Thread. I know some #writers research & query at the weekend, so here: on independent - indie - #publishers. Clarification: authors who self-publish (good option) also call themselves indie, but here I'm referring to independent publishers. Get a drink and snack. I'm going in
1. Indie publishers are sometimes called indie presses or small publishers or small presses. What is this thing? A publisher that operates on its own, & is not part of any large corporation or conglomerate. They may be tiny - but not all; Bloomsbury; Canongate, for example
2. A lot of indie publishers allow you to query your book without an agent, but not all. Some may be open to queries year round and some have defined submissions windows - or occasionally a surprise submission window. Be on your toes: these are NOT always advertised in advance
3. Some indies will allow an agent to submit your work year-round, but have unagented windows for you, solo. Again, keep on yout toes. Be aware that sometimes indie pubs will not work with an agent. Maybe it's noted on a website, or just being aware of socials to find out
3. Continued. There are things for which you may want or need an agent, but YOU can still do lots. This is a whole new thread. I have many ideas and surprising information and I will show you what we've evolved down our way. KEY though: what you don't want is avenues cut off
4. If you look for the tweet embedded at the start of this thread, I've introduced you to 2 newish indies, one of which has sprang from the creation of another. Your key resource - plus staying aware? Here: 3rd is out, pre-order 4th any day now: mslexia.co.uk/writing-guides…
5. Remember that indie press is not only fiction, but all genres and forms, a vast array of journals and literary magazines and if you look at the @Mslexia guide, you will see the lot. Guidelines, info, interests, samples of books: add your own due diligence and research
6. If querying, put as much care & attention into it as you would for an agent query. I think it's a lovely thing to buy a book from them while you're at it. Their margins are very different from the big guns and there is stunning work: go and explore. Buy from an indie bookshop?
7. Remember that when agents send your work on submission, the role of the editor they're approaching is key for your particular book. Sometimes that IS at an indie publisher. You'd think from some of the chat about agents that they only sub to big 5. Not so. Depends on the book
8. Back to research. Querying work is demanding BUT you save time and stress if you research, for which there is no shortcut, alas. Primarily, have a good look at the books they publish and, unless openly invited to play a wild card, think about the fit; the books they like
9. If you are already/become agented, could you come to an arrangement whereby you query some indies on your own if it's not a good fit for your agent? Yes BUT this is a conversation to have with your agent. Dialogue and long haul approach are key. There is NOT just one model
10. What about me? I'm building a mix because of interests, pace at which I work and background. My agent is involved in the lot, keeping an eye and advising; rights might also be shared. It's interesting!
Any questions on indie presses? Or stuff I can help with? Shoot x
BONUS tweets. A BIG inependent may be agented only for fiction, but NOT for other categories, so do your finding out methodically. So, academic bloomsbury.com/uk/discover/bl… BUT ALSO bloomsbury.com/uk/connect/con….
So you discover that a star like Bloomsbury will accept unsolicited, unagented submissions in specific non-fic areas. So, when you are researching, leave no stone unturned!

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More from @BookwormVaught

Jan 27
You wouldn't BELIEVE who comes to tell me their problems in ##publishing and #writing so red flags I cannot point at enough even with my most MASSIVE POINTY STICK
1. If you're told this is your one shot, your opp, run for the sodding hills
2. No dialogue? Get out of there
3. If the person or people you might work with on your book repeatedly & openly criticise other sectors of the industry, TREAD CAREFULLY SHOUTY CAPITALS. I don't mean all the epic folk who work to effect change, but something harsher and sharper; bombast
4. This one is crucial
4. If you feel nervous in contact, or frightened even, do NOT suffer this one alone. Share how you feel with someone you trust and if you're a union member, ask for advice. It may be a formal complaint is needed
5. If you're told everyone else is happy, what's the issue with you?
Read 4 tweets
Dec 13, 2022
Thread. On #agents
1. I was following a thread and noticed that many think you can never approach a publisher without an agent, but many indie publishers - even some surprisingly big pubs are indie - will accept unagented authors. Here -@Mslexia & helpful to authors in ALL areas Image
2. It's possible - I've written & tweeted elsewhere about how dialogue is key - to be agented & still do some solo books & projects. That's what I do, but it's agreed, planned AND we talk over projects & books which are not agented AND all contracts are looked over, agency or not
3. The notion that your agent is only about one book. Hmmm. Ideally, it's long haul, feast or famine, dialogue, and planning. A lot of writers WILL tell you that their agent invested in them long term - time and labour. Writers can do it back: it's a two way street!
Read 10 tweets
Dec 7, 2022
Thread. 10% of authors earning nearly half all author income. That's startling, isn't it?
This is going to be a long thread and it's personal because I thought it might be helpful to show you what I have done. I am going in hard with information on £ but also ideas. Ready?
1. By the end of 2023 I'll have had 8 books published and one in translation. I have been writing since late 2015 & in print since 2016. I've had 2 major columns in that time, pieces in the national press and, tallying it, 32 other stories, features, reviews & non-fic pieces
2. My income from writing alone averages about £3,000 a year and the bulk of that is not from books, or royalties, but from columns, features and the like. I have never got funding or a grant. I teach part-time because unless you're very lucky, you've got to keep the day job
Read 22 tweets
Dec 6, 2022
Okay. I’ve dithered about this but we need to speak frankly. I’ll have had 8 books published by the end of 2023. I’ve never even made half that in a year. Just one reason why, unless you’re doing well financially, I advocate a portfolio career; gigs that come from the books.
So financially, in order
Teaching
Mentoring
Columns and features
Guest lectures & event talks
Manuscript review & appraisal
Editing
Writing books
All those things exist (admittedly I have a teaching background but at secondary, ESL & adult literacy) because of the books. That’s what I mean by portfolio. I think there ought to be frank guidance on how & where to look; to hustle.
Read 4 tweets
Dec 4, 2022
On where you fit in #writingcommunity WELL, since I had my revelation about being a portfolio worker and the one big creative project (ie career as only partly about books), I've been much cheerier about this, and producing plenty. Still, where does my work fit in? Read on
The answer is that I don't really, but then I never have so I figure I'll just engineer something. I write literary fiction, & I hear it like poem or song; the words have colour, heft and shape. Writing is a physical experience for me. Why? Fuck knows. The experience is glorious
It FEELS like an experiment to me, but I know from things I haven't been able to access in the industry & from feedback I've entreated, that it's not seen as experimental...by folk who cherish experimental writing, read it, award it prizes & talk about it. I read those books too
Read 8 tweets

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