This is a legacy industry with best practices of communication that have been established over decades. Ignore them at your peril.
1- Phonecalls build trust and teamwork. How long should they be? 5 mins is golden.
2- Yup I know that freaked out the digital natives. Guess what? You have to learn the art of phonecalls or you’ll stumble. I train my whole team to pick up the phone- even those in their 20s. People in power - producers & execs, place calls, not just texts or emails. Why?
3- A big reason is when things go sideways as they often do in all high stakes relationships, is you don’t want to put yourself on the record. Hash out and fix the issues together on the phone. There’s better odds for clarity and resolution. What about email?
4- Email and texting is cold. That means your tone is inserted by the READER. You just lost control over the #1 most important aspect of the communication. This is how assumptions go awry and deals die. Someone reads your tone wrong and ends or ghosts their relationship with you
5- Keep all emails very short. Execs and producers with deal flow read 300+ emails/day. A 1-3 sentence email is all you should ever send. Nothing flags you as a newbie faster than a long email with no whitespace. Get to the point! Friendly professional and fast is key.
6- One of my favorite ways to use text is to reach out with support. This is a high risk business. It’s like big love: your heart will be in your throat a LOT with everything on the line. So reach out with a quick text to say
Thinking of your pitch today- you got this! 😃
7- Shmoozing. Lots of creatives hate the small talk. But this business was built on it. So you gotta. Why? People feel awkward and need an entry point into big sales convos. Control the small talk by focusing on connection. Ask:
What are you most passionate about right now?
8- The Hollywood shutdown. Yup, we’re in it people! No one is ghosting you. The town dies between now and New Years. It’s a good time to read scripts & swap. Ask to read others! Give notes! Better yet- go to parties and make some friends to hit the slopes and hottubs with!
9- Give before you ask to get. This is HUGE. Every relationship needs 4-5 touchpoints in person or on the phone before you ask for the thing you want. Build the friendship. Courtship is a dance and make no mistake- sales is a courtship. Wooing is an art. Always send the flowers!
10- If you found this thread valuable pls give it a RT, and go grab my free ebook How to Pitch Anything in 1min. I love coaching creatives and execs, and opening the kimono on Hollywood! Stay tuned for my holiday sale 😊 #screenwriting#WritingCommunity
How to take that momentum and query managers, tap producers and hustle like a pro. #screenwriting
1- Someone out there will love your writing. You have to find THEM. They don’t find you.
2- Screenwriting contests are a lot like the Olympics. If you WIN, reps will come to you. If you place, you need to reach out to them. Start with a query letter for managers and producers interested in #preWGA writers. Here’s a basic template:
3- Hi (firstname)
Share a connection you have to this person- you know another client of theirs or admire their work. Share your contest placement and DNA- like if you’re BIPOC/WOC/AAPI or LGBTQ, why you wrote the story.
TITLE
LOGLINE
Hope to hear from you.
Sign off.
Joke thread: What Hollywood execs really mean when they "pass". #screenwriting
1- We have something similar in development = No one in the office can find the coverage we did on your project and we're all too busy to read your script. Pass.
2- We love it, we're just waiting to hear back from our team = Boss is on the yacht till September, when we'll officially pass.
3- It's not right for us = your page count was off so we all refused to read it. Pass.
Thread: On breaking in, staying in, launching your career in showbiz. I was a development exec- we made features like JUST FRIENDS w Lotus Ent. #screenwriting
1- Contests can help you get reps if you win or place high but it’s really on you to query- reps won’t come to you.
2- You’ve got to work hard at your craft until you’re good at a competitive level. Take acting classes, join a writers group (@CindyBegel has been helping writers find groups). Dig deep to learn. Read pros. Watch the Sundance films and Cannes winners. STUDY craft. Hard.
3- Make friends. Fuck networking. Make friends! And reach out to people better than you and ask them how you can improve. Stay humble. Grow. Give your earnest attention and a mentor may spot your dedication.
This year I hacked my brain with nootropics and diet and exercise. And my mental performance and stamina has improved a lot. It matters because at 46, the cognitive decline is real. I got scared and want to write to old age. So here is what I discovered in case you want to try:
1/ Your morning ritual is everything. I drink tea, then read a little and go work out on an empty stomach. Here at the nootropics in the tea (or coffee)
2/ If you drink coffee try Bulletproof. It’s clean fuel. No additives. I like black tea. Add cream or milk- your brain needs fat. Honey. If you take a capsule of psillium at night you’re guaranteed a good poo too!
Thread: Some suggestions for indie film financing. Paths that are proven to work, with links. For docs and low budget scripted (under $3mm) #screenwriting#writingcommunity#producing
Docs and docu-series: This is the greatest era in history for docs. Get on it! If you don’t have a fiscal sponsor yet- who gives investors a tax write-off and you get the money- look at siesociety.org I like Creative Visions and Partnerships for Change
Crowdfunding: is BYOC (bring your own crowd) really helps to have an investor match funds. It’s also a fulltime job. You need to seed the interest to surface the campaign on their site. Try for less money or a short if you haven’t done it before. Hire a campaign manager if u can
For above-the-line creatives: writers, producers, directors. I was a dev exec at Lotus Ent, so this is my perspective as a buyer. What to do, what NOT to do, and how to nail it. #screenwriting#WritingCommunity
1/ All pros pitch. Even at the highest levels
2/ Pitching is really hard, so you need to practice, practice, practice. First off know that the cardinal sins of pitching are
a) too boring
b) too confusing
3/ The first thing you're often pitching is getting the buyer to read you. Whether that's a query, an email, or an in-the-room pitch, you have to fascinate them and compel them to read. If they send it out for coverage, you may be doomed, so ASK THEM TO READ THEMSELVES.