The earliest English & Welsh burial records go back to 1538, when Henry VIII made it law that parishes keep registers of baptisms, marriages and burials.
But a few records and medieval memorials survive to give us clues about people who were laid to rest in earlier times.
#thread
The earliest record of a burial at St Beuno's, Penmorfa, is found in The History of the Gwydir Family, written by Sir John Wynn of Gwydir Castle in Caernarvonshire (1553-1626). The book, which was a big hit in 17thC North Wales, aimed to show that Sir John had royal ancestry.

2/
Sir John wrote that in abt 1450, Ivan Ap Meredith Ap Howell (constable of Criccieth) had joint command of Caernarfon but "dying at Caernarvon, his body was brought by sea (for the passages by land were shut by Owen Glyndwr's forces), to Penmorva, his parish church, to be buried."
However, as late as 1870, a stone marking an even older burial could be seen in St Beuno's. It was inscribed with the year 1322, and locals believed it to be the burial place of the owner of Rhiwaedog, an ancient estate in the Penllyn forest, about 30 miles from Penmorfa. 

4/
There were many legends associated with Rhiwaedog. One such legend tells of an egg-sized crystal which was passed from generation to generation and is said to have had the power to foretell the death of the head of the household when its brilliant colour became clouded.

5/
Unfortunately, what became of the 14th century gravestone at St Beuno's after 1870 is a mystery.

But here's Penmorfa churchyard in Gwynedd today, glimpsed from the Lychgate.

6/6
⭐️ Bonus tweet: The earliest dated version of The History of the Gwydir Family has been digitised by @nlwales. A gold star to anyone who can find the page mentioning Penmorfa ... ⭐️

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More from @friendschurches

Feb 20
What does a Catholic chapel in the Cotswolds have in common with an Anglican church in the mountains of Cyprus?

Come with us on a journey from Brownshill to Troodos to find out … ImageImage
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Feb 19
There are remains of roodscreens in ~300 churches in Wales. They were constructed in a short period: two generations either side of 1500, and take three forms: veranda, coved and vaulted.

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Towards the of last year the @RCAHMWales published, Painted Temples: Wallpaintings and Rood-screens in Welsh Churches, 1200–1800 by Richard Suggett. For information and images, this book is a treasure trove.  

Order it here: bit.ly/3BwgxmE

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One chapter deals exclusively with rood screen, which in Wales are distinctive not only for their “lavish enrichment, fluent decoration and curious carvings”, but also for the literary dimension – as several screens had poems written about them.

3/
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Feb 13
In the Vale of Aylesbury, there are low-lying limestone hills surrounded by clays and sands. There, at Waddesdon Hill in 1792, ragged limestone was used to build the Strict & Particular chapel. And under the pebble-dash render, we found an ammonite as big as your head!

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The chapel had a thick layer of lumpy cement render on three sides, the last side had a light slurry of lime mortar. The render was causing problems of damp and decay, so we removed it to replace with a more permeable lime layer.

2/6
During the removal, we’ve been fascinated by all the fossils – some small, some enormous – that we’ve uncovered. The gigantic ammonite spiral is a real thrill, but there are several brachiopods (clam-shell shape) and chunky crinoid stems too.

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Feb 12
Off a layby on the A483, you'll find a sunken churchyard. Walk down the avenue of sentinel yews and you'll discover the little church of St Anno.

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#thread
The majestic 15th-century roodscreen fills the interior. It bursts with life: the bressumer trails with vines, pomegranates and water-plant issuing from the mouth of a wyvern. The vines symbolise Christ. The pomegranate represents eternal life.

2/7
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1/5
Today we’re celebrating our churches’ softer side …

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2/5
3. Hassocks, St Andrew's, Woodwalton, Cambridgeshire

📷 @badger_beard

3/5
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Feb 10
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1/5
This did the trick until last year, when the boards began to fail, so we went back, and this time, thanks to a Culture Recovery Fund grant, we can restore the lath and plaster ceiling.

2/5

#HereForCulture
Here it is in an early phase of the work.

The plasterer, Ian Holloway, carefully removed all the rusting nails and damp boards, and has set out the base for his plaster: carefully spaced riven oak laths.

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