Ancillary thread spilling off my Discworld one gave me a shot of perspective on something I've always felt and couldn't put into words why until now:
Bugs Bunny dressing up as a woman to fool men never feels like the typical "man in dress" transphobic pantomime farce to me.
I mean, right on the face of it, it's a stock transphobic comedy trope: man in dress coming onto presumed straight man, fooling him for antagonistic purposes, sometimes to the point of a wedding.
I think the reason it doesn't feel the same to my (and I'm not arguing with anyone who doesn't like it or has a stock rule of "cis guys in dresses for a joke is always transphobic and I'm never down with that"; that's entirely valid) is... well, that'll be in the next tweet now.
If I didn't restrict replies I'd already have three people telling me "He's literally a cartoon so of course it's not transphobic." but I can immediately picture Peter Griffin in a wedding dress in a cutaway scene and it's definitely transphobic.
Anyway. I think it's a combination of three things. One is that his design is not itself gendered; if you put a female rabbit of his cartoon type next to him, you have to add gender markers to her. So visually it's less "man dresses up as woman" and more "rabbit dressed as human"
And since clothing, accessories, and other cosmetic touches are gendered then of course he can assume the gender of whatever he puts on.
Second is the Marx Bros. MO: Bugs Bunny may be a stinker, but he's rarely the aggressor. He's not preying on Sam or Elmer, he's defending himself from armed attackers. So it's not predatory on his part, and the angry response to the deception is pre-existing hostility...
...so it feels less like a trans panic scene playing out and more just one more step in the hunter-hunted scenario.
And then the third is maybe just a rephrase of the first, but he just... goes for it. Goes all in on it. There's no ashamed masculinity. It's obviously funny to him (or else he wouldn't do it) but the joke to him isn't that he's a male rabbit wearing a skirt.
Right, this wasn't one of my three reasons, which are more about surface level reactions than concrete analysis, but it's true.
Bugs is a comic trickster figure, mercurial and fluid by nature. He takes on whatever attributes the gag requires.
Like, he can put on a wig, a tux, and an attitude and walk into the Hollywood Bowl and be accepted immediately on sight by professional concert musicians as Leopold Stokowski, superstar conductor.
And I think from a combination of his essentially ungendered design and his absolute commitment to the bit, whatever the bit may be... but that's not fundamentally different from him becoming a Southern belle or a widowed heiress or whatever else.
I think for most cis creators and particularly ones who are trying to be funny, "Never put a guy in a dress" is a good enough general guideline for avoiding a lot of bad stuff you might not think of in a million years. I don't recommend it.
And the more that you immediately run to, "We put him in a dress! That's classic comic hijinks!" as the easy and proven way to get laughs, the less you should be doing it (but probably the less you'll care).
There was no Wabbit Loki in the void because the TVA has never caught him.
Chuck Jones wasn't thinking about queer representation when he wrote Bugs Bunny, but he also wasn't aping the British Men In Ill-Fitting Dresses panto drag stuff, and I know he did *deeply* think about the topic of cartoon characters and how they present themselves to the world.
The comments attributed to him in that thread remind me of the Duck Amuck discourse, which is a cartoon at its core about testing the limits of Daffy Duckness - at what point does Daffy Duck stop being recognizable as himself?
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I regret to inform you that I can explain exactly how TERFs read Discworld as an anti-trans text, because of course I can.
If you post as to debate these points, I may block you if it comes off like you think I'm defending/agreeing with them.
Short answer: we're the dwarves.
In the tervish reading of Discworld, the dwarves are a logical endpoint of a "transhuman" cult in which gender replaced sex and then everybody opted to be male because patriarchy. Cheery isn't a trans icon to them; she's an Adult Hu... er, Dwarven Female who recognizes biology.
Since the Dwarves who "recognize biology" (though we have no more idea what's under Cheery's skirt than we know what's going on with any dwarf deep down) are presented as sympathetic and the Dwarves who "replace sex with gender and abolish womanhood" are not...
The Alexandra Meal at McDonald's is enough boxes of McNuggets to be four more than you can actually comfortably eat, a milk shake, and a thing of fries you don't actually enjoy because you forgot they got rid of the trans fats in a move that is both transphobic and fatphobic.
Also sometimes you get the warm, fresh chocolate chip cookies and think about how much you miss those really crisp boxes of prepackaged chocolate-ish chip cookies they used to sell, which probably also had partially hydrogenated oils in them.
Any more than four and it's another meal for later. Any less than four and it's too easy to push on and finish them anyway. It's just dead center of the awkward in-between zone.
If I could do just one episode of Lower Decks, it would be about washing hands and other hygiene issues, with a soupçon of the implications of superscience on medical technology.
The two things that convinced me that the Lower Decks people are deeply in touch with the Star Trek lore were a throwaway reference to handwashing and Boimler angsting over the idea of washing out and being shipped off to a research asteroid.
Wild how many of these out-of-nowhere allegations of child trafficking involve little blonde white girls in the company of relatives who are people of color or ethnic minorities. It's a pattern that predates QAnon but I wonder how much all the QAnonsense exacerbates it.
To believe in QAnon is to believe that millions of children are being trafficked, all the time, everywhere, in plain sight, to the point that it's probably not a question of "Is it happening on my flight?" but "Who on this flight is trafficking, and who is being trafficked?"
I don't want to erase the racism here; to see a pale little blonde girl with a Black woman and think, "Obviously the child doesn't belong with her and obviously she is dangerous to the child" is racism from start to finish, and inventing crimes to excuse that reaction is, too.
Okay, IANAL (and also, I'm not a lawyer) but I see a lot of people in comments reacting to the filing's description of allegations as "facts" and "factual" as though they constitute an admission that the allegations are true, and I'm afraid this is overly optimistic.
"I'm just sharing my opinion on your character" is a pretty good defense against defamation in the land of the free and the home of the et cetera. Free speech is protected after all, and everyone's entitled to their opinion.
So if you're saying, "Just my opinion, but I think he's a scumbag in my opinion because he spiked my drink and tried to take me home, and that's my opinion" and the scumbag's lawyer says you're making factual statements, they mean "statements as to what the facts are".
So she's not satisfied with the number of people her vaccine fearmongering will kill directly. She's trying to encourage some random homicides on top of that.
Honestly, when it comes to Marjorie The Gathering, I would imagine that the death of government representatives by gun-wielding "patriots" is not an unforeseen consequence but her best case scenario.
Because first of all, it's going to spark an anti-gun backlash, which always makes for good business for gunthumpers like the NRA and her.
And second of all, it helps her spin the outreach program as evil and coercive: why would people open fire if they were just talking?