Busy agents/editors need to be hooked by a great query before they'll even glance at pages.
IF they open pp, they need to be sucked right in. Hopefully by first few lines.
This is PRIME REAL ESTATE that you can't afford to waste!
2/16
100,000's of queries are sent each year. Maybe millions.
You must show why yours is one that deserves attention.
Most queries are rejected b/c there isn't time to spend on a concept that hasn't been fully articulated.
It must be FRESH & also relatable to known sales
3/16
Also, you need to prove that your VIBRANT twist on a familiar concept can ONLY BE WRITTEN BY YOU
I know; you believe familiar = dull
But familiar = less risk for publishers
You need to figure out the sweet spot to write something unique and ultimately sellable
4/16
What's the 1st critical element?
VOICE
It's yours, it's unique,
It's the one thing that you can't be taught.
I'll read *anything* written by an author whose voice I adore.
But there are elements to voice that you can work on to deepen yours if it's not quite there
5/16
First, I'm a believer that we need exposure to your MC ASAP.
Opening a scene looking at a diff character makes it difficult to imprint on the correct one & leaves your reader confused.
Who're we journeying with?
Confusion leaves an easy path to rejection.
6/16
Also, if it matters to the story, drop some clues about age, rank, grade level earlier than not.
It helps establish a relationship w/your MC & gives understanding about why what they tell us is important.
Age isn't *always* vital up front but, a 24 yo IS diff from 44
7/16
Speech patterns = big deal
Often, authors use formal language to reflect historical/fantasy fic. I say don't.
English speaking people have always used contractions. Modern readers use them. We speak with them in dialogue almost always
Read it out loud & see for yourself
8/16
*this goes for characters in a non-English speaking world, too!
Human dialogue is quick & we condense as much as we can via contractions.
Use them in prose, too--esp if contemporary. Keeps the reader in the flow of inner monologue
Read it aloud, you'll quickly notice!
9/16
In my private writing, I toally overuse !!!!!!!!
In fiction, they feel like cheats to me.
Don't rely on an ! to make your point (ha!)
Use verbal cues and action beats.
Your characters & world will thank you for it.
I'm going to throw a quick example next tweet
10/16
"I love you!" he said.
Yawn.
"I love you." His eyes dropped for a second, ears pinkening.
Ok, not great BUT
2nd version SHOWS his emotions. Possibly shy/in disbelief that the words came out of his mouth.
More lifelike & shows his character.
Trust me on this one!
11/16
Don't throw an "asked" after every ?. The punctuation shows it's a question, don't be redundant.
(hey, we all do it, but lets try to get out of the habit!)
"Did you get invited?" Mom steadfastly arranged the tulips. She already knew the answer.
Building all the things
12/16
Those action beats & tonal cues do doubletime, and in the opening pp esp, you need to get a lot of foundation built.
It's a good wat to show vs tell
You don't need to explain everything to your reader--we can all pick up on the cues if you drop them the right way!
13/16
Another oft used technique:
Using a conversation to breadcrumb information for your reader.
When it works = brilliant
Usually, it's information that both characters already know, so it's awkward.
Google, "As you know, Bob"
You'll thank me!
14/16
When possible, use active verbs. It makes it all flow much better.
And skip the "begins to/tries to" because even though we speak that way, we can't begin to open a can. We open the can.
We started to sing.
We were singing.
We sang.
15/16
That’s all for this thread—I’ve got a few more coming today and will open a Patreon account this week for more in-depth writing tips! (I'll pin it to my profile, so check back if interested!)
We'll go deep into deep POV, Show vs Tell, & more common tips coming up!
Looks like the last thread was good timing for thirsty #amquerying authors in the #WritingCommunity so how about another on more edits I see often in opening pages?
Basically, you need to build tension from your opening paragraph/lines, and there are so many excellent ways that I can’t name, but here are a few that typically don’t work:
Opening your scene with something shocking/frightful/eye-catching…before your reader has a clue what they’re looking at, what the stakes are, and even who the MC *is*
Boom—you just wasted your energy because any amorphous action isn’t delivering the tension you want
Ok, I hope I am not overstepping, but here is some advice and tips that is particularly helpful to me and hopefully, it can be of help to others (plus, it's Friday and all my students are involved in group projects & don't need me at the moment!) #revpit#revpitwaiting
Today’s thread is about CREATING 3D CHARACTERS (and this is for MCs/Antagonists/sidekick characters too--basically anyone who features in your book ought to have some clear thought put into them and WHY they are there!) 1/14 #revpit
I read for many contests & there's often a reliance on explaining the personality of a character by describing their looks & their clothes. Authors can often SEE their characters so clearly that they want the reader to see as clearly--but it doesn't work 2/14 #revpit
I saw a #revpit question about when you know your MS is ripe to query.
It’s a common one because we’re all anxious for the chance at publishing.
Here’s a frank chat
1/12
Almost every writer I know has queried too early. The story wasn’t ready, but we didn’t know.
Mainly because we don’t know what we don’t know until we learn.
Most people don’t get lovely contest mentoring--so you just wing it
2/12
Usually, after contest mentees are chosen, pro editors might offer specials to other people who entered. These are not universal. They also take an extraordinary amount of effort, so editors are paid commensurately!
3/12
#ammteasers I had some questions about DEEP POV & CHARACTERS WHO LEAP OFF THE PAGE and I feel like y'all have a whoooole lot of confidence in me! 😂😂😘
I also think the two can go hand in hand—so buckle up for a thread!
1/14
#ammteasers Okey-doke! Sometimes, if you get the feedback that an agent/editor "didn't connect with the voice" it *can* mean other things, BUT it often signals that your writer's voice overpowered the narrative, rather than the reader immersing themselves in you MCs POV
2/14
Well, deep POV bridges the distance between the MC and the reader and bypasses the more neutral voice of the writer. It makes your MC come alive to a reader, and that brings their journey/arc closer on many levels.
3/14
#ammteasers All right hopefuls! I've got some notes to thread on some of your craft questions, and it might turn into one long one, or might need to be split up.
Let's talk STAKES or *what happens if your MC doesn't rise to the challenge you're presenting them with?*
1/15
#ammteasers Sometimes the stakes in a book are clear: "If MC doesn't accomplish X--the world will be destroyed" (or some variation of that theme).
And that's all well and good for some genres, but it is too unwieldy for most stories, so you've got to get micro!
2/15
#ammteasers Whether you pants or plot, you're going to have to weave this stuff into the opening of the book...lay the groundwork so that when your plucky MC finds out what's happening, we're vested in how they're going to tackle this.
3/15
Reading the horrors of #RWA, I’ve done my best to keep my mouth shut and just learn. Because I am a writer coming from a place of privilege, I didn’t think I had the right to add more fuel to the fire
But the fact is, even though I am white & able-bodied, I am bi, neurodiverse and write characters like me in #LGBTQ historical romance, and this problem of hatred toward “other” isn’t just at the national level
I joined #RWA 2 years ago so I could enter contests and help kickstart my career. In the 14 months I contest-ed, I entered 18 and won or finaled 14 times. In 1 contest, I was the over-all winner & “won” a mentorship (more later)