A 𧡠on #lovedeathandrobots. For me, it all started back in the 1980s. One small beacon of light for a kid in the communist Poland was Relax, "a magazine of drawn stories". I read each issue about a hundred times. /1
Relax was published once a month ...or once a year. Again, communist Poland. Once, on a random day a new issue was published and I had no cash and no way to contact my mum. So I've stolen a precious coin from a collection she had, ruining it -- but getting my copy of Relax... /2
In 1981, Heavy Metal magazine gave birth to Heavy Metal movie (and then its less successful sequel nearly 20 years later). Yes, it has aged, but it's a proper cult movie every fan of sci-fi should watch. More importantly, it has inspired, and we're finally getting there... /5
#lovedeathandrobots. To be precise: Love, Death + Robots. Did you know, as @EneaszWrites has observed, that its acronym - LD+R - is an anagram of TLDR? Makes sense, doesn't it? Considering that most - 95%? - episodes are adaptations of short stories from a variety of writers. /6
I have finally found the time and watched all seasons of LD+R, and I'm absolutely in love. I hope it never ends. Let me share the joy of seeing it all by sharing my 10 favorite episodes. P.S. If you want the original short stories, check Amazon for LD+R anthology, volumes 1-3. /7
It was crazy hard for me to select the top 10 of #lovedeathandrobots out of the 20 eps I loved. Great shorts like Good Hunting (science is magic), The Dump (hilarity ensues), The Drowning Giant (light weird fiction) or Fish Night (Icarus myth as urban fantasy) had to go. /8
#10: In Vaulted Halls Entombed (3x08). A Special Forces squad chases enemy insurgents into a cave and... I won't ruin it. The core idea is great. However, the short is often unintentionally silly. And the ending in @AlanBaxter's original short was slightly better. /9
#9: Mason's Rats (3x07). The only comedy in my top 10. But look, there's a scene here, and you WILL KNOW IT WHEN YOU SEE IT, that's so outrageously funny it alone has secured the elite status of this episode. /10
#8: The Secret War (1x18). Red Army fights evil in Siberia. Both the ep and the original text by David Amendola feel more like the first chapter rather than a short story. Aka don't expect a satisfying ending. Still, a gory, haunting, beautiful nightmare worth repeated views. /11
#7: Snow in the Desert (2x04). A sci-fi Western about a man trying to hide from bounty hunters. But that's just a staffage for the story about the deepest of our needs. Beautiful mix of darkness and light that elevates the great original story by @nealasher. /12
#6: Jibaro (3x09). A siren's charms don't work on a deaf knight. There's just no fucking way this is exclusively CGI. Just no way. And yet... Absolutely unbelievable. Best I've ever seen. Watch this after: /13
#5: Sonnie's Edge (1x01). Underground cage fights featuring monsters -- but it's way more than this. One of the few episodes that have the perfect structure with a deeply satisfying ending, and improve on the original story (by Peter F. Hamilton in this case). /14
#4: Pop Squad (2x03). A cop hunts, uhm, children. Sci-fi, noir, and the rain that never ends -- what's not to love? Atmospheric af. However, the original story by @paolobacigalupi is superior, and here's why: deathisbadblog.com/the-book-was-b⦠/15
#3: Bad Travelling (3x02). A ship crew tries to survive the attack of a sea monster. David Fincher's animation directorial debut and it just oozes quality. Not quite Lovecraftian but still Lovecraftian. Original story once again by @nealasher. /16
#2: The Very Pulse of the Machine (3x03). The always enticing classic premise (an astronaut crashes the ship on an alien planet/moon) is taken to the next level with where the story goes. I watched it with childlike sense of wonder. Phenomenal, based on a Hugo-awarded short. /17
#1: Beyond the Aquila Rift (1x07). A space jump takes a crew to a random destination. A year after I watched this, I cannot stop thinking about it. Perfection. And those freeze frame revelations... Chef's kiss. Makes me want to make a serious sci-fi game in the future. /18 END π§΅
β’ β’ β’
Missing some Tweet in this thread? You can try to
force a refresh
A short 𧡠on #AtomicHeart. No, nothing has changed, still not buying it. However, there's one thing no one seems to be talking about and that is the developer's ability to deliver, aka "is this game even real?". So let me talk about that for a second... 1/x
First, to clarify my views, I don't think all arguments of people calling to boycott #AtomicHeart are fair. "Would you be ok with a game glorifying Nazi aesthetics?". Guys, it's NOT the same (see photo). I say that as a Pole, and you know our opinion on Soviet Russia... 2/x
Also, unless you know how the game ends and what the story is truly about, you cannot say it glorifies anything. A setting is not automatically a glorification. You need to know the context, and you will not know the context until you know the whole story. 3/x
Work on #Witchfire is so demanding I just don't have the time to play other games these days, let alone behemoths like #EldenRing. At the same time, as a designer I just couldn't afford not to play it. So I did. Yo boi just became the Elden Lord, 200 hours later. A π§΅: 1/x
From both player and designer perspectives, #EldenRing is a masterpiece. Is it my favorite From game? No, that's still #Bloodborne. Because that Gothic Cthulhu world felt more coherent and more interesting to me. Still, #EldenRing seems like an easy 2022 GOTY. 2/x
I took the unique -- for me -- approach to #EldenRing. For the very first time, I played this game pure. Avoided all spoilers. Never consulted the Wiki. Never summoned another player for help. Just 99,99% pure blind SP playthrough. Why 99,99 and not 100%? 3/x
Props to @BangBangClick for having the balls to have an opinion these days. The replies go as expected (worth reading the Alex's comments, tho) but think about it for a second. You can't stream music for free, you can't stream movies. But somehow it's okay for games. Why? 1/5
The usual answer is: because of exposure. "It's good for the game, it's free advertisement." Sometimes, yes! Which is exactly why publishers stay silent despite the fact that technically, it ain't right. 2/5
But streaming works well only for PVP or sandbox/choices kind of games. It kills shorter, linear, story-focused games because the viewers see everything the game has to offer and there's no point buying it. 3/5