But did you know, there’s a real story behind the plot around the 'lost city' of #Akator and the #Ugha tribe - and that it is no less movie material?
Okay, 'real story’ may be a bit of a stretch in this case, admittedly.
It's more 'story' than real, to be honest - but still, let's take a closer look ...
That story starts with a mysterious 'Indian' all of a sudden appearing in Brazil from the depths of the jungle in the summer of 1972 - introducing himself as #TatuncaNara ("big water snake"), chieftain of the #UghaMongulala (yes, you read this correct) tribe …
The fact that this mysterious white 'Indian' (you guess where the story’s going, don’t you?) barely spoke Portuguese, but fluently German was … remarkable (and still will play a role in this story).
The more remarkable was the tale he kept telling everyone who would listen.
#KarlBrugger, a German author and foreign correspondent was one of those who would listen to #Tatunca’s tale, apparently believing enough of it (or it's potential) to publish this "#ChronicleOfAkakor" in 1976 (preface contribution of English edition depicted here major spoiler).
Ah, #Akakor - an alleged ancient underground city deep in the jungle somewhere between Brazil, Bolivia, and Peru which, according #Tatunca's story, has it all: lost pyramids, occult wisdom, and divine (a.k.a. 🙌 #AncientAliens 🙌) technology …
That #TatuncaNara spun a colorful story and history of this powerful ancient empire, not just one #LostCity™ but several of those, mandatory treasure included.
Sounds more like a pulp novel you say? Well, you’re probably right …
While #Brugger seemed convinced by the #Akakor story (at least enough to find a publisher for it), it had one big flaw. There was only one single source for this fantastic tale: #TatuncaNara.
And of course, if a story sounds to good to be true - it usually is …
In 1990 German confectioner-turned-adventurer and activist #RüdigerNehberg dug deeper. Together with film maker #WolfgangBrög they convinced #Tatunca into taking them on an expedition and - exposed the #hoax.
The self-proclaimed Indian #TatuncaNara was ... a German citizen: #HansGüntherHauck, born in 1941 in Coburg – who had been 'disappeared' in the 1960s (due to financial difficulties, apparently).
Ok, so what? A roguish prank, a fooled a journalist and his readers. An old story of lost cities and treasure in yet another variation ...
No harm done? Not quite.
For one, #Tatunca/Hauck turned his fame into a business, guiding tourists into the jungle - a prospect of #Akakor included assumedly.
After some of his clients went missing under unclear circumstances (at least one found dead), questions were raised:
Additionally, the whole #Akakor story's still out there. Despite having been debunked long ago, it’s a still often cited trope fuelling #pseudoarchaeology narratives about ancient civilisations, incl. the racist deprivation of ancient and #Indigenous people's culture and history.
It gets worse: According #Brugger’s record of #Tatunca’s story 2,000 Nazi soldiers made it to Brazil in WWII, teaming up with the #Ugha. Their (white) descendants still living in the underground cities to this day, the rightful heirs to all this ancient super technology etc. pp.
TL;DR: If you thought "#IndianaJones and the #KingdomOfTheCrystalSkull" was not the most creative movie ever written, brace yourself to find the background story of its plot even more outlandish.
Buried with an aurochs and, among other animals, canid and marten bones - the fascinating case of a 12,000 y/o early #Neolithic burial reported from #ÇemkaHöyük in Türkiye's 🇹🇷 Upper Tigris Basin - interpreted as possible "#shaman":
E. Kodaş et al., A “shaman” burial from the PPNA settlement of Çemka Höyük, Upper Tigris Basin, Turkiye, L'Anthropologie in press (corrected proof 9 July 2024). 🔐
Which adds nicely to the few other rather similar "#ShamanBurials" known, like e.g. the #Natufian one from #HilazonTachtit in a small cave in northern Israel, about the same age:
(Forgot to alt-text the image, so here we go: Photo of the so-called shaft scene in Lascaux Cave showing a bison, a man lying in front of it, and a a bird-figure on a stick underneath. There's an additional line at the man's feet and another one crossing the bison's back.)
For those interested: The "bird on a stick" has been discussed as possibly representing a #SpearThrower.
Of course, the phallus-flashing guy gets all the headlines.
Well, it *is* quite a picturesque scene - one fitting #Neolithic iconographic conventions in the region & an apparently strong focus on male depictions (here's e.g. a comparable image from contemporary #GobekliTepe).
Maybe fuelled by recent claims that #Neolithic hunters were too "simple" and thus not capable of cultural achievements, there seems to be a misunderstanding about the "#pottery" part in #PrePotteryNeolithic (PPN).
They actually *did* use vessels. Just other vessels.
A short 🧵:
Well known and clearly associated with #PrePotteryNeolithic contexts are e.g. #StoneVessels from different places like #KörtikTepe in Turkey or #JerfElAhmar and #TellAbr in Syria as well as (often fragmented though) many more related sites (including Göbekli Tepe by the way).
Bringing up the #GöbekliTepe fragments since they illustrate why finding complete vessels is comparably rare: the material was too valuable to not re-use it.
This find (calling it a #CompositeSculpture may be the more appropriate archaeological terminology) is of special interest since it represents a special type of early #Neolithic sculpture in the region also known from other sites: