Remembering David Bowie on his birthday 🎂
📷 Norman Parkinson
Town & Country, 1982
"Bowie was his generation’s standard-bearer for rock as theater: something constructed and inflated yet sincere in its artifice, saying more than naturalism could."
- Jon Pareles
David Bowie by Mick Rock
New York, 2002
Another fine photographer we lost in 2021 #RIP
David Bowie by Mick Rock, Queenliner, UK, 1973
One of the great LP covers: David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders from Mars, from 1972.
Brian Ward took the photos in black & white, & the images were colourised by illustrator Terry Pastor.
Terry O'Neill
David Bowie on the set of The Man Who Fell To Earth, 1975
"I didn’t like his voice, because I’m a jazz fan, a blues fan, & not really into that type of music. But he was a fascinating guy to work with."
David Bowie & Iman by Irving Penn for Vogue, 1994
"Mr. Penn’s humor, prescience, and genuine kindness were utterly disarming; you became a docile hunk of clay to be shaped."
- Iman
Iman & David Bowie by Bruce Weber, 1995
Iman's 2016 tribute 💔:
"Some months ago, the stars demanded David’s presence. We surrendered a husband, a father, a father-in-law, a friend, a mentor, & all the nameless daily ecstasies that occur between people who love one another."
Wubbo de Jong
David Bowie at the Paradiso Amsterdam
March 1987
Indrani Pal-Chaudhuri
David Bowie, Le Monde, by Indrani + Markus
A fine portrait of David Bowie by Frank Ockenfels III
More David Bowie from Frank Ockenfels III. This is his version of the classic Irving Penn corner shot.
Nicolas Roeg, David Bowie & Rip Torn rehearse a scene from The Man Who Fell to Earth
📷 Steve Schapiro, 1976
David Bowie, Station to Station, 1976
The cover photo is also by Steve Schapiro, so it's likely from the same shoot.
Coffee with David Bowie ☕️
Backstage in Sweden, 1983
📷 Denis O'Regan, from his book Ricochet: David Bowie 1983, An Intimate Portrait amzn.to/31baql6
David Bowie & William S. Burroughs by Terry O'Neill, 1974
Lynn Goldsmith
David Bowie as Andy Warhol, 1995
David Bowie by David Bebbington
C-type colour print, 1969 @NPGLondon
That was the year his second album was released: "David Bowie" in the UK, "Man of Words/Man of Music" in the US. Re-released in 1972 as Space Oddity.
Pay attention, there'll be a test.
This shot has been called 'The Mona Lisa of Pop': Brian Duffy's portrait of David Bowie for the Aladdin Sane album
K3 Ultrachrome print on Fuji Baryte Gloss paper, 1973 @NPGLondon
Brian Duffy's original Polaroid image of David Bowie used on the Lodger album cover, 1979
Brian Duffy's shot of David Bowie resting on a metal support frame being made up by makeup artist Anthony Clavet and his assistant. For the cover photograph of Lodger, 1979
A contact sheet for Duffy's David Bowie Lodger shoot, 1979
Before the Lodger project, Brian Duffy took photos on the Man Who Fell To Earth set in 1975. Afterwards he and David Bowie went to White Sands to take a series of photographs.
And after Lodger it was time for 1980's Scary Monsters. David Bowie by Brian Duffy.
A contact sheet from Duffy's Scary Monsters shoot with David Bowie, 1980
"I'm an instant star, just add water."
- David Bowie
Portrait by Stephen Finer (b.1949) @NPGLondon
David Bowie reads The Idiot, in a READ poster for @ALALibrary
📷 Chalkie Davies, 1986
"But how could you live and have no story to tell?"
- Fyodor Dostoyevsky
Another Chalkie Davies photo of David Bowie becomes an @ALALibrary READ poster, 1986
Terry O'Neill
One of many great shots of David Bowie. This is from 1974.
David Bowie by Steve Schapiro, 1975
David Bowie by Steve Schapiro
LA, 1974
David Bowie by Irving Penn
New York, 1999
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#RIP Marilyn Bergman
📷 Lawrence K. Ho, 1996
"Lyrics as unabashedly romantic and time-conscious as the Bergmans’ require a singer’s complete emotional immersion to come fully alive."
- Stephen Holden
You Must Believe In Spring
I couldn't track down a photographer for this lovely 1969 shot of Alan & Marilyn Bergman. The #Oscar is for "The Windmills of Your Mind", one of many Michel Legrand songs for which the Bergmans provided the lyrics. #RIP
My favourite version is by Dusty!
The Bergmans by Lawrence K. Ho, 2015 #RIP Marilyn
So many great songs, so many award night triumphs.
The Way We Were, an Oscar-winning song from 1975, with music by Marvin Hamlisch. Grammy Song of the Year as well!
Remembering Graham Chapman on his birthday 🎂
📷 Chris Steele-Perkins, 1987
The parrot sketch was originally about a car.
"While John Cleese was typing it up, & dotting the Is & crossing the Ts, Graham took his pipe out of his mouth & said ‘what about a parrot’?"
- Bob McCabe
A more formal shot of Graham Chapman by Chris Steele-Perkins, 1987
Boxing Tonight: Jack Bodell v. Sir Kenneth Clark
Sir Kenneth (Graham Chapman): "This then is the height of the English Renaissance, the triumph of Classical over Gothic..."
(Bodell knocks Sir Kenneth down)
Voice Over: "He's down! Sir Kenneth Clark is down in eight seconds." #MPFC
Happy birthday Elvis Presley 🎂
📷 Gary Null
A shot from Elvis's 1968 Comeback Special on NBC.
"Elvis kicked 'How Much Is That Doggie in the Window' out the window and replaced it with 'Let's fuck.' The rest of us are still reeling from the impact."
- Lester Bangs
Henry Leutwyler
Elvis Presley's glasses
Henry Leutwyler
Elvis Presley's television
"The story goes that as he watched singer Robert Goulet performing on television one night, he shot out the screen of his 25-inch RCA TV."
Remembering Bill Graham on his birthday 🎂
📷 Thomas Monaster, New York, 1968
"Bill was our power guy, he’s the guy that made rock n’ roll into an art-form."
- Jerry Garcia
The Fillmore East marquee on the night Bill Graham pulled the plug, June 27, 1971.
"In a fitting climax, Albert King ripped up the joint. He was on opening night bill March 8, 1968. The house that rock built is dead."
- NY Daily News caption
📷 Thomas Monaster
Here's Bill Graham in the Fillmore East - nearly a full house.
📷 John Olson for Life, 1970
Remembering José Ferrer on his birthday 🎂
📷 Kurt Hutton
He's contemplating an assortment of noses for his role as Cyrano de Bergerac in Michael Gordon's 1950 film. He won an #Oscar for the movie, & a #Tony for the play; I'm trying to think of another instance of that happening.
José Ferrer & Judy Holliday both won acting Oscars on March 29, 1951. They were in New York that night, following the proceedings at La Zambra nightclub. They're having fun in this Slim Aarons shot.
Cyrano, meet Billie Dawn.
When José Ferrer wins for Best Actor, his close friend Gloria Swanson jumps for joy. Ferrer gets a hug from the eventual Best Actress winner, Judy Holliday.
📷 Hal Mathewson, 1951
Remembering Serge Poliakoff on his birthday 🎂
📷 Denise Colomb, Paris, 1952 @MAPatrimoine
"When Kandinsky was asked in the early 1940's about the upcoming crop of artists in Paris he said: 'For the future, my money's on Poliakoff'."
- John Russell