Ancient Artefact of the Day: Bronze Mouse – complete with snack for nibbling; Roman, ca. 1st Century AD. Traditionally associated with the cult of the god Apollo Smintheus, but read on! #AAOTD#Mouse
While an unassuming little piece, it falls into a category of artefact long associated with the cult of Apollo Smintheus, the deity who at the beginning of the ‘Iliad’ visits a plague upon the Greeks for their desecration of his temple and the mistreatment of his priest, Chryses.
These figurines are common throughout the Hellenistic and Roman worlds, with the British Museum alone holding 15 examples, including this dapper little chap sporting a Papposilenos mask.
To say nothing of everyone’s favourite little ‘trumpet-tootling’ rodent, again in bronze: ca. 1st-2nd Century AD. Though it should now be becoming clear that there is quite the range of representations across these figures.
However, the association with Apollo is very circumstantial at best, largely deriving from the observation that the epithet “Smintheus” seems to be related to “sminthos,” which meant “mouse” in Mysian and Cretan Greek dialects.
Recent work on these figurines has convincingly argued that most were in fact designed as adornments to lamps, especially convincing given the evidence for solder and that most are not free-standing.
Mice seem to have enjoyed something of a reputation for damaging lamps and their wicks in the ancient Mediterranean.
For example, the pseudo-Homeric 'Batrachomyomachia' (Battle of Frogs and Mice), has Athena saying to Zeus:
"I would never aid the mice in their distress; they have done me much harm, damaging...my lamps on account of the oil" (177-180).
Depictions of nibbling mice also featured on other artefacts, such as this plinth from the Augusta Raurica Hoard, ca. 2nd-3rd Century AD which originally also supported a statuette of Somnus.
“errat, qui finem vesani quaerit amoris:
verus amor nullum novit habere modum.
terra prius falso partu deludet arantis,
et citius nigros Sol agitabit equos,
fluminaque ad caput incipient revocare liquores,...
"...aridus et sicco gurgite piscis erit,
quam possim nostros alio transferre dolores:
huius ero vivus, mortuus huius ero.
quod mihi si interdum talis concedere noctes...
"...illa velit, vitae longus et annus erit.
si dabit et multas, fiam immortalis in illis:
nocte una quivis vel deus esse potest.”
#EpigraphyTuesday – The Tombstone of Prima Florentia: ca. 2nd Century AD. Discovered in 1930 at Portus, a heart-breaking inscription, which also reflects the all-too-common domestic violence of the ancient world. #Latin
Image: Parco archeologico di Ostia antica; AE 1987.0177k
The stone was set up by a girl’s parents to commemorate her short life and brutal end: as the text refers to the murder of a teenage wife by her husband.
Text:
"Restutus Piscinesis
et Prima Restuta Primae
Florentiae filiae carissimae
fecerunt, qui ab Orfeu maritu in
Tiberi decepta est. December cognatu(s)
posuit. Q(uae) vix(it) ann(is) XVI s(emis?)"
“[...] dum talia secum
exigit Hippomenes, passu volat alite virgo.
quae quamquam Scythica non setius ire sagitta
Aonio visa est iuveni, tamen ille decorem
miratur magis: et cursus facit ipse decorem.
aura refert ablata citis talaria plantis,...
"tergaque iactantur crines per eburnea, quaeque
poplitibus suberant picto genualia limbo;
inque puellari corpus candore ruborem
traxerat, haud aliter, quam cum super atria velum...
"candida purpureum simulatas inficit umbras.
dum notat haec hospes, decursa novissima meta est,
et tegitur festa victrix Atalanta corona.”
#EpigraphyTuesday – The rather magnificent tombstone of Longinus Sdapeze, a member of ‘ala I Thracum’, a unit which may have played a role in the Claudian invasion of Britain AD 43. #Latin 🧵
Discovered in 1928 and showing evidence of ancient damage, including the break across the main inscription panel, the actual head of Longinus was not found until subsequent excavations in 1996.
Text:
“Longinus Sdapeze
Matyci (filius) duplicarius
ala prima Tracum pago
Sardi(ca) anno(rum) XL aeror(um) XV
heredes exs testam(ento) [f(aciendum)] c(uraverunt)
h(ic) s(itus) e(st)”
Ancient Coin of the Day: A gander at some coins from Britain prior to the Claudian invasion of AD 43, in particular those of Cunobelinus, the origin of Shakespeare’s Cymbeline. #ACOTD#Numismatics#Britain 🧵
Cunobelinus was a local British ruler who exerted control over a large area of south-east England, ca. AD 10-40, with a capital at Colchester. He claimed to be the son of Tasciovanus, who had ruled a kingdom centred to the north of the Thames.
The Obverse of this coin shows an ear of spelt, with the flanking Legend CA-MV, i.e. ‘Camulodunum’, Cunobelinus’ capital. Strabo (4.5.2) notes that grain is a major export of Britain, so the emblem could refer to Cunobelinus’ international trade.
“ergo aderat promissa dies et tempora Parcae
debita complerant, cum Turni iniuria Matrem
admonuit ratibus sacris depellere taedas.
hic primum nova lux oculis offulsit et ingens
visus ab Aurora caelum transcurrere nimbus...
"Idaeique chori; tum vox horrenda per auras
excidit et Troum Rutulorumque agmina complet:
“ne trepidate meas, Teucri, defendere navis
neve armate manus; maria ante exurere Turno
quam sacras dabitur pinus. vos ite solutae,
ite deae pelagi; genetrix iubet.” et sua quaeque...
"continuo puppes abrumpunt vincula ripis
delphinumque modo demersis aequora rostris
ima petunt. hinc virgineae (mirabile monstrum)
reddunt se totidem facies pontoque feruntur.”