In the mid-1960s one TV show took the world by storm: Batman! But did you know how popular he was in Japan?
Let's look back at a fascinating slice of comic book history - BatManga!
The 1966 Batman TV show created a wave of Batmania in Japan. Batman toys, records and games flew off the shelves. The popular weekly magazine Shōnen King were determined to capitalise on it.
So they approached DC Comics for the rights to write and draw their own Batman stories for the Japanese market. DC agreed, and these were published in Shōnen King between 1966 and 1967.
Jiro Kuwata was given the job of illustrating the Japanese Batman stories, having created a number of other manga heroes such as 8 Man and Maboroshi Tantae. He gave his Batman a similar manga style.
Many years later American graphic artist Chip Kidd found out about these Japanese Batman strips from avid collector Saul Ferris. With DC's agreement he bagan to collate and republish the stories, giving them the name BatManga!
BatManga stories don't feature the usual Batman villains like The Joker or The Penguin instead Jiro My data created a new range of enemies: from the sinister Doctor Faceless...
... to the epic immortal foe Lord Death Man.
The BatManga anthology was published in 2009 and contains a wealth of photos, stories and strips about Batman in Japan. Do check it out if you can
More superheroes another time..
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Today in pulp… a few musings on a new type of narrative structure that we’re seeing more and more in the 21st Century: the algorithmic story.
Don’t worry, it’s not that complex. Yet.
Algorithms are simply sets of well-defined rules used (often in combinations) to solve well-defined problems, or to help make ill-defined problems more solvable. Rubik’s cube is solved through algorithms, as are Google searches.
The key to their power is that they are unambiguous: rules is rules! Yet used repeatedly and in combinations they are extremely powerful. And they’re not always tied to the thing they operate on: a good algorithm can be applied to anything.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
Today in pulp:I recast Blakes 7 with 1970s British sit-com actors to see if it still works!
Surprisingly it does...
#Blakes7 was the BBC's dystopian space opera, running from 1978 to 1981. Cynical, bleak and violent it captured the mood of the late '70s.
But what if David Croft and Jeremy Lloyd had written it? Who would they have cast in Blakes 7: The Sitcom?
Well for Roj Blake my money's on Richard O'Sullivan. Decent, craggy, a natural leading man and a versatile actor. He also played Dick Turpin on ITV so he knows how to portray an outlaw.