On the background of anti-Semitism in Indonesia with links to the #Documenta in Kassel, Germany: tabletmag.com/sections/arts-… 
The picture shows the "lumbung" project mission statement with art as ecosystem. This "ecological system" of aesthetics seems to have borders, a framing which selects, which divides, marks "good states" and "bad states", good capitalism versus bad capitalism. The official state
of Indonesia must have been integrating a dutch power technique - anti-Semitism and the figure of the outcast, some "anti-Chinesism" - into its state craft in a post-colonial period. Another argument dealing with the concept of the "global south" as an inhomogeneous construct.
This "global south" appears to be a meta-nationalist understanding of exploitation that relocates or makes a political topos of exploitation itself. It constrains the "modern" capitalism for the benefit of the debt and the blame.
WRKSHP
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