Ancient Coin of the Day: As today is quite the Neronian anniversary, let’s take a look at an interesting series of coins he issued, the Decursio sestertii of AD 62-68. #ACOTD#Nero#Decursio
These coins form a novel and innovative series in the final years of Nero's reign and have provoked much discussion through their martial imagery, not least because they are very much at odds with the typical Neronian depictions.
Nero is not famed for his military coinage, being for more keen to advertise peace, such as on this aureus of AD 64-65 with a Reverse featuring the Temple of Janus.
The Obverse of the coin shows a laureate portrait of Nero, interestingly with what is thought to be an aegis at his neck, with a Legend of NERO CLAVDIVS CAESAR AVG GER P M TR P IMP P P – ‘Nero Claudius Caesar Augustus Germanicus, Pontifex Maximus...
'...with Tribunician Power, Victorious Commander, Father of the Fatherland’. The aegis in particular marks this out as a martial representation.
The Reverse shows a cuirassed Nero mounted on a horse with his cloak flying behind him, accompanied by a mounted soldier carrying a vexillum, the Legend ‘DECVRSIO’ – ‘Military Exhibition’ - appearing in exergue.
While it may be possible to connect the series with the construction of the Trimphal Arch for Corbulo's victories over the Parthians, this is perhaps not as convincing as other interpretations.
The representation on these coins may in fact be a form of theatrical performance, which perhaps better fits with the typical Neronian attitudes to both military endeavour and public spectacle.
One particular inspiration for such a performance could be the ‘lusus Troiae’ informed by the passage of Virgil’s ‘Aeneid’ (V.545-605) where a mock battle was performed as part of the anniversary games for the death of Anchises.
For more on this interpretation, see:
SMITH, DEREK R. “The DECVRSIO Sestertius Types of Nero and the Lusus Troiae.” The Numismatic Chronicle (1966-), vol. 160, 2000, pp. 282–289.
“errat, qui finem vesani quaerit amoris:
verus amor nullum novit habere modum.
terra prius falso partu deludet arantis,
et citius nigros Sol agitabit equos,
fluminaque ad caput incipient revocare liquores,...
"...aridus et sicco gurgite piscis erit,
quam possim nostros alio transferre dolores:
huius ero vivus, mortuus huius ero.
quod mihi si interdum talis concedere noctes...
"...illa velit, vitae longus et annus erit.
si dabit et multas, fiam immortalis in illis:
nocte una quivis vel deus esse potest.”
#EpigraphyTuesday – The Tombstone of Prima Florentia: ca. 2nd Century AD. Discovered in 1930 at Portus, a heart-breaking inscription, which also reflects the all-too-common domestic violence of the ancient world. #Latin
Image: Parco archeologico di Ostia antica; AE 1987.0177k
The stone was set up by a girl’s parents to commemorate her short life and brutal end: as the text refers to the murder of a teenage wife by her husband.
Text:
"Restutus Piscinesis
et Prima Restuta Primae
Florentiae filiae carissimae
fecerunt, qui ab Orfeu maritu in
Tiberi decepta est. December cognatu(s)
posuit. Q(uae) vix(it) ann(is) XVI s(emis?)"
“[...] dum talia secum
exigit Hippomenes, passu volat alite virgo.
quae quamquam Scythica non setius ire sagitta
Aonio visa est iuveni, tamen ille decorem
miratur magis: et cursus facit ipse decorem.
aura refert ablata citis talaria plantis,...
"tergaque iactantur crines per eburnea, quaeque
poplitibus suberant picto genualia limbo;
inque puellari corpus candore ruborem
traxerat, haud aliter, quam cum super atria velum...
"candida purpureum simulatas inficit umbras.
dum notat haec hospes, decursa novissima meta est,
et tegitur festa victrix Atalanta corona.”
#EpigraphyTuesday – The rather magnificent tombstone of Longinus Sdapeze, a member of ‘ala I Thracum’, a unit which may have played a role in the Claudian invasion of Britain AD 43. #Latin 🧵
Discovered in 1928 and showing evidence of ancient damage, including the break across the main inscription panel, the actual head of Longinus was not found until subsequent excavations in 1996.
Text:
“Longinus Sdapeze
Matyci (filius) duplicarius
ala prima Tracum pago
Sardi(ca) anno(rum) XL aeror(um) XV
heredes exs testam(ento) [f(aciendum)] c(uraverunt)
h(ic) s(itus) e(st)”
Ancient Coin of the Day: A gander at some coins from Britain prior to the Claudian invasion of AD 43, in particular those of Cunobelinus, the origin of Shakespeare’s Cymbeline. #ACOTD#Numismatics#Britain 🧵
Cunobelinus was a local British ruler who exerted control over a large area of south-east England, ca. AD 10-40, with a capital at Colchester. He claimed to be the son of Tasciovanus, who had ruled a kingdom centred to the north of the Thames.
The Obverse of this coin shows an ear of spelt, with the flanking Legend CA-MV, i.e. ‘Camulodunum’, Cunobelinus’ capital. Strabo (4.5.2) notes that grain is a major export of Britain, so the emblem could refer to Cunobelinus’ international trade.
“ergo aderat promissa dies et tempora Parcae
debita complerant, cum Turni iniuria Matrem
admonuit ratibus sacris depellere taedas.
hic primum nova lux oculis offulsit et ingens
visus ab Aurora caelum transcurrere nimbus...
"Idaeique chori; tum vox horrenda per auras
excidit et Troum Rutulorumque agmina complet:
“ne trepidate meas, Teucri, defendere navis
neve armate manus; maria ante exurere Turno
quam sacras dabitur pinus. vos ite solutae,
ite deae pelagi; genetrix iubet.” et sua quaeque...
"continuo puppes abrumpunt vincula ripis
delphinumque modo demersis aequora rostris
ima petunt. hinc virgineae (mirabile monstrum)
reddunt se totidem facies pontoque feruntur.”