…with tons of excitement about season 2, and season 3 seeming very likely.
- Animated #StarTrek has never been better, as current Trek appeals to all audiences.
BUT
- #StarTrekDiscovery was canceled, and it’s obvious it wasn’t what was planned.
- #StarTrek showrunners are pushing hard in tweets and the press for more for their shows. Trying to sway the studio?
- Merchandising and events, which really felt like they were on the upswing last year, have crashed HARD in 6 months.
I don’t know which story is the “real one”?
Probably a mix of both. But for the first time since 2017, there’s a real bittersweet note in the air about #StarTrek, and it’s exposing for me some of the cracks that a robust production slate otherwise conceals. Was 2022 the best that we’ll get from this current iteration?
I hope not. Clearly it’s not 1969 or 2005 - new show announcements are likely right around the corner so like, how bad could things REALLY be? But kicking Disco s5 to next year AND ending it says to me they’re slowing things down, and potentially contracting some.
We’ll see where it goes from here. I just know I’m along for the ride wherever it heads. A new official convention would be nice, though.
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Man, why is it that every time there’s some kind of big discussion about anything related to new #StarTrek, everyone just behaves like complete lunatics? On one side you’ve got the “is this what Star Trek has become?” crowd hell bent on grinding their axe about what they hate.
And honestly, on the other side, waaaay too many defenders of current #StarTrek jump into hyper defensive mode. Even the most tepid “I’m not sure I like this” gets met with a “get over it, things change” tidal wave that is just so aggressive.
I get that’s largely a learned response from the early days of #StarTrekDiscovery where fans like me felt like we were maybe in a bit of a small minority and we needed to get loud and proud because the hate was just so relentless.
The decision to make Section 31 the next best thing to public knowledge in #StarTrekDiscovery was such a bad choice. Partially because it doesn’t fit what we know about the group from the other shows, but more because it just doesn’t work.
Section 31 works as the dark side to the Starfleet’s noble values if it is a secret. Because the cool nugget of an idea DS9 tried to explore is that there’s no such thing as a free lunch. Somebody is doing the dirty work even in a 24th century utopia.
But if everyone in Starfleet knows about S31 - and there’s not a single Disco character who even feigns a “never heard of them” - then there’s nothing there to explore. In fact, you’re just saying Starfleet is consciously making morally suspect choices out in the open.