Brihatsamhita says Surya must be sculptured with 2 hands each holding a Kamala.His head is surrounded by a Kantimandala(halo).He wears a crown called Karandamukuta.He also wears a pair of Kundalas(earrings)made of ruby & Haara(necklace)made of pearls along with Katibandha(girdle)
Surya should also be depicted wearing an Yajnopavita. He should be depicted standing on a Padma peetha(Lotus pedestal) which should be show drawn by a Ratha consisting of 7 horses. The Ratha of Surya is called Makaradwaja. This chariot has only one wheel.
Aruna is Surya's charioteer. He is shown commanding the 7 horses. The two female attendants waving the chamara(fan) are Rajani & Nikshubha. The male figures are Danda & Pingala are to be shown besides them.
Just below Danda & Pingala, we can see two more female figures (one on right is damaged) holding a Baana & Dhanusha. They are Usha & Pratyusha. Their actions are indicative of chasing away darkness. The female figure in the center is Chhaya devi.
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The Padartha dharma sangraha of Prashastapada is one of the most important works on Physics to emerge out of ancient Bharat. The text greatly deals with the nature of matter, recognising its atomic character & the role of atoms.
The concepts discussed in the text include those which came to be later classified as classical/newtonian mechanics. Prashastapada talks about concepts like Vega(momentum), Sanyoga vibhaga(displacement), Digvishista Karyarambhakatva (Vectors), Gamana(curvilinear motion)..
Bhramana(rotary motion), Spandana(vibratory motion) among many other concepts.
The concept of Vega(momentum) which forms the basis of Newton's 2nd law of motion (F=m.a) was explained by Prashastapada centuries before Newton was born.
This partially completed monolithic Pallava rock cut temple from Mahabalipuram presents a very good visual representation of how ancient Sthapatis went about carving out material from a monolithic rock. Valayankuttai Ratha was being built during the reign of Parameshvaravarma.
If the Sthapatis had managed to complete the above Temple, it would have looked similar to the Temple below. This is the Arjuna Ratha from the same Pancha Ratha Temple complex. The Upapeetha(base) & Adisthana(plinth) remained incomplete in the previous Ratha.
This is also a good opportunity to understand the different elements that make up a Ratha type temple. It basically comprises of 6 major parts or Angas as it is called in the Shilpashastra.
Vishnudharmottara purana tells us that Dattatreya must be depicted just like Valmiki. One more iconographic text, Rupamandanam identifies Dattatreya under another name. He is called Hari-Hara Pitamaha. Ajayameru museum houses a fine sculpture of this form indianculture.gov.in/ajmer-museum-h…
Rupamandanam states that the image of Hari-Hara Pitamaha should have 4 faces, 6 hands &
single body made to stand on a pitha. The right hands should carry the akshamala, the trisula &
the gada, while the left hands should be made to hold the kamandalu, khatvanga & chakra.
For folks saying 2nd one is gym body, unhealthy etc. I haven't been to the gym for 2 years. Majority of this was achieved at home with minimal equipment and on a vegetarian diet rich in protein. One needn't go to the gym to get stronger.
The doorway of a classical Nagara style temple is probably the highest expression of art achieved in Bharat. Each and every element of the doorway including the threshold is intricately decorated. The doorway is comprised of numerous elements. Lets have a look at each element (1)
This part of the doorway is called the Lalatabimba. A miniature form of the deity present inside the Garbagriha is depicted here. (2)
On top of the Lalatabimba is an element what is known as Uttaranga. It is where usually Brahma, Vishnu, Maheshwara & sometimes even Skanda along with their respective devis are depicted. (3)