#Sundance Day 1. Shorts so far. A standout: Crystal Kayiza's "Rest Stop." Beautifully shot tender portrait a Ugandan-American mother and daughter traveling by bus from NY to OK to reunite with family. Will Ferrell is listed as exec producer. I assume it's him #AkorokoAtSundance
More shorts. Standout: Norwegian Inga E Marakatt's "Unborn Biru": pregnant widow steals cursed silver from dead body to care for daughter. Unnerving slow burn horror, especially considering the tundra on which it was shot. It's a feature film begging to happen #AkorokoAtSundance
Ended #Sundance Day 1 with my first feature film of the festival. But I can't talk about it yet because there's an embargo. I just had to say that for journaling continuity 😏. Overall, it was a solid day of film watching! Until tomorrow, here's some swag... #AkorokoAtSundance
Strong visceral reactions from trusted sources to Celine Song's PAST LIVES that are overwhelmingly positive. Added to my must-see list #Sundance#AkorokoAtSundance
#MagazineDreams... study of a man struggling to connect who hides behind the solitary life of a bodybuilder. Like prior films, it implies a descent into madness is an inevitable end for men like this. They dream the American Dream but as a nightmare. #Sundance#AkorokoAtSundance
Majors carries the film. If it seems like an unexpected choice, he played a socially-awkward man in "Last Black Man in San Francisco." Here, roid rage replaces poetry. Not sure if he's supposed to be a sympathetic character. The film almost seems to take pleasure in his decline.
#Animalia... casually-paced Moroccan sci-fi drama with class, theism and more (maybe too much) on its mind. Ultimately, it's about a woman who marries into privilege, abruptly thrust into a world on the verge of *something* as she fights to finds her place in it. Elegantly shot.
#Sundance Day 4: Looooong day. Mostly researching, writing, and editing. Didn't get to watch as much as I had planned, but I'm going to try and stay awake for the horror-thriller #TalkToMe starring Ivorian-Australian actress Sophie Wilde. #Sundance#AkorokoAtSundance
In the meantime, read @farimakone's piece on the mother-daughter bonding drama #GIRL which is screening in the World Cinema Dramatic Competition section. The piece includes a conversation with the filmmaker and star akoroko.com/girl-onashile-…
#TalkToMe.. More like #TalkToTheHand. An embalmed severed hand moonlighting as a Ouija is at the center of this trite gory horror. Reckless Gen Zs open portal; malevolent spirits cross over; Gen Zs suffer consequences. Jump scares; blood and guts; etc. *shrug* #AkorokoAtSundance
#Sundance Day 5: #InfinityPool. Not as "shocking" as it likely thinks it is. Read the room: audiences are increasingly numb to explicit depictions of sex and violence — an ejaculating dick or a man gutted "alive." Too bad. Some topical themes and spirited performances upstaged.
#Sundance Day 6: "All Dirt Roads Taste of Salt." Uncompromising. meditation on Black southern life, reminiscent of structure, pacing of Ramell Ross' "Hale County This Morning This Evening," its less stylish docu thematic cousin. Art world ideas in a blackity-black film context.
#MyAnimal: *They* say everything has been done, but simply changing a classical narrative's POV to reflect a historically marginalized voice can be revitalizing! A slow-burn werewolf movie that's more coming-of-age than fangs and fury. A bit let down by the ending tho. #Sundance
#Sundance Day 7: #RyeLane... Uptight guy meets manic pixie girl thing is old hat, but fresh in South London context. Leads, Vivian Oparah notably, feel genuine. Same crackling dialogue & buoyancy usual in Black British youth-centric dramedies. A cute meet-cute. #RyeLane is peng!
Winding down my 2023 #Sundance experience... #Milisuthando: "I grew up inside apartheid, under apartheid, but didn’t know it was happening," Milisuthando Bongela says in this absorbing docu interrogation of the bewilderment engendered by a seedy social experiment. Series worthy.
Snuck in one more. #InvisibleBeauty: Doc on Fashion revolutionary Bethann Hardison. A mighty force. Most engaging is a 20-minute segment that launches with a contentious industry townhall on racism in fashion, particularly on the runways, in zines, which she organized. #Sundance
I wanted more after it ended. I'd love to see an exhaustive, unflinching docuseries dive into the fashion industry: the models, agencies, designers, magazines, publicists, etc. from the POVs of Black professionals in the biz. It so closely mimics the film industry. #Sundance
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#Netflix has dropped a 45-page report on its "Africa adventures" from 2016-2022. I just received it. I'll go through it and share highlights in this thread, so this may take all day... 🤪
Intro statements from Shola Sanni Director of Public Policy, sub-Saharan Africa Netflix; and Dean Garfield VP, Public Policy. In a nutshell, Netflix is excited about the future of its presence in Africa and bringing Africa to the world.
$175 million invested over the six-year period; or just about $29 million a year towards both content and "creative ecosystems" in South Africa, Kenya and Nigeria combined; or about $10 million annually to each country. Can't wait to see numbers from Prime Video eventually.
Main selection announcement was made while I was sleeping, here on the West Coast. Two titles on my predictions list made the cut: Baloji's AUGURE (DRC) and Ramata-Toulaye Sy's BANEL & ADAMA (Senegal). Sidebar announcements still to come, so the rest of these might get slots...
New to me selections... GOODBYE JULIA by Sudanese filmmaker Mohamed Kordofani, his feature debut | Un Certain Regard | I'm now told that this is historic as the first Sudanese film to be an official selection in Cannes history. I have not confirmed this yet. But it's likely.
Catching up on EFM panels I missed in Berlin in Feb. Thankful they were taped. Watching "Prime Video: International Content Strategy from Nordics to Nigeria" hoping to learn something about Amazon's Nigeria plans. Wangi Mba-Uzoukwu Head of Nigerian Originals, is on the panel...
Wangi on what she looks for in projects: "Light" stories; stay away from the dark material. Leaning more towards films than TV because TV is "a bit more technical." She wouldn't mind historical fiction, but they tend to be expensive, so don't expect epic productions. #Nollywood
Wangi on their target audience: Must appeal to local customers (Nigerians in Nigeria), but the work should also capture the Nigerian diaspora, and, third, non-Nigerian lovers of Nollywood content. Local content will be king to @primevideonaija and international will support it.
#Berlinale2023: KILL BOKSOON. Assassin (and single mom) in the twilight years of her career. Secrets and lies abound. Action is JOHN WICK + THE MATRIX, on steroids. Punctuated by lengthy existential chatter, ultimately a last man standing affair. Jeon Do-yeon kills it. Literally.
It's "next week!" As promised, as part of our ongoing fundraising campaign, we're giving away subscriptions to our fave streaming platforms. We've given away subscriptions to Criterion and MUBI. This week, we're giving away TWO annual subscriptions to @kweliTV. Read on...
@kweliTV We're giving away TWO year-long kweliTV subscriptions. To enter, sign up for the @akorokoafrica
weekly newsletter. The deadline is Thursday, Oct. 13 at 11:59 PM PST. The two winners will be selected randomly and announced on Friday, Oct. 14. Register: akoroko.com/newsletter/
@kweliTV@akorokoafrica Recommended films currently available to stream on kweliTV include: B FOR BOY (Nigeria), I AM NOT A WITCH (Zambia), FIVE FINGERS FOR MARSEILLES (South Africa), and OJUJU (NIGERIA).