But did you know, there’s a real story behind the plot around the 'lost city' of #Akator and the #Ugha tribe - and that it is no less movie material?
Okay, 'real story’ may be a bit of a stretch in this case, admittedly.
It's more 'story' than real, to be honest - but still, let's take a closer look ...
That story starts with a mysterious 'Indian' all of a sudden appearing in Brazil from the depths of the jungle in the summer of 1972 - introducing himself as #TatuncaNara ("big water snake"), chieftain of the #UghaMongulala (yes, you read this correct) tribe …
The fact that this mysterious white 'Indian' (you guess where the story’s going, don’t you?) barely spoke Portuguese, but fluently German was … remarkable (and still will play a role in this story).
The more remarkable was the tale he kept telling everyone who would listen.
#KarlBrugger, a German author and foreign correspondent was one of those who would listen to #Tatunca’s tale, apparently believing enough of it (or it's potential) to publish this "#ChronicleOfAkakor" in 1976 (preface contribution of English edition depicted here major spoiler).
Ah, #Akakor - an alleged ancient underground city deep in the jungle somewhere between Brazil, Bolivia, and Peru which, according #Tatunca's story, has it all: lost pyramids, occult wisdom, and divine (a.k.a. 🙌 #AncientAliens 🙌) technology …
That #TatuncaNara spun a colorful story and history of this powerful ancient empire, not just one #LostCity™ but several of those, mandatory treasure included.
Sounds more like a pulp novel you say? Well, you’re probably right …
While #Brugger seemed convinced by the #Akakor story (at least enough to find a publisher for it), it had one big flaw. There was only one single source for this fantastic tale: #TatuncaNara.
And of course, if a story sounds to good to be true - it usually is …
In 1990 German confectioner-turned-adventurer and activist #RüdigerNehberg dug deeper. Together with film maker #WolfgangBrög they convinced #Tatunca into taking them on an expedition and - exposed the #hoax.
The self-proclaimed Indian #TatuncaNara was ... a German citizen: #HansGüntherHauck, born in 1941 in Coburg – who had been 'disappeared' in the 1960s (due to financial difficulties, apparently).
Ok, so what? A roguish prank, a fooled a journalist and his readers. An old story of lost cities and treasure in yet another variation ...
No harm done? Not quite.
For one, #Tatunca/Hauck turned his fame into a business, guiding tourists into the jungle - a prospect of #Akakor included assumedly.
After some of his clients went missing under unclear circumstances (at least one found dead), questions were raised:
Additionally, the whole #Akakor story's still out there. Despite having been debunked long ago, it’s a still often cited trope fuelling #pseudoarchaeology narratives about ancient civilisations, incl. the racist deprivation of ancient and #Indigenous people's culture and history.
It gets worse: According #Brugger’s record of #Tatunca’s story 2,000 Nazi soldiers made it to Brazil in WWII, teaming up with the #Ugha. Their (white) descendants still living in the underground cities to this day, the rightful heirs to all this ancient super technology etc. pp.
TL;DR: If you thought "#IndianaJones and the #KingdomOfTheCrystalSkull" was not the most creative movie ever written, brace yourself to find the background story of its plot even more outlandish.
(Forgot to alt-text the image, so here we go: Photo of the so-called shaft scene in Lascaux Cave showing a bison, a man lying in front of it, and a a bird-figure on a stick underneath. There's an additional line at the man's feet and another one crossing the bison's back.)
For those interested: The "bird on a stick" has been discussed as possibly representing a #SpearThrower.
Of course, the phallus-flashing guy gets all the headlines.
Well, it *is* quite a picturesque scene - one fitting #Neolithic iconographic conventions in the region & an apparently strong focus on male depictions (here's e.g. a comparable image from contemporary #GobekliTepe).
Maybe fuelled by recent claims that #Neolithic hunters were too "simple" and thus not capable of cultural achievements, there seems to be a misunderstanding about the "#pottery" part in #PrePotteryNeolithic (PPN).
They actually *did* use vessels. Just other vessels.
A short 🧵:
Well known and clearly associated with #PrePotteryNeolithic contexts are e.g. #StoneVessels from different places like #KörtikTepe in Turkey or #JerfElAhmar and #TellAbr in Syria as well as (often fragmented though) many more related sites (including Göbekli Tepe by the way).
Bringing up the #GöbekliTepe fragments since they illustrate why finding complete vessels is comparably rare: the material was too valuable to not re-use it.
This find (calling it a #CompositeSculpture may be the more appropriate archaeological terminology) is of special interest since it represents a special type of early #Neolithic sculpture in the region also known from other sites:
4.30 o'clock. Ante meridiem. It's still dark outside, the dim light barely enough to distinguish a black thread from a white one: The muezzin just called the faithful to prayer and, probably unintentionally, the archaeologists to finally get up as well.
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Breakfast at such an early hour basically consists of not more than some strong tea, a slice of soft white flatbread (which will be rather dry within the hour), and a handful of olives ...