Thread about the medieval codex of the town of Villa di Chiesa, famous for its details about mining work.
📸 A page of the fourth book of the codex
Villa di Chiesa (today's Iglesias) first appeared in records in 1272, but it is likely it existed as a town since some time earlier. The Iglesiente is famous for its mines of silver which have been exploited since the Nuragic times.
After the dissolution of the Judicate-
-of Calari, Villa passed into the hands of the Count Ugolino of the Gherardesca of Donoratico (a Pisan noble family), who built the (now) cathedral in 1284 and the enclosing walls. It later fell directly into the hands of the Commune of Pisa and it's been the first town to be-
-conquered by the Catalan-Aragonese.
Already since the Pisan times, Villa di Chiesa had its codex, the Breve, which is written in Pisan vulgar and passed almost unchanged to the Aragonese period. The Breve was continuously redacted and rewritten (by the Breviaiuoli) and the-
-version we have today is of 1327. The inhabitants cared so much about it that they saved it from the fire of the town of 1354, during the rebellion against the Catalans, when most of the archive was burned.
The Breve is a rather long book, counting ~300 pages-
-in our modern standard of A3 documents. It was written exclusively on parchment made of sheepskin and was collected into a leather cover only in the 18th century. It follows the models of Pisan codices and it's written in black and red ink, with several notes at the sides.
It is divided in 4 books, marked by the number of red squares on top of each page.
The first book covers the juridical constitution of the town. There was a rector (or captain) with his officials; there was a council whose election is thoroughly described. The captain couldn't-
-have any blood relationship with the inhabitants and couldn't marry any woman of the town during his period of administration (1 year). The members of the council couldn't be relatives to the ones who were leaving the charge, and who were the ones electing them.
There is also a detailed description of the festivity of Sancta Maria of Mezo of Gosto (15th of August), with the celebration of the Candelieri.
The Breve had to be read entirely to the inhabitants within 15 days of the election of the captain.
The second book covers the criminal law. We know it was forbidden to bring weapons in the town. The capital sentence was usually beheading and women would get lighter sentences and fines with respect to men (that's because it was thought women had less self-control). Rape was-
-punished with the capital death, just like murder and commission of murder. Other grave things were playing dice, throwing dead animals in the fountains and selling wines at the mines. Also, there was a bench for fishermen to sell their fish 🤷🏻♀️
By the way, it was specified to cut the head "so that they die", because you never know.
Only Jews and lepers couldn't stay in the town. Everyone else was welcome (unless accused of treason), and all the ones who were born within the Villa were free people, even if they were -
-children of servants.
Torture could be applied only when captain and judge agreed, could not be overused and couldn't be used on pregnant women. If someone died under torture, the captain would have suffered the same torture.
The third book regards administrative rules, while the most important is the fourth, covering the work in the mines. It is the most detailed description of a medieval job in Europe.
Miners worked from Monday to Friday at midday. If the mine was close, they could come back home-
-otherwise, they would have spent the week away, but anyway they couldn't bring the pickaxes within the town. From age 17, boys could work in the mines, separating the rock containing silver from the waste. Mines were simple holes on the ground where miners climbed down with-
-ropes. That's why they were called lavoratori di fosse (pits workers, literally). The silver was then loaded in carts dragged by donkeys and taken to the ovens to melt the metal away. Those who managed these carts were called molentari.
The work of the miners was checked each-
-week by the Maestro del Monte (master of the mountains, where 'mountains' means mines), who was elected among the most expert miners with several years of residence in the town.
The mine could be owned by the same workers or they could work for someone else. If a mine was left-
-by itself, it could be automatically reacquired by someone else.
The silver could never be traded privately inside the town. All the silver had to pass through the control check of the offices which weighed it and checked the quality.
Villa di Chiesa had its own mint-
-in which the Catalan coin was produced, the alfonsino, named after the Infante Alfonso who started the production after he conquered the town, following 7 months of siege in 1324.
Here are some of my annotations that I posted while reading the codex, some time back:
Thread about Saint Anthony's festival, beginning of the Carnival traditions in Sardinia.
📸 Boe of Ottana
Saint Anthony the Abbot was born in Egypt and the appellative of "de su fogu" (of the fire) differentiates him from Saint Anthony from Padova. This "nickname" derives from the ritual of lighting up bonfires in his honour, on January 17th.
In Sardinia, on that day, wood is-
-gathered in the squares of the town and set on fire. People who expressed vows the previous year can bring larger pieces of wood. The bonfire is usually fed with cork. Smaller bonfires can be used to jump over them. The soot is used to paint faces black (sign of fertility-
Thread about the representations of Sardinia in art, literature and movies from the 19th century to the 'colonial' view, the ethnic body and the counter-reaction of Sardinian artists.
📸 Biasi
This thread covers a rather complex topic, that I don't mean to analyse in all the details. What makes it difficult is not only the way non-Sardinians saw the Island, but also the way the locals used these views to create a (false) unified, single identity, taking to the-
-extremes what was actually true. This discussion will therefore follow both the external and internal points of view.
This analysis begins from the 19th century, when the current of Positivism aroused a general interest towards different cultures. Often (if not always) this-
**Sardinian STEREOTYPES and criminal anthropology**
From Cicero to criminal anthropology, all the insults and harmful ideologies Sardinians had (have) to face.
📸 A couple of Sardinian bandits.
This is going to be a little heavy topic, involving different kinds of discrimination.
The first ones who had something to say against Sardinians were the Romans, who didn't manage to fully take control of the people. Native people still attacked Roman settlements from-
-their own refuge in the inner mountains of Sardinia. The Romans called them barbarians, because they did that to everyone, and the modern name of Barbagia derives from that. But the stereotype wasn't only for the people inhabiting the mountains, but for all Sardinians.
Sardinian pastoral songs, UNESCO intangibile heritage since 2006.
📸 Tenores of Bitti
Sardinia has a long poetic and chants tradition, linked to each other. Singing was considered a male talent, so that a typical saying told "women are born crying, men are born singing", even if we also had occurrences of women leading choirs, and women used-
-to sing in their everyday activities.
The cantu a tenore is a traditional singing linked to pastoral life and requires a group of people. The group is called tenore, from which the chants take the name. The group is usually made up by four people, with one soloist ("sa boghe")-
In Sardinia, bread is the equivalent of a basic lunch. For most part of past centuries, bread was the only thing people could eat every day. When the shepherds left their homes for weeks or months, they solely ate bread and cheese.
Bread is the metaphor for everything that is-
-good, sacred, basic. Bread couldn't be thrown away and was eaten even if stale.
The large fields and plains of Sardinia, from Marmilla, Campidano and north Sardinia, made the cultivation of wheat very favourable, so much so that Sardinia was one of the Roman Empire's granaries.
**Who killed the king? The regicide of UGONE of ARBOREA**
Thread about the unsolved murder of the judike Ugone and his daughter, Benedetta.
📸 Portrait attributed to Ugone of Arborea, church of San Gavino Monreale
During the time of Sardinian Judicates, regicide/tyrannicide, if not legal, was tolerated. It's not certain where the custom comes from, some say from Byzantine law, others from local tradition. What is certain is that the king/queen had to swear to act accordingly to the-
-people's will when they were elected, and the people could destitute them if this didn't happen.
We have at least three certain cases of regicide: the first happened in 1237 in the Judicate of Torres, when the 17-y-o king Barisone III was murdered with his tutor, leading-