Yes, this.

And the thing is that as a writer I don't think this is terrible, or fully avoidable.

Like, if the audience could suddenly see directly into the wings at a stage play, it would also change things quite a bit.
Fiction writers will never be able to create a fully realized, fully functional, living and breathing and completely detailed world for the same reason that cartographers don't build planets. The best you can do is be aware of where the spackle is and don't make it load-bearing.
So much this. "No-Maj" is the single most tweely British thing in the books.
Given how insular and tradition-heavy the wizarding world is, and how long wizards can live, and that they had options for travel better than slow, leaky ships, I don't think there's any reason to presume that US wizarding culture would have significantly diverged from the UK one
Like, I would expect US wizards to still have British accents and still think of themselves as being British, but if we assume the weird relish for pantomiming mass culture (while remaining wildly ignorant of muggle life) extended towards becoming Panto Yanks...
...then I think we'd see "muggles" get shortened to "mugs" or dimunitized to "mugsies" or something, not replaced with a "fast-paced" abbreviation that is the same number of syllables and slower off the tongue.
The country that says "spag bol" for "spaghetti Bolognese" is the country that would have landed on "no-maj". We just say spaghetti, which means we also lost the identity of a particular sauce/serving style, making it more of a freeform, freewheeling dish.
Two different countries decided that "perambulator" was too much of a mouthful to put up with. The British grabbed an axe and chopped off syllables until they got to "pram" (p'ram___) and we grabbed a thesaurus and got "stroller". Which is shorter and easier to say.
Between those two, it's definitely the country of prams that would find no-maj a natural thing to say.
I mean, yes, but as a counterpoint: Kevin Can Fuck Himself widened the lens on a sitcom world past the point of sustainability, and it was glorious.

Thank you. For my part, I resent it, both that she didn't care enough to think about it, and that I do.

US: Spaghetti.

Italian-Americans: Spaghetti wit gravy.

UK: Well I mean it's not really quite a proper spag bol, is it?

Italians: *seething*

...the "wit" in the preceding tweet was a typo, not an attempt at accent transcription.
I guess the point of divergence might have come from the period of about 1776-1812, when the British government's point of contact with the Wizarding World had to explain why they couldn't be a go-between for wizarding interests in "The Colonies" anymore.

Now I'm stuck imagining Very Austalian Harry Potter.

"Yer a wozzer, Harry."

"He made seven horcros?"

Whole chapter about Australian Draco Malfoy getting mauled by a dropbear after ignoring Australian Hagrid's instructions not to walk under them.

Houses Gribbo, Ribbo, Slitho, and Huffpo.
Yeah, my understanding is "gravy" (an English word) in re: pasta sauce comes from how the term was used in English during the time of colonization, and became -- in isolated pockets -- another point where US held onto terminology while the UK moved on.
So the use of "gravy" to refer to a red spaghetti sauce is a feature that is peculiar to places that had British populations in colonial times AND were primary destinations for Italian immigrants during that wave of immigration.
Also, if you want to see a thoughtful deconstructive pastiche of The Whimsically Shoddy World of Harry Potter with characters who push back on the gaping gaps and horrific subtext of it all, please do check out Misfits & Magic, a @dimension20show sidequest
"Sidequest" being what Dimension 20 calls its shorter seasons with guest casts in between the longer ones; it's not an off-shoot of another season that you'd have to watch first. It also uses a different gaming system, Kids on Brooms, as opposed to being a D&D adaptation.
And if you enjoy that cast, 60% of them return for the following (and current production), The Seven, which *is* an offshoot of the main recurring storyline of Dimension 20, but I imagine you could jump into it without prior familiarity...
...the same way you might jump into a trilogy in the middle of a long-running, sprawling fantasy series as long as you're prepared to just roll with the repeated references to things like The Dragon Emperor Kalvaxus and The Elven Nation of Fallinel and so on.
The main characters of The Seven (who were previously NPCs, many of them only tangentially involved in the main plot) are almost all given soft retcons/resets as individual player characters anyway.
And if you enjoy the idea of thoughtful deconstructive parodies in RPG form, the first @dimension20show sidequest, Escape From The Bloodkeep, basically opens with the lieutenants of Sauron reacting in realtime as the jewelry hits the lava.

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More from @AlexandraErin

20 Sep
This, and also the cities exist, by and large, because we *need* a city to be there, for shipping routes and access to resources. It's like blaming people for having "shitty jobs". The alternative is those jobs don't get done.
"Why do they keep rebuilding New Orleans? Why not pick somewhere without hurricanes?"

You mean, why don't they pick up *the harbor* and move it inland? We should just put all our shipping ports in the mountains and then it doesn't matter if sea levels rise. Boom, I solved it.
The fact that New Orleans is people's homes and history and culture cannot be overlooked, but also, it's not a coincidence that people happened to settle down where our big navigable river meets the sea.
Read 6 tweets
20 Sep
LRT: The number of people who read Jay Kay's books and concluded that the purebloods must have a point about blood purity meaning *something* or it wouldn't have been in the book has changed how I think about depictions of evil in my work.
I.e., if you're going to have a tropey allegory for some real-world evil, it's not enough to just attach it to The Very Obviously Bad Guys and expect that everyone will get the point that the belief is foolish and wrong in the world of the story.
In small and large ways, the Wizarding World's obsession with blood purity (and "the right sorts of families" and all the connected ideas) matches with and maps onto widespread beliefs and prejudices in the real world.
Read 15 tweets
19 Sep
I unironically think that arms back or folded in front of them would be the answer. A centaur's arms would not meaningfully contribute to balance and I don't think they could easily perform a reciprocal motion to the gallop anyway. Best to just keep them out of the way.
I am not an expert on running, galloping, centaurs, balance, momentum, or balance so I could be wrong here. I think streamlined out of the way would be the best answer, but when charging into battle... well, real horses have the wind resistance of a cavalry officer's arms, too.
Read 6 tweets
19 Sep
Just saw an antivaxer say that everybody who died of covid was on their death bed. With a few exceptions (like that person who fell over dead on a ladder), he's not wrong. When you're in bed and dying of covid, the bed you're in is your deathbed.
And I know I'm being glib here, but the thing is, from the beginning, absolute spoon drawers on here have been going "Why not just isolate the vulnerable instead of requiring HEALTHY people to change?" as though "the vulnerable" is a distinct class. It's not.
And the idea that a death bed is some special thing in and of itself that some people are on, so you don't have to worry about covid until you're on your death bed... you don't know if it's your death bed or not. No one does until you die.
Read 4 tweets
19 Sep
Somewhere between 35,000 and 50,000. Felt amazing, 5/0 stars, would not recommend.
I've actually done this multiple times, always with either fetish fiction that is really specific to the point of incomprehensible absurdity or unworkably complex drafts for a tabletop roleplaying game.
It's basically a matter of being hyperfixated on getting something I've been thinking about a lot for a long time out of my head. Doing that sparks more ideas, I hyperfixate, and my brain won't quiet down long enough for me to feel tired or sleep.
Read 10 tweets
19 Sep
So this is from partly through a thread about dealing with cheating as a teacher rather than a School Cop, but I would like to point out that the message of this tweet is a good lesson for tabletop game running: your players will connect more to story beats that come from them.
One of the reasons you as a game runner should not get too invested in mapping out every aspect of the story in advance... people will say "Because your players will ignore it and go off on a tangent."

But they say it like that's a bad thing, an unavoidable negative. It's good!
A lot of modern indie games (like the PbtA/"___ World" style games, or the Kids On... juvenile adventures series) explicitly endorse the idea of creating the setting and direction of the story as a group activity that's part of the game's set-up.
Read 11 tweets

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