2/ As per legends, Maharaja named Susharma Chandra, fighting for the Kauravas, was engaged to distract Krishna and Arjun by luring them away, to the other side of the chakravyuh. This maharaja belonged to Katoch Dynasty
3/ As per another legend, Katoch was born out of the first Sweat Drop fallen from Devi Ambika's brow which helped Devi fighting 'Raktbeej'
In return, the Goddess gifted him the kingdom of Trigarta, of which Kangra was a part.
4/ Once the Kauravas were defeated, the Maharaja is said to have left his seat in Multan and retreated to Kangra, where he took control of the kingdom of Trigarta and built the Kangra Fort to ward off his enemies.
5/ Porus aka Purushottam lived here to make Alexander tooth sour
6/ On the 23rd of the month of Kartik, Samvat 1839 (1782 AD), Raja Sansar Chand attacked Kangra Fort and defeated #Mughal (converted Mongolians) Governor, Saif Ali Khan as per Inscriptions in Takri and Persian. clevelandart.org/art/2018.120
7/ Inside fort devotees donation was stored in 21 4 meter deep wells.
As per Tarikh-i-Firishta, the fort’s wealth is described as “7,00,000 golden dinars; 700 maunds of gold and silver; 200 maunds gold in ingots; 2000 maunds of silver bullion and 20 maunds of various jewels”.
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It was Kangra's wealth that the invaders eyed for including Alexander, Ghazni
9/ Some intricate details on the walls of Kangra Fort testimoning it's richness
Photo: Rafal Cichawa / Alamy Stock Photo
10/ Some beautiful insights from Kangra fort
11/ Deities in Kangra Fort
12/ More Deities and Gods at Kangra Fort
13/ Ruins of Kangra Fort
14/ More pics for curious tweeples
15/ Architecture
Kangra fort
16/ When you go Kangra Mata Mandir next time do visit this least talked about most important Fort.
Please do share pictures, aI will retweet
Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.
Brahma, Shiva, Vishnu, and other gods and goddesses blessing Guru Nanak Ji as a child
Paiting at Baba Atal Gurdwara, Amritsar.
Bābakalasī Gurū Nānak Jī Nali'ā Paḍata | ਬਾਬਕਲਸੀ ਗੁਰੂ ਨਾਨਕ ਜੀ ਨਲਿਆ ਪੰਡਤ (Translated using Google Translation. Please correct me if there are any errors).
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Another wall painting were Hindu God and GOdesses are praying before Gurudwara
"Sansarik" is imprinted on the cow. Can someone elaborate its significance.
Paiting at Baba Atal Gurdwara, Amritsar.
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A community feast probably celebrating the auspicious moment. Hindu Gods and Godesses are also witnessing the event.
In 1770, the British Invasion on Australia's native territories, along with the determined original Australian opposition, was thoroughly documented by both James Cook and Joseph Banks, the British botanist who journeyed with the Endeavour expedition. In his journals, which can be found on the State Library of NSW website, Banks described the efforts of Aboriginal fighters to block the expedition's landing at Botany Bay.
Cook similarly recorded the armed resistance to the British landing party, writing in his journal on April 30, 1770, that "all they seem'd to want was for us to be gone."
British colonial settlement, which officially began in 1788, was far more violent. Hundreds of massacres were carried out against Aboriginal communities that resisted European encroachment.
The Ṛgveda is believed to originate from the early 3rd millennium BCE., with some hymns possibly tracing back to the late 4th millennium BCE.
Its compilation likely ended around 1500 B.C., not in 1500 BCE as commonly believed, just as the Indus Valley civilization was fading and Mesopotamia was undergoing a time of uncertainty and turmoil (Levitt 2003: 356b).
Here in this thread, a commonality between Sumerian and Bhartiy text.
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The argument links an Indo-European view with the Vedic origin of the god Indra's name from the Sanskrit "indh-" meaning "to kindle." However, this doesn’t explain all of Indra's traits, which resemble those of the Sumerian god Enlil.
Both Indra and Enlil lead their pantheons, surpass higher moral gods, separate heaven from earth, and are storm gods in both literal and figurative senses. Indra's defeat of Aryan enemies parallels Enlil's conquests.
In Vedic and 3rd millennium B.C. Sumerian traditions, major natural forces were personified. Both have chief gods of air and storm—Indra for the Vedic and Enlil for the Sumerian—showing the significance of rain and storms in their cultures (Dandekar 1958: 13, Jacobsen 1949: 150). This connection is clear.
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Enki is often seen as cunning and crafty, much like rivers that skillfully navigate around obstacles. Víṣṇu’s three steps may parallel Enki’s journey through the civilized world and his establishment of world order and earth’s fertility, as depicted in "Enki and the World Order" (Kramer 1963: 171-174). The name Nārāyaṇá, explained by the Mānavadharmaśāstra 1.10 as 'moving in the waters' (with nāra meaning 'waters'), typically refers to Víṣṇu, although in this context it refers to Brahmā.
Víṣṇu is associated with Garuḍá, the sun-bird, while Enki is linked to Imdugud, an eagle-like thunderbird. It is important to note that the Ṛgveda provides limited information about Víṣṇu, as he is incidental to its primary purpose.