INCANDESCENT.
How to sing a performance of Orfeo tonight at English National Opera North( @Opera_North ) when it's parent company being eviscerated on 20 weeks notice by @DCMS@ace_national@ace__london. Nicholas Serota needs resign in honourable protest & not hide when #ENO
which is slap bang CENTRAL to the Arts Ecosystem in this nation is being destroyed. There will BE no artists to tour to or perform in all UK regions if this 92 yr old company, founded for UK artists /audiences is lost.
ENO develops every single artist:-singers, conductors, designers, directors, librettists,repetiteurs, casting directors, agents , you name it ..ALL in one way or another in their lives in the UK opera arts music community.
25 years ago I was trained by @E_N_O & performed larger & larger roles over a decade along with its northern 'junior'opera North. I was spotted @E_N_O by US agent & subsequently established myself
Worldwide returning -always- to base @E_N_O or Op North throughout career.
Here I am 25 years later about to drive to Nottingham for a touring performance of a great work of art that tells the most human of all of stories -love lost ®ained - surrounded by artists & musicians
& all who enable opera in one way or other who have been created / nurtured / developed/ inspired or directly supported by the mother ship @E_N_O .
WHERE THE HELL does @ace_national think these musicians and artists come from that will magically emerge
to give of themselves on stages and concert halls throughout this beleaguered country and most importantly inspire educate and encourage young people
to dare to enter the arts & create or perform or enable, and -as we do -give their whole lives to this craft of communicating important ideas and feelings for us all ?HOW to SING when the very SOUL and SOURCE of our UK opera community has been thrown out with the trash???
In 5, 10, 15 , 20 time who will be filling my place on this stage in Nottingham tonight ?
Sort this out NOW before this catastrophic betrayal of the future generations of artists and audiences is lost completely @DCMS@ace_national@ace__london@GOVUK@Change
The ROH (& ballet) is a flagship company bringing mostly international artists in most disciplines of the art form. It is not our NATIONAL opera company. Not in terms of ambitions of education, price entry level, outreach, audience demographic, innovation,artists or identity.
ENO is/has always been these things. That is why it created English National Opera North which tours the smaller cities / venues in midlands & up to Newcastle. Why axe the National company in our capital where larger audiences for every production will only be sustainable there
due to population/travel accessibility/ being the cultural hub? Every large European city sustains its international house & home house for its own creatives & tours from there.
You can't find a year round audience in any region outside the capital for rep theatre/ musical so
I just got home from a week trying to learn and sing an
opera role in a new version and language, utterly shattered. I sang 23 hours Monday to Friday. I am back in my parents house every day (when I am not away rehearsing or performing) where there is now only my mother. My
Sister Stella and I were there 24/7 -as we are now -all way through lock down until my fathers death from dementia. I have been living like this since Feb 2015 when my mother collapsed with a massive stroke. My sister and I have had no holiday, no break, no unbroken nights sleep,
and most days a week we are up several times a night.
My poor mother who is paralysed on one side and almost blind is fully here mentally, but that is cruel in itself. We simply will not abandon her to strangers, leaving the house she built herself : she would be terrified. My