Ancient Coin of the Day: Today’s thread is about Trajan’s building projects as commemorated on coins, starting with a sestertius of the Circus Maximus ca. AD 103-111. #ACOTD#Trajan#Buildings
While he is perhaps better known for the military aspects of his reign, it cannot be disputed that Trajan was also keenly interested in building work and infrastructure, with many of his works commemorated on the coins that he issued.
The Obverse shows a laureate Trajan, with the detailed Legend IMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P – ‘For Emperor Caesar Nerva Trajan Augustus, Germanicus, Dacicus, Pontifex Maximus, with Tribunician Power, Consul for the fifth time, Father of the Fatherland’.
The Reverse shows the Circus Maximus, with the details of obelisk, spina, and metae clearly visible. The Legend reads S P Q R OPTIMO PRINCIPI – ‘The Senate and People of Rome, for the Best Ruler’ – the appearance of ‘optimo principi’ entailing the coin dates from AD 103 onwards.
Trajan is said to have enlarged and beautified the Circus Maximus (Dio 68.15.7), yet while Dio would suggest his modesty "merely inscribing on it a statement that he had made it adequate for the Roman people", coins from this period speak of his commemoration of various projects.
Both base and precious metal coins were used to commemorate these Trajanic projects, such as this aureus of AD 112-114 showing the facade of his Forum, including the statues that decorated it.
Given the importance of campaigning to his imperial image, military monuments were also commemorated, including his Column for the Dacian Wars, shown here on a sestertius of AD 112-114.
Indeed, the Dacian campaign is perhaps celebrated again in a curious coin design that appears on both as and (here) sestertius issues, showing a single-span bridge.
This bridge has been variously interpreted as perhaps being the famous bridge that Trajan, and his architect Apollodorus, set up over the Danube in AD 104, in preparation for his second Dacian campaign. Alternatively it could refer to a restoration of the Pons Sublicius.
More tantalising are those buildings on the coins which we CANNOT identify, such as this temple on a sestertius of AD 103-111, with Jupiter seated in centre of octastyle temple.
Marzano, Annalisa. “Trajanic Building Projects on Base-Metal Denominations and Audience Targeting.” Papers of the British School at Rome, vol. 77, 2009, pp. 125–158.
“errat, qui finem vesani quaerit amoris:
verus amor nullum novit habere modum.
terra prius falso partu deludet arantis,
et citius nigros Sol agitabit equos,
fluminaque ad caput incipient revocare liquores,...
"...aridus et sicco gurgite piscis erit,
quam possim nostros alio transferre dolores:
huius ero vivus, mortuus huius ero.
quod mihi si interdum talis concedere noctes...
"...illa velit, vitae longus et annus erit.
si dabit et multas, fiam immortalis in illis:
nocte una quivis vel deus esse potest.”
#EpigraphyTuesday – The Tombstone of Prima Florentia: ca. 2nd Century AD. Discovered in 1930 at Portus, a heart-breaking inscription, which also reflects the all-too-common domestic violence of the ancient world. #Latin
Image: Parco archeologico di Ostia antica; AE 1987.0177k
The stone was set up by a girl’s parents to commemorate her short life and brutal end: as the text refers to the murder of a teenage wife by her husband.
Text:
"Restutus Piscinesis
et Prima Restuta Primae
Florentiae filiae carissimae
fecerunt, qui ab Orfeu maritu in
Tiberi decepta est. December cognatu(s)
posuit. Q(uae) vix(it) ann(is) XVI s(emis?)"
“[...] dum talia secum
exigit Hippomenes, passu volat alite virgo.
quae quamquam Scythica non setius ire sagitta
Aonio visa est iuveni, tamen ille decorem
miratur magis: et cursus facit ipse decorem.
aura refert ablata citis talaria plantis,...
"tergaque iactantur crines per eburnea, quaeque
poplitibus suberant picto genualia limbo;
inque puellari corpus candore ruborem
traxerat, haud aliter, quam cum super atria velum...
"candida purpureum simulatas inficit umbras.
dum notat haec hospes, decursa novissima meta est,
et tegitur festa victrix Atalanta corona.”
#EpigraphyTuesday – The rather magnificent tombstone of Longinus Sdapeze, a member of ‘ala I Thracum’, a unit which may have played a role in the Claudian invasion of Britain AD 43. #Latin 🧵
Discovered in 1928 and showing evidence of ancient damage, including the break across the main inscription panel, the actual head of Longinus was not found until subsequent excavations in 1996.
Text:
“Longinus Sdapeze
Matyci (filius) duplicarius
ala prima Tracum pago
Sardi(ca) anno(rum) XL aeror(um) XV
heredes exs testam(ento) [f(aciendum)] c(uraverunt)
h(ic) s(itus) e(st)”
Ancient Coin of the Day: A gander at some coins from Britain prior to the Claudian invasion of AD 43, in particular those of Cunobelinus, the origin of Shakespeare’s Cymbeline. #ACOTD#Numismatics#Britain 🧵
Cunobelinus was a local British ruler who exerted control over a large area of south-east England, ca. AD 10-40, with a capital at Colchester. He claimed to be the son of Tasciovanus, who had ruled a kingdom centred to the north of the Thames.
The Obverse of this coin shows an ear of spelt, with the flanking Legend CA-MV, i.e. ‘Camulodunum’, Cunobelinus’ capital. Strabo (4.5.2) notes that grain is a major export of Britain, so the emblem could refer to Cunobelinus’ international trade.
“ergo aderat promissa dies et tempora Parcae
debita complerant, cum Turni iniuria Matrem
admonuit ratibus sacris depellere taedas.
hic primum nova lux oculis offulsit et ingens
visus ab Aurora caelum transcurrere nimbus...
"Idaeique chori; tum vox horrenda per auras
excidit et Troum Rutulorumque agmina complet:
“ne trepidate meas, Teucri, defendere navis
neve armate manus; maria ante exurere Turno
quam sacras dabitur pinus. vos ite solutae,
ite deae pelagi; genetrix iubet.” et sua quaeque...
"continuo puppes abrumpunt vincula ripis
delphinumque modo demersis aequora rostris
ima petunt. hinc virgineae (mirabile monstrum)
reddunt se totidem facies pontoque feruntur.”