Can’t stop thinking about #Namor. A phenomenal debut for the character, & a thunderous performance from Tenoch Huerta Mejía. The humanity, the pain, the presence. A mythic hero AND a classic tragedy, delivering every shade of complexity. Thank you, @TenochHuerta. #WakandaForever
And Tenoch had to be everything that #Namor is all while conveying SO much world-building. It was a huge goal, and he & Ryan Coogler delivered in every way. The entirety of the history, plight, spirit, & love of this newly introduced people all rests on THIS character working.
And just consider how Coogler has now given us TWO locations on screen, with TWO cultures & TWO peoples, that feel so immensely real & fleshed out. To do it once with Wakanda was already masterful, but to do it again in a sequel? It’s wild. Talokan feels so rich. #WakandaForever
And, of course, when I say Coogler, it’s also his entire team. Production Design, Costume Design (Ruth E. Carter CRUSHING IT again), the amazing score, etc. Every department nailed the mission of bringing these worlds together for an epic clash. #BlackPanther#WakandaForever
But, again, it all comes down to Tenoch Huerta Mejía. He’s the anchor for this Herculean accomplishment. They had to pull another “look at this new world” magic trick INSIDE of the world they’ve already so beautifully established, and you NEED the right actor. #Namor is stellar.
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I think there’s something interesting built into modern #StarWars, which was imbued over time, and was honestly sorta inevitable with its nature: The idea that Star Wars is now drawing from Star Wars. It’s been around long enough now to become its own source of inspiration. 🧵
First off, it’s important to note that nostalgia is baked into the fabric of #StarWars. It’s not something it DOES, it’s what it IS. It’s the DNA. That often gets overlooked. Star Wars being nostalgic is A PART OF Star Wars. George was lovingly looking back at his own influences.
Creators now have #StarWars ITSELF as an influence. Some of them embrace that more than others, and that’s not a positive or negative judgment on anyone, or on any project. It just is. Sometimes it was a formative thing, sometimes it came to them later, whatever their story is.
Yeah, #WakandaForever is incredible. Still formulating my thoughts some more, but it’s absolutely one of Marvel’s best. It really is a beautiful, compelling, & worthy sequel to #BlackPanther. The explorations of grief, legacy, generational trauma, & cycles of pain are stunning.
It honestly would have been a MIRACLE to get even a “good” movie given the heartbreaking real life circumstances, but they managed to make an amazing movie. The way they handled the themes of loss are SO elegantly done. It’s so moving. #BlackPanther#WakandaForever
This being a script created by devastating necessity is just UNREAL to me, because it just feels like the next natural chapter for #BlackPanther. It’s both a clear tribute piece, and a navigation of circumstances, but it never feels like a panicked reaction. It’s SO confident.
A NEW HOPE. It has it all. Everything from the “I want song,” to the various tones for different kinds of music, to perfect character introductions, to duet opportunities, to a rousing finale. It’s begging to be a #musical. #filmtwitter
• “Escape (Hunt for the Plans)” - Leia, Threepio, R2, & Vader
• “Doomed in the Desert” - Threepio & R2
• We give a small tease of “Help Me, Obi-Wan Kenobi” - Leia
• “Binary Sunset” - Luke
• “The Same As Your Father” - Obi-Wan
I think that there’s a deep insecurity within the expression of a lot of pop culture opinions, and it leads to two reactions boiling to the surface:
1. The need to be academically/morally right in an opinion. Not enough to say “that didn’t work for me because [x].” No... (1/10)
...they must inject a sense moral/social superiority into said opinion, even over things like a CGI face. Not enough that it doesn’t resonate with you, it must be a campaign against it as a “ghoulish” ideological affront. A stance. Imbued into their identity/persona. (2/10)
And then there’s the other reaction:
2. A perceived sense of victimhood or being censored/oppressed for...a pop cultural take? For entertainment? NOT talking about when actual hatred & bigotry break into spaces, I’m talking about things like “criticism vs. positivity.” (3/10)