Rig Veda 1.22.17
"Viṣṇu traversed this (world); three times he plural nted his foot and the whole (world) was collected in the dust of his (footstep).”
Ṛṣi (sage/seer): medhātithiḥ kāṇvaḥ
the three paces of Viṣṇu imply the presence of Viṣṇu in the three regions of earth, air and heaven, in the forms of Agni, Vāyu and Sūrya, fire, wind and the sun.
According to Śākapūṇi, the step was on earth, in the firmament, in heaven; according to Aurṇavābha on Samārohaṇa or the eastern mountain, on Viṣṇupada the meridian sky and Gayaśiras the western mountain,
thus identifiying Viṣṇu with the Sun, and his three paces with the rise, culmination, and setting of that luminary
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Debunking The myth of the
So-called "Puras(forts)" in RigVeda, which According to Parpola was in BMAC where forts in circular shapes were found, the shape described in the early parts of the Rigveda as the enemy forts of Indra.
Parpola (1988) extracts the Rgvedic verses where Indra, the purandara 'fort-destroyer' is active in the destruction of the ninety-nine or hundred puras 'forts' of his enemies, the Dasas. Based on a verse from the Satapatha Brahmana (6.3.3.24-25),
and drawing on the work of Wilhelm Rau, Parpola proposes that a significant feature of these forts is that they are tripura, or have a threefold structure
Historisity of Ikshvaku dynasty with the help of Rig Veda
the Vedas were composed orally and they always were and still are, to some extent, oral literature. They must be regarded as tape recordings, made during the Vedic period and transmitted orally, and usually without the change of a single word.” (WITZEL 1997b:258).
Even this AMT fan Witzel admits Vedas are like tape recordings. So we can rely on them for historical analysis
The five aspects of Śiva known collectively as the Pañchabrahmās and whose individual names are
Īśāna,
Tatpuruṣa,
Aghora,
Vāmadeva
and Sadyojāta
are emanations from the niṣkala-Śiva
Each face symbolising the five elements.
"Here I am only presenting the Ishana aspect of Shiva & its connection with Vedas".
In the Shiva Purana, Ishana is described as a form or aspect of Shiva. The Purana states that Ishana bestows knowledge and riches on those with intelligence, while curbing evil-doers.
The basic ratios adopted in Dholavira’s plan, r = 5/4 or 1.25 (for the castle, the town, and a few other internal proportions) and 7/6 (for the middle town), must have held a special significance in the Harappan mind, most likely an auspicious one. Indeed, it is quite remarkable
The name Kāśyapa corresponds to what we find in the Pāli Alambusā Jātaka (where the son Isisiṅga is called Kassapa, and he calls his father ‘Kassapa’) and in the Mahāsāṃghika Vinaya,
but particularly to the Vedic, Epic and Purāṇic tradition, where the protagonist of this story, Ṛśyaśṛṅga or Ṛṣyaśṛṅga, is regularly connected with the Kāśyapa Gotra (Lüders 1940: 1; Keith and Macdonell 1912, I: 118)
The old argument of AMTians that so-called horse remains invariably belong to species of wild ass such as the onager (Equus hemionus onager), the khur (Equus hemionus khur), or the plain ass (Equus asinus) is unacceptable
firstly because it is sweeping in nature and produces little or no evidence, secondly because in several cases, experts have simultaneously reported remains of the wild ass from the very same sites, which implies some ability to distinguish between those species.