Last weekend, the biggest newspaper in Canada dedicated a 2-page spread in their A section to a takedown attempt on Desmond Cole.
Things got fucked-up even before it ran. Somebody leaked it to Jon Kay, who gleefully teased that The Star had explosive shit on Cole. (thread)
Sure enough, when the piece dropped it *looked* like heavy stuff. Heavy author: Royson James, The Star's most senior black voice. Heavy length, heavy art, heavy accusations. Such as... +
•Desmond "shattered" the Black community, which doesn't "like" him.
•Desmond has "blood on his hands" from launching "personal attacks."
•Desmond is a "vindictive, envious" "Judas," who "claims to love Black people" but who assaults his "own flesh and blood..." +
It's all very dramatic rhetoric. But what did Desmond Cole actually do?
Desmond's offence, we read, was a metaphorical "lynching" of a prominent Black judge, Donald McLeod.
Yikes! That does sound serious. So how did Desmond do that? +
Desmond wrote two blog posts about McLeod, questioning whether a sitting judge could also be a lobbyist. Other people filed complaints against the judge on this basis, and McLeod was put on paid leave by the Ontario Judicial Council as they assessed the complaints. +
The council ultimately found that the McLeod had indeed crossed the line, but not egregiously so, and he was reinstated. +
James insinuates that Cole did far worse - there's a description of Justice McLeod being entrapped & deceived on a phone call.
But after multiple readings, it's unclear if Cole is accused of doing the deceiving/ entrapping or if he simply listened to a recording for a story. +
Ultimately the framing of the piece & its hyperbolic language leave a more lasting & damning impression than any facts within it. Given that this is labelled an Opinion piece, James is I guess free to call Desmond whatever names he wants.
But here's the thing - he doesn't. +
James instead repeatedly puts the condemnation of Cole into the mouths of unnamed sources:
•“Cole’s opponents say..."
•“aggrieved citizens described.." +
•"highly charged words...unfurled within the Black community."
•"...swathes of the Black community (concluded) that McLeod’s blood was on Desmond Cole’s hands.” +
These anonymous "swathes" sure do seem to hate Desmond Cole!
Not Royson James though, he "loves" Desmond. +
There is an unsubtle personal subtext to this assault - James performs his own anguish over being forced to call out Desmond Cole, a young man who he previously "greased" a path for, back when Cole was briefly a Star columnist himself... +
As for James' own connections to McLeod and McLeod's lobby group....well, it's not really clear what he is disclosing about that, if anything. Do journalists usually protest 'I was only there as a journalist!' this frequently? +
The piece is so suggestive and so filled with unattributed character assassinations and so bereft of tangible facts as to render its marquee positioning in the front section of Canada's biggest newspaper highly dubious. +
And of course, The Star is a newspaper with its own score to settle with Desmond Cole... +
Look, Desmond Cole has earned some influence and power. And like any powerful voice, he must be scrutinized and challenged.
But if the full force of The Star's editorial apparatus is to be aimed squarely at Desmond's face....shouldn't they actually have something on him? +
Ultimately, Royson James' article is an act of journalistic malpractice. An abuse of the power of the press.
Daniel Shlafman of the well-known Montreal Shlafman family (Fairmount Bagels) died last month by his own hand after allegedly murdering a sex-worker. Six days later the same newspaper that reported the crime ran a glowing obituary for him... + montrealgazette.remembering.ca/obituary/danie…
How did this happen? Did the Gazette choose to honour and respect the Shlafman family at the expense of the well-being of the murdered woman's survivors? Would they have disrespected the victim like this if she had been Shalfman's wife, and not a sex worker? +
The answers I found to those questions suggest that this was no conscious editorial decision from the Gazette, but a vulnerability in the way many (most?) newspapers are run...
Maybe the most fascinating thing about the WE saga (to me anyhow!) is the path the Kielburgers took over the years from doing labor-left activism w unions, to delivering re-branding campaigns & PR services to multinational corporations w bad reputations. canadaland.com/podcast/chapte…
When Craig started at age 12, Canadian labor unions embraced & funded his cause. After all, jobs shipped overseas to child workers/slaves meant fewer manufacturing jobs here in Canada... Craig kinda began as an anti-globalization crusader!
WE 1.0 (Free The Children) was about boycotts & factory raids. Their cause was de facto political.
But over time and with Marc's influence, Craig absorbed the ethos of "social entrepreneurship" and began dropping the jargon of Silicon Valley tech moguls.
Rewinding to the start of it, think about how @AhmarSKhan worked for a public institution that glorified & normalized a bigot who routinely incited contempt for people who look like @AhmarSKhan. Don Cherry was at the top of the heap, a star, Khan at the very bottom...
Yet Khan spoke the truth about Cherry, succinctly and accurately. Saying true things in public is what journalists are supposed to do. The accuracy of his statement was affirmed by the CBC itself when, at long last, they shitcanned Don Cherry's racist ass.
WE buildings in Kenya dedicated to visiting donors were then rededicated after those donors left. A plaque would be installed for a visit then removed & replaced with a new plaque for the next. Multiple parties were led to believe they had "built" the same charity project. 2/x
The actual physical work done in Kenya by voluntourists would be destroyed so the next batch of tourists vould re-do it. We heard of other instances of this. 3/x
A few minutes of digging reveals who he really is: not a blue-collar freedom-fighter but a kid from one of Canada's richest neighbourhoods, whose dad owned the property on which he ran his faux-Texan smokehouse.
If you've eaten at his joint or read the reviews, you know his schtick: the fetishization of Lone Star realness. Meticulous recreation of Texas "authenticity" not just in the food but in the room and in his persona.
It's a Disneyland simulation and he's the princess.
Like his media champion Rex Murphy, he's a privileged guy performing as Joe Sixpack. Plaid flannels, backwards cap, scraggly beard. It's a costume I might throw together at the last minute if I forgot it was halloween.