In 967 Yajnavaraha, a counsellor of the Khmer king Rajendravarman of Angkor, began work on the tiny, delicate but utterly exquisite Vishnu temple of Banteay Srei, ‘the jewel of Khmer art’ and one of the loveliest temples in all Southeast Asia.
Here there are magnificent images here of Durga dancing her way to victory over the buffalo God Mahisasura “filled with a sinuous pattern of limbs rounded by the sap of youth,” as Stella Kramrisch put it & cycles of sculpture from the Ramayana and the Mahabharat
There are images of Ravana shaking Mount Kailasha; the fire in the Khandava Forest, Krishna killing Kamsa, and Kama, the God of Love, firing arrows at Lord Shiva.
It was constructed, planned &patronised by Yajnavaraha who as well as a trusted advisor, or rajaguru, to the king, was also one of Rajendravarman’s leading nobles, a prominent Shaivite devotee, & a Sanskrit scholar of great erudition, as well as tutor to the Crown Prince.
Banteay Srei is fascinating as it seems to have been planned in great detail by Yajnavaraha, in part as a literary game, in part as a demonstration of his erudition, and it reveals a great deal about the Sanskrit texts which were being read in 10thC Cambodia
Banteay Srei shows how such literary and sacred texts were passed on and indeed where they were kept: Banteay Srei has two gorgeous pavilions identified as libraries.
Some of the panels show a knowledge of the poems of Kalidasa; others the Mahabharat and Ramayana and the different Puranas.
More surprising still is a panel which indicates an awareness of a female Tamil poet, Karaikkal Ammaiyar, who is said to have renouncednher great beauty and turned herself into an emaciated hag to follow Lord Shiva as an ascetic and one of the greatest devotional poets.
While much loved in Tamil lands, Karaikkal Ammaiyar does not seem to be well known even in neighbouring Andhra; yet here she is, sculpted in stone, fanged & shrivelled, sitting at Shiva's dancing feet in the distant Khmer Empire. This may be the oldest representation of her.
This is not the only surviving clue that the Khmers were in close intellectual touch with the Kings and scholars of Southern India. A frieze of the Churning of the Ocean at Angkor Wat, for example, shows a large monkey assisting the gods in their work.
This probably represents the monkey Vali who also appears in similar scenes of the Churning in the Chalukyas temples of Pattadakal.
More intriguingly, some scholars maintain that a junior branch of the Pallavas lived among the Khmers, intermarried with their royalty and that when the throne of Kanchipuram fell vacant in 728 Nandivarman Pallavamalla came from Cambodia to take over the throne there.
There is no scholarly consensus on this, and Vidya Dehejia for one is sceptical; but that firm long-distance links existed between the two Hindu kingdoms is certain.
A fascinating inscription at the entrance to the temple, studied by Dominic Goodall, talks of the education Yajnavaraha gave his younger brother: ‘Of this Yajñavarāha, who had seen the further shore of [the ocean of] knowledge, his younger brother was called Viṣṇukumāra.
"The water-lily of his mouth opened wide, drinking in again and again the nectareous moonlight of knowledge that came forth from his guru’s mouth. He received all the disciplines, beginning with that of grammar, from his elder brother...
"... as well as] all the arts and the [forms of] yoga taught by Śiva, [and] by the guru [Patañjali] . So that there should be no interruption in the transmission of knowledge, he wrote out the whole Kāśikāvṛtti..
"... and the [text whose name is] Śivasaṃhitā preceded by [the qualification] Pārameśvara-… Inspired by whom, the composition of an ākhyāyikā was produced in his native place; who, knowledgeable about various languages and scripts, acted in dramas.”
Very rarely do such scholarly curriculums get written down at this period; but to find such Sanskrit erudition so very far from home is just astonishing.
The extraordinary 11thC ruins of Preah Khan Kompong Svay lie about one hundred kilometres from Angkor Wat, and are not to be confused with the other Preah Khan in Siem Reap (famous to some as the location of Tomb Raider.)
The Kompong Svay Preah Khan is one of the last completely unrestored major Khmer monuments- a vast tumble of towers and pillars and lintels, badly looted during the time of the Khmer Rouge, when gangs drove in from Thailand to rob the site of its statuary.
I spent the night camping just outside main gate & woke to hear hornbills, parakeets, bee eater & mynahs chattering & had breakfast amid iron slag, from medieval weapon manufacture- this was the base from which Jayavarman VII marched to expel the Cham from Angkor in 1181.
In 615CE, the same year sculptors in Afghanistan began work on the second Bamiyan Buddha & just as the Sui dynasty was collapsing in China, in the N Cambodian kingdom of Chenla a Shaivite monarch named Ishanavarman I began work on a capital called Ishanapura, the City of Shiva.
Ishanapura in time became by far the largest urban centre in the region. Today it is known as Sambor Prei Kuk.
The city was built on an impressive scale: the southern temple complex, one of three, measured 300 by 270 m. Sunken tanks were accessed by steps.
Today, many of the bricks temples Isanavarman constructed are now overgrown and returning to the forests that surround them
The written history of Cambodia seems to begin in the Mekong Delta at the trading ports of Angkor Borei, Tak Eo, and its counterpart just over the Vietnamese border, Oc Eo.
Here, in the rainy season, a network of canals flood into a wide, sweet-water lagoon that strongly resembles the lagoon of Venice and which leaves the higher hills, like the early temple site of Phnom Da, as conical islands in the stream.
This lagoon became in the 1st century CE, the terminus for a trade route leading Eastwards to India, Persia & the Roman Red Sea ports & Westwards towards China. The Chinese called this area Funan; the Indians, Vyadhapura. We do not know what it was called by its own inhabitants
This inscription is arguably the oldest written document is the history of Southeast Asia and intriguingly, it starts with what seems to be an outrageous fib.
The inscription is one of seven carved on sacrificial Vedic yupa posts, which strongly resemble menhirs, erected by a King called Raja Rajendra Mulavarman around 400CE. Here the Mahabharat is invoked by the Raja who has made a sacrifice in the Kutei region of Borneo.
Mulavarman compares himself to Yudhistra of the Mahabharat and says he defeated his enemies and made them pay tax. He also claims to have brought many Shaivite Brahmins from India into his kingdom.
Prambanan is the 9thC royal temple complex of the Sanjayas of Mataram, situated immediately beneath the acropolis of their palace on the outskirts of modern Yogyakarta.
Its an extraordinary rich and sophisticated group of temples
Despite being overwhelmingly Shaivite in orientation,Prambanan contains one of the very earliest and most perfect representations in stone of the Ramayana, which, perhaps surprisingly, is more complete than any surviving cycle of similar date in India.
Candi Plaosan & Candi Sewu
Two exquisite complexes of mid 9thC Buddhist temples near Yogyakarta.
They were built by Sri Kahulunnan or Pramodhawarardhi, the daughter of Samaratungga, descendant of Sailendra Dynasty, and who was married to Rakai Pikatan of the Hindu Sanjaya dynasty.
The confluence of these two great Javanese dynasties produced these remarkable masterworks.