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Intro statements from Shola Sanni Director of Public Policy, sub-Saharan Africa Netflix; and Dean Garfield VP, Public Policy. In a nutshell, Netflix is excited about the future of its presence in Africa and bringing Africa to the world. 
https://twitter.com/akorokoafrica/status/1644079076381188096New to me selections... GOODBYE JULIA by Sudanese filmmaker Mohamed Kordofani, his feature debut | Un Certain Regard | I'm now told that this is historic as the first Sudanese film to be an official selection in Cannes history. I have not confirmed this yet. But it's likely.
Wangi on what she looks for in projects: "Light" stories; stay away from the dark material. Leaning more towards films than TV because TV is "a bit more technical." She wouldn't mind historical fiction, but they tend to be expensive, so don't expect epic productions. #Nollywood
https://twitter.com/TambayObenson/status/1623030796088139776A two-for-two special... #Berlinale2023 begins. #AkorokoAtBerlinale
More shorts. Standout: Norwegian Inga E Marakatt's "Unborn Biru": pregnant widow steals cursed silver from dead body to care for daughter. Unnerving slow burn horror, especially considering the tundra on which it was shot. It's a feature film begging to happen #AkorokoAtSundance
https://twitter.com/TambayObenson/status/1578600754427797504@kweliTV We're giving away TWO year-long kweliTV subscriptions. To enter, sign up for the
The international media (film and television especially) certainly played a significant role in shaping those perceptions. The last decade has seen a 180-degree shift, presenting an Africa that’s “on the rise.” Is it?
https://twitter.com/IndieWire/status/1570510515394162688A number of events planned for the duration of the 30-day campaign, including an unprecedented conversation series with 30 film and television professionals serving the African space. Here are some of them...
https://twitter.com/J_Chiemeke/status/1570674733318025216When I was chief at Shadow and Act (2009-2017), industry consensus was that there was a whole team behind the operation. Folks were shocked when they learned that it was almost entirely a one-man operation. I work hard — "work ethic," as Tyler Perry would say :-) — BUUTTT....
Meet the filmmaker, who I'm excited about, given her past work. I'm sure American audiences will be hearing much more about her in 2018, once the film is picked up for USA distribution: Rungano Nyoni | "I Am Not a Witch" | Directors' Fortnight Q&A