I'm always interested in how a scene from myth is shown in different media. Here we have Achilles - in women's clothing! - hiding out among the daughters of King Lykomedes on the island of Skyros. Always shown at the moment of discovery by Odysseus (in cap). 1/
1st example: a sarcophagus made in Athens, ca. AD 180-220, depicting scenes from the life of Achilles. On the right side is the scene from Skyros, with Achilles hiding behind his shield, the young, pregnant Deidamia hanging from his neck, pleading him to stay. #GettyVilla 2/
2nd example: a fresco this time, from the House of the Dioscuri in Pompeii. Odysseus - in his pileus cap - discovers Achilles hiding on Skyros, dressed in women's clothing (fetching thigh!). Diomedes, King of Argos, grabs the warrior from behind. #MANN 📸 @carolemadge 3/
3rd example: a 2nd/3rd c. AD mosaic which once decorated the bottom of an impluvium in the House of Poseidon, Zeugma (Turkey, now in Gaziantep 😔). The waterspout can still be seen in the middle. Achilles is once again in drag as he's discovered. 📸 @carolemadge 4/
4th example: Roman glass! This example is decorated with pigments and gilded with gold leaf. The moment of discovery is chaotic, and once again, Achilles' shield is featured prominently. 3rd c. AD, found in Cologne, Romisch-Germanisches Mus., Cologne. 📸 @carolemadge 5/
For those of you wondering *why* Achilles was hiding amongst the daughters of King Lykomedes on Skyros, it was due to a prophecy which foretold that a Greek victory in the Trojan War was assured only if Achilles fought, but that he would die in the process. His mommy hid him. 6/
It should be noted that Achilles isn't just dressed in women's clothing in this fresco. He also has the milky pale skin of a woman, versus the sun-burnt reddish-brown skin of the male warriors.
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Another day, another clusterf**k from Twitter. Apparently, the platform is removing text message two-factor authentication, which will henceforth only be for (snicker) Twitter Blue subscribers. It must be turned off, or you lose access to Twitter. OK, so let's do it ... ah. 😆
I mean, sure, turn off a security feature that's standard on most platforms, just so your CEO can say 'suck it, losers' to all non-Twitter Blue subs. Unbelievable.
Of course, this is some kind of hacker-dream b.s. Removing two-factor authentication will make hacking your Twitter account *so* much easier. I've never heard of a platform charging for security. Musk is a childish loser.
The emperor is dead *and* immortal! And a blonde. My newest digital restoration is Augustus as Jupiter, the king of the gods. A melding of Roman realism with Greek Classicism. A lot to unpack here … #polychromy#archaeology#art 1/
The statue was unearthed in Cumae, a wealthy Roman city near Naples, once a Greek colony and home to the prophesying sybil. The restorers were able to use ancient coins and cameos depicting the Olympian #Zeus and Augustus as Jupiter to guide their reconstruction work ... 2/
Coins like the one below, depicting Augustus as Jupiter Terminus, holding a winged thunderbolt and Victoria. The goddess is also shows up on the reverse of the coin that Augustus minted after the battle of Actium: Victoria on a globe, holding a wreath. 3/
My new digital restoration is this remarkable 2nd c. AD #sculpture of #Eros (Cupid) on a dolphin, approximating how it might have once appeared in the garden of an ancient Roman villa. But who’s captured who here? #polychromy#art#archaeology#romanhistory@MANNapoli 1/
The statue is on display at the Nat'l Archaeological Museum in Naples, but I can’t find information on its history or find spot. Once apparently part of the #Farnese Collection, a copy of a bronze #Greek original. 📸@MumblerJamie and Darren Puttoc. 2/
A few close-ups reveal that the head is likely modern - probably 18th c. (?), and quite good - but everything else, aside from a couple of fingers, appear to be ancient. The modern curls are very Botticelli-esque! 3/
What a party outfit! This new speculative digital restoration is the Roman god #Mithras, from a 2nd c. AD Roman sculpture in the British Museum. I’ve used the fresco from the #Mithraeum in Capua as the inspiration for Mithras’ pseudo-Persian outfit. 1/ #tauroctony
The challenge was to interpret and render the colors and designs from the fresco in the #Mithraeum of S. Maria Capua Vetere onto the cult statue of #Mithras. The legging symbols: stars and planets, or rosettes and crowns? 2/
This sculpture is like many others from antiquity - it's had a restoration (19th c.). From documentation, I've been able to create this visual guide to the modern additions. That's why the head isn't *quite* right. Also, he looks too much like the boyish Ganymede. 3/
Finally finished! A speculative reconstruction of the 1st c. AD funerary altar of the child Julia Victorina. Beautiful Ionic decorative scheme, with very specific spring flowers. So specific that I think they must have been individually colored. #polychromy#Louvre 1/
The funerary inscription is fairly standard, if not heartbreaking. Julia lived to the age of 10 years and 5 months, and is described as 'sweetest daughter'. My attempt at a translation, below. The letters get wonky on the bottom line! #epigraphy@abby_fecit@Caroline_Barron 2/
Julia's parents were Caius Julius Saturninus and Lucilia Procula. Julia Victorina inherited her name from her father, using the proper name of women born into the gens (family) Julia, the same ancient patrician family as Julius Caesar. 3/