This idea seems to have some connection to the wyvern's serpent-like nature and to the serpent in the Garden of Eden.
(BnF, Français 15213 f.63v)
The wyvern (or sometimes the viper or serpent, depending on the bestiary) is like the Serpent in the Garden, unable to approach the pure Adam and only able to come close once Adam has Fallen (and realized his nudity).
(BnF, Français 1444 f.258)
Look how happy this one is to see a fully dressed person.
(Morgan Library, MS M.459 fol. 5r)
"No, I don't to be hugged, you ridiculous nudist!"
(BnF, Latin 2843E f.70v)
Sometimes this is applied to totally unrelated animals, like this big cat-thing (probably a Woutre) that seems terrified of a naked man.
(Arsenal, 3516 f.200v)
Basically, medieval wyverns are perpetually afraid that there's a naked person nearby.
(BnF, Français 412 f.229v)
"There.....there's a nudist colony behind me right now, isn't there?"
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A #MedievalTwitter thread on some early medieval interactions between the British Isles & Africa.
The British Isles were in constant contact with Africa throughout recorded history.
(BL, Cotton MS Tiberius B V/1, f. 56v)
There's been a fair amount of work done on Africans in the British Isles during the Roman period, so I won't repeat it here, but I recommend these major summaries of Africans in England.
Archeologists have shown that trade with the Mediterranean and Africa continued after the Romans left England, with olive oil and wine continuing to be imported to the British Isles into the early Middle Ages.
🧵: In my continuing quest to document medieval depictions of queer people, I am looking at depictions from Dante's Inferno of the sodomites, depictions that often seem to emphasize buttocks and temptation (and feature a lot of monks!).
Certainly, there are depictions where the sodomites clearly writhe in pain in the fiery rain, like this one, but a lot of the depictions don't show much suffering and present the sodomites as almost tempting Dante.
(BnF, Italien 2017 f.191)
There are a remarkable amount of men with monastic tonsures in this one, suggesting people saw priests as particularly prone to sodomy.
The lack of scale in this battle image makes the elephants looks like they are the size of small dogs, which is possibly the cutest thing I've ever seen.
[TW: sexual harassment & abuse, threats, homophobia, anti-Semitism, drinking culture.]
Please read & share this 2-year investigation of Andy Orchard, UOxford Prof and one of the most notorious sexual predators in medieval studies. #MedievalTwitter
The accompanying podcast episode features stories from incredibly brave women in the profession who've witnessed and been affected by his predatory behavior. I want to acknowledge their work and courage in coming forward.
Orchard remains a respected senior scholar and editor in the field, a member of medievalist organizations, and a presence at conferences.
He remains an editor of the journal Notes & Queries, and of the journal Anglo-Saxon England. I hope that will change.
🧵: Let me show you Jacqueline de Weever's pioneering 1994 study on how modern translators of medieval texts often reinforce ideas that Blackness cannot be beautiful, & how they claim, in their translations, that blackness is a "stain". #MedievalTwitter
De Weever analyzes translations of a major passage in the Old French romance 'Aucassin et Nicolette', when beautiful Nicolette discovers she's Arab and "anoints" her face black/noire.
Modern translators refuse to translate "noire" as "black" when applied to a beautiful woman.
De Weever notes that "noire" appears 2 times before it is applied to Nicolette. It is used to emphasize how white Nicolette is (so white daises appear "noire" by comparison) or to describe the blackness of a wild man. Translators translates these instances properly as "black".