The old church of St Matthew's in Lightcliffe, West Yorks is now just a tower. The rest of the church was demolished in 1973, despite our strenuous efforts to save it.
The loss was of historical significance — because this was a building of pioneering Georgian construction.
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The Neoclassical building had galleries of 'pews with a view' on three sides, and surviving photographs suggest that the quatrefoil columns supporting them were made of cast iron.
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The material had been used in buildings since the late 17thC — Christopher Wren employed it in the House of Commons — but the oldest surviving example of cast iron used for gallery supports is at St James's, Toxteth, built in 1775. Lightcliffe's church was built the same year.
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Cast iron was far stronger than stone or timber when used in compression — so a cast iron column could be much slimmer than stone but bear the same weight (which must have wowed Lightcliffe's parishioners!)
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Just four years after this high-tech solution was employed at St Matthew's, Iron Bridge — the world's first bridge made of cast iron — was built at the Shropshire village of Coalbrookdale, ushering in the English Industrial Revolution.
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Although we've lost this innovative example of 18thC engineering, we can still celebrate the achievement of its adventurous builder. He was William Mallinson, Master Mason of Halifax, and his gravestone can be seen in the churchyard, just a few metres from the tower.
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The inscription records that Mallinson 'created this Chappel in the year of our Lord 1775'.
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Cast iron continued to be used in columns until the turn of the 20thC. However, by the end of the 18thC, wrought iron — more ductile than cast iron — was a booming industry, and that was once again improved upon in the mid 19thC by the production of steel.
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You could say that the ground-breaking design of old St Matthew's was a precursor to the steel-framed skyscrapers that tower above our cities today.
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So, if you visit Lightcliffe, look up at the tower and spare a thought for William Mallinson, whose use of cast iron in the church there was the start of a journey to building some of the tallest and strongest towers the world has ever seen.
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This region, at the mouth of the Humber, was marshland until it was drained in the medieval period, which explains the challenges we face today with structural movement.
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Inside the church, amidst clutter and green-streaked walls, are the architectural and artistic flourishes of six centuries, including finely carved corbels, numerous neo-classical monuments, a triple sedilia, ship graffiti, carved roof bosses, and countless other delights.
Deep in the Black Mountains is an ancient oval churchyard. It encloses a church that has clung to the mountain for over 800 yrs. Homeless headstones form a jagged line-up outside. A sundial has told the time since 1686. Inside, an oxblood rood screen survives against the odds. 1/
This veranda-style screen dominates the interior. It was carved in the 14th century and painted with an ox’s blood. The red background is peppered with stencilled white roses.
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In the centre, a cross is picked out in bare wood. It’s the ghostly reminder of the crucifix that was lost from here during the Reformation.
The mountain oak used to form the trusses at St Brothen’s, Llanfrothen were felled in the 1490s. At eye-level, they create a diminishing diamond shape. They form a continuous roof over the nave and chancel. It runs to 73ft (22m) and it takes 14,500 slates to cover it!
The church building dates to the 1200s, but the arch-braced roof trusses and cusped wind braces form a late 15th – early 16th c roof. They’re still doing their job perfectly. The site slopes from east to west, and until the 19th century, the church was part of the seashore.
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We’ve recently re-roofed the entire church. This was the first time in about 150 years the roof had been overhauled. A combination of slipped and broken slates, and nail fatigue meant we had to strip everything back and create a watertight covering.
Ye Olde Inn. Ye Olde Sweet Shoppe. Ye Olde Cheshire Cheese… The word ‘ye’ pops up all over the place – shop names to gravestones. But what if I told you that the first letter of ‘ye’ isn’t a ‘y’ at all but, þ - an Old English letter called thorn (or þorn).
But how do you get from þ to y? It all had to do with William Caxton’s printing press of 1476. Many of the type fonts used were imported from Germany or Italy. These fonts didn’t have þ, but they did have the letter Y. And so, þ was replaced with Y.
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Now, I’m no etymologist and this is only a skim of the story of thorn, but þ was pronounced ‘th’. It was never pronounced with a ‘y’ sound.
There’s such a romance to brick: they're moulded to fit a human hand, light enough to be carried, and have a soft warmth of colour and texture.
The Romans brought bricks to England, but when they left, they seemed to take brick-making with them.
Really, it wasn’t until the 15th century that brick came back into widespread use.
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Traditional bricks were made simply from clay or a clay and sand mix. For a good brick, you need two types of clay: a plastic clay and a sand-rich, non-plastic clay to off-set the tendency of the former to shrink and warp during firing.
In cobwebbed corners of churches, are carved alms-boxes. Many, like this one at Watton, Norfolk, are inscribed, urging passers-by to ‘remember the poor’. For centuries, the collections in these oaken boxes were society’s main source of poor relief.
Two of the earliest poor-boxes in English churches date from the mid-14th century and can be found on Holy Island, Northumberland. However, most surviving ones – many of which are still in use – date to the 17th century.
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Boxing Day has been a tradition in the UK for centuries. Though it only officially got that name in the 1830s… and didn’t become a bank holiday until 1871. 26th December is the feast day of St Stephen – an early deacon who made it his duty to care for the poor.