itus) e(st)” Image
Read 8 tweets
May 30, 2023
Ancient Coin of the Day: A gander at some coins from Britain prior to the Claudian invasion of AD 43, in particular those of Cunobelinus, the origin of Shakespeare’s Cymbeline. #ACOTD #Numismatics #Britain 🧵

Image: British Museum (1977,0434.6). Link - britishmuseum.org/collection/obj… Image
Cunobelinus was a local British ruler who exerted control over a large area of south-east England, ca. AD 10-40, with a capital at Colchester. He claimed to be the son of Tasciovanus, who had ruled a kingdom centred to the north of the Thames.
The Obverse of this coin shows an ear of spelt, with the flanking Legend CA-MV, i.e. ‘Camulodunum’, Cunobelinus’ capital. Strabo (4.5.2) notes that grain is a major export of Britain, so the emblem could refer to Cunobelinus’ international trade. Image
Read 10 tweets
Mar 29, 2023
#LatinForTheDay – 29 March #Virgil

“ergo aderat promissa dies et tempora Parcae
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hic primum nova lux oculis offulsit et ingens
visus ab Aurora caelum transcurrere nimbus... Image
"Idaeique chori; tum vox horrenda per auras
excidit et Troum Rutulorumque agmina complet:
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Virgil, Aeneid 9.107-121
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Mar 28, 2023
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aspiciet. flagrat nitidus fulgore remisso
vultus, et adfuso cervix formosa capillo.”

Seneca, Apocolocyntosis 4.18-32
Read 9 tweets

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