1/🧵This is Nabia Abbott. She was a groundbreaking scholar of #Arabic manuscripts, the first woman to be a professor at @UChicago’s Oriental Institute, and once sent me on a wild goose chase spanning 3 continents. She deserves a lot more than one thread, but here's a start.
2/Nabīha ʿAbūd (نبيهة عبود), later known as Nabia Abbott, was born in 1897 to a Christian family in Mardin (then the Ottoman Empire, now modern Turkey). Her family moved around a lot, which led to her attending school in India and completing a BA degree in Lucknow in 1919.
3/In 1923, Abbott moved to the US and earned her MA at @BU_Tweets. From 1925 on she taught at Asbury College (in Kentucky) where she eventually became the head of the Department of History. In 1933, she began a PhD at the @Orientalinst in Chicago (ark.digitalcommonwealth.org/ark:/50959/z60…).
4/The Oriental Institute (OI) is a research institute for the study of the ancient Near East, part of @UChicago. It also was (and is - you should visit, it’s free) a museum with a substantial #manuscript collection. Abbott was tasked with cataloging their #Quran fragments.
5/These Qur’ans are among the oldest in the world (a few are digitized here: oi-idb.uchicago.edu/results.php?ta…). Abbott recognized that it would be necessary to date them by examining the style of their Arabic calligraphy (AKA 'paleography' - I see you euromedievalists, don’t @ me ).
6/She also realized the required research on early Arabic scripts did not yet exist, so she wrote a book to fix that: “The Rise of the North Arabic Script” (1939) (oi.uchicago.edu/research/publi…). Her preface has one of my favorite examples of an academic “Fine, I’ll do it myself.”
7/I *believe* this footage (excerpted from here: ) shows Abbott at the @orientalinst in 1938. The building was less than a decade old at the time. Around 20s she looks at a manuscript in a glass plate, probably a leaf from one of the Qur’ans in “Rise.”
8/Side note: the end of the film has an old-timey museum security guard, which was my job 6 years ago. No, the uniforms are different now. Yes, it’s like Night at the Museum. Inexplicably, the final frames show a man smoking a pipe carrying a plank of wood into the lake(?).
9/When I was a student at @UChicago, I had the privilege of photographing some of the Qur’an fragments from Abbott’s book. I also set off the alarm when I was leaving the secret artifact dungeon, which may have strained my relationship with the museum’s registrars. I took the second picture in the Oriental Institute museum g
10/This manuscript caught my eye because it has very weird red signs representing the #Arabic vowels (if you’re a huge nerd like me and you care how they’re weird see here: doi.org/10.1086/712876). Abbott had identified these signs on 2 badly damaged manuscripts in her book.
11/She also speculated that these 2 manuscripts might’ve come from the same Qur’an codex. Over the next year I kept my eyes peeled for more examples of the weird vowel signs. A colleague directed me to this one in Paris (@laBnF): gallica.bnf.fr/ark:/12148/btv… @CellardEleonore
12/It turned out Abbott’s hunch was correct: the 2 manuscripts in Chicago belong together because they were originally part of this codex in Paris. Not only that, but a few years later I spotted 2 more pages, these ones in Doha’s Museum of Islamic Art (@MIAQatar):
13/“The Rise of the North Arabic Script” was just Abbott’s opening act. She went on to write extensively on women in early Islam, including “Aishah: Beloved of Mohammed” (1942) (free: oi.uchicago.edu/research/publi…) and “Two Queens of Baghdad” (1946) (also free: oi.uchicago.edu/research/publi…)
14/Also these 80-year-old articles which University of Chicago Press wants to charge $20 for. Please DM me if you want the PDFs.
“Pre-Islamic Arabic Queens” (1941) (doi.org/10.1086/370586)
“Women and the State in Early Islam” (1942) (doi.org/10.1086/370650)
15/She also published this fragment, probably the oldest extant manuscript of “Alf Layla wa-Layla” (One Thousand and One Nights). It’s one of the earliest #Arabic manuscripts written on paper (doi.org/10.1086/370926). Pic taken at @Orientalinst museum.
16/Abbott spent the latter part of her career on Arabic #papyri, which is mainly what she’s remembered for now. She published her findings across 15 years in the 3-volume “Studies in Arabic Literary Papyri,” available for free (thanks OI) here: oi.uchicago.edu/research/publi… Plate IV from vol. III of "Studies in Arabic Literary P
17/A few months ago, @ClassyArabic shared this card from (I assume) the Regenstein Library @UChicagoLibrary. Abbott checked out the same book twice, 10 years apart, with Marshall Hodgson (google him) in between. Pretty cool for Chicago dorks.
18/In 1975, Muhsin Mahdi (Abbott’s student) wrote an “In Memoriam” article about her for the OI Annual Report (oi.uchicago.edu/about/annual-r…). This is a little odd since she was still alive and lived for 6 more years, but it includes a rather poignant quote that sums up her career:
19/19 Nabia Abbott died well before I was born, and a lot of people in my field already know her work, but she had a remarkable life that is still worth talking about. And I didn’t even mention all the cool stuff she did before 1923. Someone should write a book about her.

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More from @NPosegay

Aug 16
After 100 days of continuous action, the Cambridge Encampment for Palestine finally closed on Wednesday. This is a thread documenting the incredible things I witnessed there over the last 3 months, in the hope of demystifying the protest for my many colleagues who remain silent. Cambridge for Palestine encampment in front of King's College on King's Parade (ca. June 2024)
Cambridge students set up the first tents on the lawn in front of King’s College on May 6th (the same day as Oxford’s camp), inspired by similar camps at other schools. They stayed on King’s Parade in the heart of Cambridge for the next 14 weeks.
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Their goal was to pressure University of Cambridge and its constituent colleges to disclose the contents of their investment portfolios, divest from all companies that support Israeli occupation & apartheid, and reinvest that money in protecting at-risk people at the University. Image
Read 26 tweets
Jun 9, 2023
1/🧵 Last year I made a thread about a slightly mysterious #archive at @theUL containing the writings of this man, Ernest Worman (). Yesterday was the 114th anniversary of his death, so I trekked across Cambridge to see if I could find his grave. Image
2/I have learned a lot about Worman’s life between 1871 and his untimely death in 1909, but it turns out, you can’t research Ernest Worman without learning a lot about #Cambridge too. So here’s a thread about some of the things I saw while taking a walk through his life. Image
3/Worman loved books, and in 1886, at the age of 15, he started his first job here at 1 Trinity Street. Back then, it was the bookshop of Macmillan & Bowes. Now, @CambridgeUP is using some clever wording to skirt around the fact that they only recently occupied the shop. Image
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Read 26 tweets
Jun 6, 2023
1/Going through the old #Genizah Instagram posts (for a secret project) and noticed something. This is the 'Memorandum for Opticians', a book on eye health written in the 11th century by ʿAlī ibn Īsā. There is a note attached that dates this copy to 1142. #arabic #manuscript Image
2/This is also the 'Memorandum for Opticians', but this time copied in Hebrew characters for the benefit of Jewish readers. The language is still Arabic, so we refer to the writing system as "Judaeo-Arabic." Both manuscripts came from the same synagogue in Old #Cairo. #hebrew Image
3/These folios are from different sections of the text, but it's easy to notice how similar the formatting and layout are with mixed red and black inks. The scribe(s) used black for the main body and red for section subheadings. Image
Image
Read 9 tweets
Oct 6, 2022
1/🧵So there’s this box in the Genizah Research Unit at @theUL. It’s labelled “Worman Archive.” It’s supposed to be full of stuff associated with Ernest James Worman, a librarian who catalogued the #Genizah collection 120 years ago. Yesterday I found out that’s not all true.
2/See, Worman’s story is actually quite tragic. He was born in 1871 to a working-class #Cambridge family. That’s not the tragic part. In 1895, @theUL hired him as a “Library Assistant.” He then taught himself Arabic and Hebrew to catalogue the #Genizah manuscript collection. Worman in 1904 (age 33)
3/After 1902, Worman was the main employee at the library working on this collection. Solomon Schechter, the man responsible for bringing the collection to Cambridge in the first place, had left for America, leaving Worman more than 150,000 fragments to tend to (almost) alone. That's Schechter posing stoically in the Genizah research ro
Read 16 tweets
Sep 22, 2022
1/Centuries before the #printingpress took off in Europe, printers in Egypt employed a type of woodblock printing known as “tarsh” (طرش). Only around 100 of these tarsh prints are known to exist. They are also very cool, so here’s a 🧵on #Arabic block prints in @theUL. #Cambridge
2/“Woodblock printing” is a term historians use to talk about making a big stamp and slapping paper onto it. Block printers would carve wood so the negative space looked like whatever image or text they wanted to print. Then they’d coat it in ink and stamp some paper. Easy.
3/Except it wasn’t easy. It takes a lot of skill to carve the negative image of Arabic calligraphy into a piece of wood. I mean just look at this thing. It’s an amulet quoting the #Quran that would have been carried for protection. Most tarsh prints are amulets like this.
Read 12 tweets
Sep 14, 2022
1/Recently @orietta_darold and I have been investigating European paper preserved in the Cairo #Geniza. So here’s a 🧵on what #watermarks can tell us about how paper moved from Europe to Egypt in the #MiddleAges and #EarlyModern period. Pics taken at @theUL. #WatermarkWednesday Image
2/Quick refresher: The #Cairo Geniza is a repository of over 300,000 (mostly) Jewish manuscripts preserved by Egyptian Jews between 1000 and 1897. Check out @GenizaLab and @AWormNotAMan to learn more. Most of these MSS are now in #Cambridge: lib.cam.ac.uk/collections/de…Solomon Schechter posing with the unsorted Cairo Genizah collection at the Cambridge University Library
3/So #medieval papermakers used watermark images like this one to identify their paper stocks. You can read more about how medieval paper was made in Prof. Da Rold’s book (DM me for access, sorry @CambridgeUP): doi.org/10.1017/978110…Image
Image
Read 18 tweets

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