What does a Catholic chapel in the Cotswolds have in common with an Anglican church in the mountains of Cyprus?
Come with us on a journey from Brownshill to Troodos to find out …
In the late 1920s, Bertha Kessler and Katherine Hudson founded a Catholic retreat at Brownshill, in the Cotswolds, for people suffering from mental illness. They were inspired to build a chapel there, overlooking the Golden Valley.
They took their modest budget to W.D. Caröe, architect to the Ecclesiastical Commissioners. At 73, he had already designed 30 Anglican and non-conformist churches. The distinctive church he created at Brownshill — along with its furnishings — was eclectic, yet unpretentious ...
St Mary of the Angels’, consecrated in 1937, is a Romanesque building with a roof of Cotswold slate, a Neo-Norman chancel arch, Swedish-influenced woodwork in the gallery, and a Byzantine apse!
The Byzantine touches at Brownshill may well have been inspired by Caröe's previous project, another unusual commission. He had been the architect of St George-in-the-Forest — an Anglican chapel in Cyprus's Troodos mountains, 6000 feet above the Mediterranean sea.
The first request to build an Anglican church at Troodos was presented to Cyprus's governor and to the Bishop of the Diocese (Jerusalem) in 1927, Cyprus was at the time a British Crown Colony, and Troodos was the summer quarters of the government, troops and many civilians.
The military detachment there had been using a recreation room for services, which was inconvenient and unsuitable. A simple building of wood or corrugated iron was first proposed. However, in spring 1928, an invitation was sent to Caröe, who had spent the past winter in Cyprus.
He agreed to design a new church, at no charge. A site was soon chosen near Troodos village, in a forest of pine trees. It’s close to numerous historic Byzantine churches and monasteries, and the peak of Mount Olympus —mythical home of the Gods of Ancient Greece.
Caröe's design was for an Anglican-style church, but with consideration for the local environment and Cyprus's rich heritage. Built from mountain stones, it included a steep roof to allow snow to fall off.
As at Brownshill, Caröe designed the furnishings himself, some made of local materials, such as the altar of Cyprus cedar wood. Chairs and a piano were brought up from Nicosia, and an 18th Century icon of St. George beautifies the building.
By the time that the church opened in 1931 (when this church guide was made), Caröe must have already been working on his designs for the chapel at Brownshill.
St George-in-the-forest still serves Cyprus's English-speaking community, and is part of St. Paul’s Anglican Cathedral in Nicosia. Regular services are held outside of winter months, and Nine Lessons & Carols, with mince pies and mulled wine, in December.
We are grateful to Bill Grundy, Lay Reader of St Paul's and St George-in-the-Forest, for photographs of St George's church.
Learn more about St George-in-the-Forest, Troodos: bit.ly/3sRTZsF
St Mary of the Angels', Brownshill in Gloucestershire was Caröe’s only Catholic church, and it was to be his last. He died just a year after it opened.
This serene chapel has been in our care since 2011. Find out more:
The earliest English & Welsh burial records go back to 1538, when Henry VIII made it law that parishes keep registers of baptisms, marriages and burials.
But a few records and medieval memorials survive to give us clues about people who were laid to rest in earlier times. #thread
The earliest record of a burial at St Beuno's, Penmorfa, is found in The History of the Gwydir Family, written by Sir John Wynn of Gwydir Castle in Caernarvonshire (1553-1626). The book, which was a big hit in 17thC North Wales, aimed to show that Sir John had royal ancestry.
2/
Sir John wrote that in abt 1450, Ivan Ap Meredith Ap Howell (constable of Criccieth) had joint command of Caernarfon but "dying at Caernarvon, his body was brought by sea (for the passages by land were shut by Owen Glyndwr's forces), to Penmorva, his parish church, to be buried."
There are remains of roodscreens in ~300 churches in Wales. They were constructed in a short period: two generations either side of 1500, and take three forms: veranda, coved and vaulted.
This survival at Llanelieu is the most complete example of a veranda loft in Wales. #thread
Towards the of last year the @RCAHMWales published, Painted Temples: Wallpaintings and Rood-screens in Welsh Churches, 1200–1800 by Richard Suggett. For information and images, this book is a treasure trove.
One chapter deals exclusively with rood screen, which in Wales are distinctive not only for their “lavish enrichment, fluent decoration and curious carvings”, but also for the literary dimension – as several screens had poems written about them.
In the Vale of Aylesbury, there are low-lying limestone hills surrounded by clays and sands. There, at Waddesdon Hill in 1792, ragged limestone was used to build the Strict & Particular chapel. And under the pebble-dash render, we found an ammonite as big as your head!
The chapel had a thick layer of lumpy cement render on three sides, the last side had a light slurry of lime mortar. The render was causing problems of damp and decay, so we removed it to replace with a more permeable lime layer.
2/6
During the removal, we’ve been fascinated by all the fossils – some small, some enormous – that we’ve uncovered. The gigantic ammonite spiral is a real thrill, but there are several brachiopods (clam-shell shape) and chunky crinoid stems too.
The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.
2/7
The thirty-four coving panels are decorated with seventeen different designs, creating a restlessness. The tracery heads hang like lace. The loft carries a line of twenty-five canopied niches. The carving is the work of the Newtown School of Carvers, Montgomeryshire.
In churches, hard surfaces and sharp angles of stone, brick, glass and wood are softened by the delicate draping of intricately woven and embroidered altar-cloths, comfortable cushioning of communion kneelers & pleasing curves of plump hassocks, stitched with great care. 🪡
1/5
Today we’re celebrating our churches’ softer side …
1. Altar cloth, St Mary's, Long Crichel, Dorset ⬆️
2. Altar frontal, St Philip's, Caerdeon, Gwynedd ⬇️
2/5
3. Hassocks, St Andrew's, Woodwalton, Cambridgeshire
When we took Tuxlith Chapel in West Sussex into our care in the 1970s, it had been derelict for decades. At the time we didn't have enough money to re-instate the lath and plaster ceiling, so we nailed some painted boards across the ceiling.
1/5
This did the trick until last year, when the boards began to fail, so we went back, and this time, thanks to a Culture Recovery Fund grant, we can restore the lath and plaster ceiling.
The plasterer, Ian Holloway, carefully removed all the rusting nails and damp boards, and has set out the base for his plaster: carefully spaced riven oak laths.