So to be serious on Bad Art Friend/Kidney Person discourse for a bit... as a satirist I'm not super comfortable with the consensus that Sonya Larson is a plagiarist.
My understanding is that she had the actual text of Dawn's note in an early draft as a placeholder, which...
...is how I wrote this post, and also my Hallelujah/Smash post earlier. And many of my non-Twitter, long-form satirical posts have passages that began their creative life as unaltered text copied and pasted from the satirized source.
It took me five or six tries to get through the New York Times Magazine article so it's entirely possible I've missed something else that I would agree is plagiarism, but if it's "earlier versions of the story contained unaltered text", or "she copied the general idea", I can't.
Because while Larson's story is not ~*about*~ Dawn (the Dawn-satirizing character is not the main character, nor is she the point of the story), a point of that character is to satirize Dawn, albeit in a way that I think she did not intend for a general audience to know about.
Okay.
Parody is still fair use, though, and unless we think she meant "This prose is too good, I can't possibly exceed its beauty." and not "HA, this is comedy gold." I still don't see it as plagiarism.
Okay, as more people point out this line, I feel like people fixing on the "too good" part as what makes it plagiarism is an example of no-tone-on-the-internet.
If you believe Larson acknowledged Dawn as the better writer and intended to profit on her talent, sure. I get that.
Yeah, see, I don't think I'm changing anyone's minds so I won't keep arguing, but I honestly don't know how anyone can look at this mess and think that at any point of it, Sonya Larson's state of mind was "I can't outdo this woman's writing."
As for "Was it presented as parody, or as fiction?"... I don't believe that's relevant. I don't think a work as a whole *needs* to be parody for it to contain parodic elements that are protected as parody. If the law disagrees with me on that point, I disagree with it.
And if you don't see how the Rose character satirizes Dawn... honestly, I don't know what to say about that. It's so clearly what's happening.
If you think that an author who wants to comment on something about you by incorporating a social media post or other statement into a work of fiction is plagiarizing you and *not* engaging in protected speech... you're certainly free to think that. But I don't, can't, and won't.
Can it be rude? Jerky? Unwarranted? Uncalled for? Off base? Sure. It can be any or all of those things.
But if it's plagiarism, I won an Alfie Award for plagiarizing the Sad Puppies.
And you can still think everybody sucks. You can still think it's plagiarism, for that matter. I can't stop you. But you can also think that everybody sucks without thinking it's plagiarism. I'm not trying to swing anybody's position on the AITA meter.
It's just that as a sometimes-satirist, I'm not thrilled with the discourse that holds that the literary equivalent of the "Sponge Bob repeating back somebody else's words in a mocking tone" meme is ethically the same thing as copying someone's answer to an essay question.
The doctrine of fair use is based on the idea that we must be free to comment on things, which can require quoting/incorporating them.
Would it have gone better if Larson had cited the source? I have to imagine that Dawn would be angrier if she'd had it rubbed in her face.
And if you're wondering how she could effectively satirize someone who was unidentified... well, it's possible that the satire element had a very small intended audience. And it's also possible she was more broadly satirizing a type of behavior rather than one specific person.
If your bottom line is "She copied words without attribution. That's plagiarism."... we're just not going to agree. And I know internet culture makes a big deal out of "Not my property. All characters belong to company. No infringement intended."... citations aren't magic...
...and I don't believe fair use is actually powered by proper citations. When someone incorporates a parodic element into a larger work, they don't usually footnote to say "This is from X. I'm commenting on Y. All rights reserved by Z."
Anyway. I said I'm not going to argue and then I wrote like twenty more tweets, so I'm going to tie it off here and turn off notifications.
Parody is protected. Parody isn't plagiarism. That's my take here.
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This IS one of the most hilarious things about NFTs, because when the bubble began, the point that got hyped up the most was "guaranteed unique", leading to widespread confusion among the public when, for instance, everybody at a ceremony got "the same NFT" of Chadwick Boseman.
Which is probably why the NFTer-Grifters have moved on from "uniqueness" as a hype point to "scarcity", which I feel is going to backfire on them in a more subtle way, as you can't explain how a digital asset is "scarce" without revealing you just chose not to make more of them.
And if you can choose to make more of them at any time, then nobody's "investment" in your "scarce" asset is actually secure. They're just trusting you not to flood the market and devalue their "holdings". Nothing in the NFT framework prevents this, or even can prevent it.
As someone with food sensory issues, I can tell you exactly what the difference is between Kellogg's frosted mini wheats and the bargain brands (K has thinner biscuits, thus higher ratio of sugar frosting to extruded fiber), and also that it's no reason to cross a picket line.
If you have a need that can literally only be answered by crossing a picket line, I'm not going to tell you to not do it, but... you don't have to make it a public referendum. You're not going to benefit from it.
Great thread, with the hilarious addition of indignant cryptobros in the QTs of various tweets going "Clearly the OP hasn't heard that sometimes NFT sellers are also selling perks like a copyright or license for the art with the NFT, which means the NFT has value."
If you're selling an album or tickets to an event or a piece of artwork -- that is legitimately yours and that you're actually selling -- and you attach it to an NFT, the NFT adds nothing to the process but waste/expense and hype.
Would I like it if there was some open source system where small venues, even ones that aren't particularly tech savvy, could set up ticketing and sell tickets for events without partnering with a big company? Sure.
NFT techbros who say NFTs are this want to be the big company.
The most ridiculous "well actually" I ever received on here was somebody who replied to one of my tweets about being "wide awake at two in the morning" to tell me that well actually "morning" refers to the time after the sun has risen, and I meant 2 at night.
Not to get all timecube in here, but... there's more than one morning. That is, "morning" has more than one meaning, and which one a person means -- when they don't overlap -- is clear from context.
Like, day and night are opposites, and when it's night it's not day, but a daily occurrence can take place at night and there are 24 hours in a day.
Words mean things, but they also mean other things, some of which seem contradictory.
Related: I had a thought the other day about the "trans is just the thin end of the wedge for transhumanism" take that circulates so often, more often on the Christofascist end of the TERfash continuum one...
...which is basically the idea that the point of "the trans agenda" can't simply be that trans people exist and would like rights, because *obviously* trans people don't exist, so we must be hiding some larger agenda, which is: transhumanism.
And the idea is that if we can be used to convince Normal People that bodies are mutable, that your body is a thing you have authority over and can modify or revise or even potentially choose to do without, then something something something... as Ana said, somehow this is bad?