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About the Ornaments of Shree Jiew's Suna Besha/Raja Besha/Raja Rajeswara Besha/Rajadhiraj Besha:- 1. Shree Hasta/Bhuja – Golden hand 2. Shree Payara/Pada Pankaj – Golden feet 3. Shree Kirita/Mukuta – Golden crown 3. Shree Mayura Chandrika – A golden peacock feather
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used by Lord Jagannath 4. Shree Chulapati – A golden ornament worn traditionally on the forehead to enhance the beauty of the face 5. Shree Kundal – Golden earring 6. Shree Rahurekha – A half square shaped golden aura around the face of the deities.
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7. Shree Mala – (Necklaces with several designs made of gold) 8. Padam/Kamala Mala -lotus shaped 9. Sevati Mala -shaped like small sun flower 10. Agasti Mala -moon shaped flower design 11. Kadamba Mala -kadamba flower design (round ball shape) 12. Kante Mala -big gold beads
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12. Kante Mala -big gold beads design 13. Mayur Mala -shaped in peacock feathers 14. Champa Mala -shaped liked yellow champa flower 15. Sri Chita – It represents the third eye of the Gods. On a Golden plate, there are eight precious gems and in the centre, is a pure jewel.
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On the middle point of the Sri Chita of Lord Balabhadra there consists a MANIKYA (Blood Stone) that represents the quality of TAMAS (ignorance & daring), in the Chita of Lord Jagannath, there is a precious DIAMOND which represents the ‘Satwik quality’ of nature, the greatest
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of all divine qualities and on the forehead of Goddess Subhadra, a PANNA (emerald) representing the ‘Raja quality’ (the second of the three natural qualities of creatures).
When all three deities come out from Srimandir on the occasion of Debsnana Purnima these original jewels are kept in Srimandir.
After return to the temple, the original chitas(jewels) are again placed on the forehead of the deities on the day called Chita Lagi Amavasya.
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16. Shree Chakra – Golden Wheel 17. Shree Gada – Golden bludgeon 18. Shree Padma – Golden lotus 19. Shree Sankha – A silver conch 20. Harida Mali 21. Bahada Mali or Garlands 22. Bagha-nakhi Mali 23. Chandra Surya 24. Tilaka 25. Allaka 26. Odiani 27. Tadaki
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The most ancient temple in the whole of Goa is Mahadev temple located at a place called Tambi Surla at Mollem.
The temple itself was built in Jain style in the Twelfth century. There are some interesting details about the construction
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itself which has led to debates about the actual origins of the temple. The temple is built in a place which is quite inaccessible and away from the main settlements of the time.
The small, beautifully carved and perfectly proportioned black basalt temple is dedicated to
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Lord Shiva is considered to be the only specimen of Kadamba-Yadava architecture in basalt stone preserved and available in Goa.
The temple faces east so that the rays of the rising sun fall on the deity at the crack of dawn. Bas-relief figures of Lord Shiva, Lord Vishnu and
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Basically, ‘Jagannath’ (ଜଗନ୍ନାଥ) is a compound word, consisting of ‘Jagat’(ଜଗତ୍) and ‘Nath’(ନାଥ). The word ‘Jagat’ (जगत्) means The Universe or Brahmanda (ब्रह्मांड) and the word ‘Nath’ denotes the Supreme Authority.
Thus, the name Jagannath itself defines its meaning as “Supreme Authority of the Universe”.
In our Odia language, the name of Mahaprabhu is linked to other names also. Many times we Odia People affectionately call Mahaprabhu with different names, such as “Jaga” (ଜଗା)
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or “Jagabandhu” (ଜଗବନ୍ଧୁ) (The Friend of the Universe). Both names are derived from “Jagannath”. Further, on the basis of the physical appearance and complexion of the deity, names like ‘Kalia’ (କାଳିଆ) (The Black-coloured deity), but which can also mean “the Timely One”
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Kampaheswarar (Sarabeswarar) Temple, Thirubuvanam, Tanjavur, Tamilnadu.
As per inscriptions found in the south wall of the temple, the shrine was constructed by the Chola king Kulothunga Chola III as a memorial of his successful North Indian campaign.
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The inscriptions in the shrine of the presiding deity is similar to the one in the outer gopuram (gateway tower), which indicates the building of the temple by Kulottunga-Choladeva. While it is unclear which Kulottunga it is, scholars have placed it at 1176 CE,
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which is closer to the reign of Kulothunga Chola III, who is believed to have been the last powerful Chola king. There are four inscriptions from Kulothunga Chola in Grantha script. The inscription 189 of 1907, the one on the southern wall of the central shrine, is damaged
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Shree Madhyamaheshwara Temple, Uttarakhand.
The temple is in the Rudrapryag district of Uttarakhand. It is very serene and is one of the most visited tourist spots from Rishikesh. There are lots of beautiful natural landscapes, rivers, glaciers and bio diversities around this
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temple. However, its grandeur is drawn from the legends.
As indicated in the classic Hindu epic, the Mahabharata, that the Pandavas went to the Prayag to cleanse their transgressions of war and kneeled for retribution before Lord Shiva. The Lord being maddened by their deed
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evaded the Pandavas in the disguise of a perfect bull. The Pandavas pursued the bull into the terrains & caves Garhwali Himalayas. In the mountains, satisfied by the Pandavas determination and contrition, Lord Shiva emerged before each & every Pandavas as a piece of that
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The magnificent sculpture of Shree Muralidhar at Hoysalesvara Temple, Halebidu, Karnataka.
Why is Bhagvan Krishna called Muralidhar or Murari. (Thread)
Lord Krishna is Either Called MuraliDhar or Murari. He is not called Murali alone because Murali means Flute.
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MuraliDhar means “One who hold the a Flute”. Krishan is often called Muralidhar as he is often seen holding a flute or playing one. The Flute and The Peacock Feather are constant companion of Lord Krishna and so he is often identified with these Items like MulariDhara or
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MorpankhDhari(One who wears a peacock Feather)
Sri Krishna is Also called Murari which is an amalgamation of two words, Mura and Ari.
Mura is the name of a Demon and Ari means Enemy. So, Murari mean ‘one who is the enemy of the Demon Mura’
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Maa Dakshinesvari Kali Temple, West Bengal. On the eve of #Diwali & #KaliPuja
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It is widely believed that in Bengal, noted 16th century Vedic/Tantric Sadhak Krishnananda Agamavagisha was the one who started Kali Puja. The tantric scholar had once dreamt of Maa Kali,
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who had until then largely been associated with death and darkness. However, the dark Devi instructed Agamavagisha to worship her in a form that highlighted her in a more motherly avatar. Thus, Agamavagisha is often attributed with popularising the worship of Kali in a milder
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iconography a form that is still worshipped across Bengal to this date.
Basically Maa Kali is represented as a woman with dark skin, four hands and long flowing hair. The top left hand holds a kharga (sword), while the bottom left hand holds the head of a demon she has slayed.
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