1. So you've already got three unfinished projects on the go, and along comes another shiny new idea to lure you away from completing them. Why do you do this? Is it just you? (Spoiler, no: we ALL do this.) #TenThingsAboutFinishingProjects
2. But here's the thing. Just because we all do this doesn't necessarily mean we should. Part of being a better writer is knowing when to abandon a project that isn't working, and how to persevere with a project that is. Here's how. #TenThingsAboutFinishingProjects
3. First, look at your unfinished idea. Why do you want to leave it? Is it for a good reason, or is it just because you've reached the stage of your project at which you really need to work at it? #TenThingsAboutFinishingProjects
4. Writing projects are a bit like a relationship. The first part is exciting: falling in love, learning all about the other person. The next part is less about excitement, and more about about commitment. Are you a commitment-phobe? #TenThingsAboutFinishingProjects
5. If so, you need to get over it. Writing isn't all about that sudden initial flash of inspiration. It's also about hard work, rewriting, and working through the pain barrier. #TenThingsAboutFinishingProjects
6. Finishing can be scary, too. Finishing a project means that you have to proceed to the next stage - letting someone else read it. But if you don't do that, your work will never be read... #TenThingsAboutFinishingProjects
7. Are you unsure how to finish because you haven't put enough work into planning your project? If so, go back to the beginning; get to know your characters better, and decide where you need to take them. #TenThingsAboutFinishingProjects
8. Are you afraid your project isn't good enough? If so, look at what's wrong with it. This is where you get to revisit your plotting, your structure, your worldbuilding. Most things can be fixed if you know where the problem is. #TenThingsAboutFinishingProjects
9. Do you need more research to make your story convincing? If so, take time out, and do it. You'll come back to your project feeling more in control, and with knowledge at your fingertips. #TenThingsAboutFinishingProjects
10. Sometimes you just fall out of love with a project. And sometimes a project simply dies. Don't feel guilty if that happens, or feel that you've wasted your time. Ideas can be recycled, and besides - nothing you write is ever wasted. #TenThingsAboutFinishingProjects
If you enjoy these occasional threads, you might want to check out my book, TEN THINGS ABOUT WRITING. amazon.co.uk/Ten-Things-Abo…
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And on International Translation Day, we're going to be talking about translators, a sector of the literary world that deserves maximum attention, respect and gratitude, but which is often overlooked.
Any author lucky enough to be published in non-English-speaking countries has at least one translator. However, most authors don't get to meet or speak with their translators, and many don't even know their names.
This is a pity, because a good translation can make a book, just as a bad one can sink it; and the more help an author can give their translator, the better the result is likely to be.
1. The muse. Inspiration. Mojo. Doesn't matter what you call it, we all know what it's like. Sometimes the Muse just doesn't turn up. And Covid, lockdown, social media and current events aren't helping. So - how to get back in the zone? #TenWaysToGetBackYourMojo
2. First of all, don't panic. Just because you've lost your mojo doesn't mean you're broken. But if you've been struggling vainly for months, it might be a mental health issue. If so, get professional help and practice self-care. The work can wait. #TenWaysToGetBackYourMojo
1. Magic realism has many forms. I'm using the term in its loosest form, which is, as I see it, the inclusion of fantasy or magical elements in an otherwise "realistic", real-world narrative. #TenThingsAboutMagicRealism
2. The first thing is to ensure the reader's suspension of disbelief. That means making the "realistic" aspects of your real-world scenario as familiar and relatable as possible. That way your fantasy will have a solid background on which to play. #TenThingsAboutMagicRealism
People who care about words, compare and contrast the following sentences: 1. A man shot six people in Plymouth. 2. Six people were killed by a shooter in Plymouth. 3. Six people died in a shooting in Plymouth.
"A man shot six people in Plymouth." This is the simplest and most direct description: active voice, with full prominence given to the subject of the verb; that is, the man who shot six people.
"Six people were killed by a shooter in Plymouth." This version is in the passive voice, giving prominence to the six people, rather than the shooter. Even though it's a longer sentence, the meaning is already less clear, and the information that a man was involved has been lost.