Who is the core group of readers yr hoping to have an impact on with your book? What ongoing conversation are you stepping into and who is having that conversation?
Well-defined + realistic = appealing to publishers. Yr book isn’t for everyone & doesn’t have to be
4. Comparable books.
Not a lit review or summary of the most impt books of all time on yr topic.
A discussion of *recent* books being read by the ppl you hope will read yr book. Establishes inductively that there’s a current readership for yr bk.
Don’t say there are no comps!
5. Table of contents + chapter summaries
Here’s where you flesh out what’ll be in the book that you described in your project description.
Explain how and why each chapter fits in the book. Don’t get wrapped up in the research content beyond a quick summary. This is a map.
6. Manuscript specs.
What’s the projected word count for the finished manuscript?(everything but the index, yes your bibliography counts)
How many images, tables, diagrams, etc. will you want to include?
Look at recent books from yr target presses to see what’s reasonable
7. Manuscript status.
2 key pieces of info to provide here:
What portions of the manuscript are currently complete and could be peer reviewed right away?
Around when do you think you could have a full manuscript ready to be peer reviewed? (Be realistic & kind to yourself)
8. Author info.
Key thing to get across here is how you’ve proven yr expertise in yr area & the fact that ppl already recognize that expertise
Degrees, jobs, teaching, publications, talks, etc. all paint this picture. You probably have more qualifications than you realize
Different presses use diff language to refer to these components but they’re all basically looking for the same things. Consult submission guidelines & ask around if something doesn’t make sense.
You can ask me if you have no one to ask! DM or email laura@manuscriptworks.com
Want more guidance on how to get your academic book published this year? Everything you need to know is in THE BOOK PROPOSAL BOOK plus there are free worksheets at bookproposalbook.com
I also run a 6-week group program if you need some structure & motivation to get a proposal done. You show up with a book project, you leave ready to talk to your top publishers about it
The upcoming session of the Book Proposal Accelerator is now full, but I also have a self-paced program to walk you thru drafting a proposal step by step, with insider tips.
The Book Proposal Shortcut for Busy Scholars is open until Sunday night (1/9)
If you’re looking for an exemplary book introduction, I suggest Kristina Wilson’s Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design. Impeccably organized + states the book’s arguments & interventions so clearly. press.princeton.edu/books/hardcove…
(I’ve had nothing to do with this book. I just bought it for my own pleasure reading and happened to really appreciate the intro as a developmental editor)
The summary of chapters toward the end is a particularly wonderful model to follow, if you’re trying to figure out how to do this for your own intro chapter or your book proposal. Wilson tells us what each chapter’s argument is and the archive of evidence from which it’s built…
I’ve been knitting for 20 yrs but my output has gone way up in the last 2. Partly bc of being home more, not having babies who need constant hands-on attn anymore & I’ve noticed more and more that I consciously turn to it to soothe anxiety. Anyway here’s what I made in 2021:
If you need to write a summary of a book chapter (you’ll definitely need to do this in your book proposal, you might also want to do it in your book’s introduction) here are the 6 elements I suggest including:
1. Working title of the chapter. If you’re at the proposal stage, don’t worry about the title changing later, it’s fine.
2. Topic of the chapter - a few words to answer the question “what’s this chapter about?”
3. The argument you make about the chapter’s topic, or if it’s more of a context/history chapter, what main point you want readers to understand. Don’t assume the chapter topic speaks for itself — ppl want to know *why* they should read the chapter & the arg tells them why
A really common piece of advice given to scholars when talking about their research (whether in a book proposal or other context) is to answer the "so what?" question. I kind of hate that formulation and here's why:
So many of the scholars I work with are writing abt the history & experiences of real people. Often they're people from communities that have been marginalized bc of racism, nationalism, etc. To read that scholar's book proposal and say "so what?" would be, IMO, deeply insulting
I try to force myself to find another way to get at the issue. It's not "so what?" because of course the information this scholar has uncovered and synthesized is important and matters to them and to a lot of other people too.
Waiting on peer reviews might be the most torturous part of publishing a scholarly book. Here are a few things you should know about them to prepare yourself if you’re waiting for yours to come in right now:
Your editor may or may not frame the reviews for you. Sometimes they do, sometimes they just send them. If at all possible, try to have a phone convo with your ed abt the reviews so you can get real talk on what they think of them and what they think is most impt to address
Remember that the reviewers don’t have the final say on anything. They make recommendations, not decisions. Your response—explaining how you’ll address criticisms if there are any—goes a long way in the publication decision (which, again, is not made by the reviewers)
The title “Editor” has become central to my professional identity over the past several years but I recently took it out of my bio on here bc I think I’m in a bit of an existential shift and focusing on other ways to support academic/scholarly authors, at least for right now
I think I’ll write a newsletter soon on the differences between editing, consulting, and coaching, and what you as an author might be looking for that would lead you to one of those types of helpers
I still do editing for many of my clients. But I think I want new people to understand that I can help in other ways. My old friends on here can still call me an editor ☺️