#Thread Indus Gadd 1932 Seals found in UR, a Sumerian city in ancient Mesopotamia, at the site of modern Tell el-Muqayyar in south Iraq's
Impressive Professional quality Pic by @britishmuseum. @NationalMissio1 & @ASIGoI should learn from British Museum. #Archaeology
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A palm-tree with humped bull (zebu), serpent, scorpion and recumbent human figure at the top in this Dilmun Period seal found in 1930 in UR #Archaeology
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Circular stamp-seal of glazed white steatite; engraved with design showing a bull standing over a manger; Indus inscription along the top; top of domed reverse broken.
2500 BC-2000 BC
Babylon (Iraq) #Archaeology
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Circular, dark green steatite stamp seal with pierced, centrally grooved lug at top, base engraved with inscription in Indus script above a humped bull facing right; one side badly chipped. #Archaeology
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Greenish-grey steatite Dilmun-type stamp seal with creamy glaze; circular with convex top; double hole pierced through top; engraved with design on base divided into quadrants of four seated figures round periphery; section of base broken away. #Archaeology
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Black glazed steatite stamp seal; circular; Gulf type and/or Indus Valley style; domed handle at top with groove along centre; hole pierced through at base of handle; design deeply engraved on base of figures and animals; chipped. #Archaeology
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Rectangular, green-grey mottled steatite stamp-seal with pierced lug at back; front surface deeply engraved with crude design of bull standing, facing left; single line inscribed line above; Indus style seal with Sumerian inscription. #Archaeology
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Fragment of a circular greenish-grey steatite stamp seal; part of an inscription and incised design on base; button boss top. #Archaeology
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Circular light grey glazed steatite seal; base engraved with design of a bull facing right, with single-line inscription in Indus script above; roughly conical grooved button boss on top; hole pierced through base of button bosson; broken one side with section missing
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Dark grey glazed steatite stamp seal; circular with domed top; Gulf-type; hole pierced through top; design engraved of scorpion and bull on face; complete. #Archaeology
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Fragment of a pale brown glazed steatite stamp seal; circular with domed handle at top; hole pierced through base of handle; inscription and illegible design on base; lower and left hand part broken away. #Archaeology
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Circular stamp-seal of black steatite, partially covered with a kind of glaze, Dilmun type; with face incised on top; hole pierced through top; geometric or animal design engraved on base. #Archaeology
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Circular, light grey steatite stamp-seal; hole pierced through back; Dilmun type; face shows engraved design of two men, each dressed in a long skirt, walking left and clutching a jar between them; left figure grasps a leaping gazelle by the neck. #Archaeology
The Gubyaukgyi (or Kubyauk-gyi) temple, near Bagan, Myanmar, was built in 1113 AD by Prince Yazakumar after King Kyansittha's death. It's renowned for its well-preserved frescoes, the oldest in Bagan, featuring Old Mon captions that mark early language use in Myanmar.
Located near the Myazedi Pagoda, it stands beside a key historical pillar with inscriptions in Pali, Old Mon, Old Burmese, and Pyu, often dubbed the "Burmese Rosetta Stone" for its linguistic significance.
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Stone pillars with inscriptions in four ancient Southeast Asian languages: Pali, Old Mon, Old Burmese, and Pyu. The inscription on the pillar displayed by the Myazedi Pagoda is called the Burmese Rosetta Stone, given its historical and linguistic significance as a key to deciphering the Pyu language.
Compare the protection given to this pillar by a relatively smaller country. @AsiGOI can learn from these smaller countries as to how to protect heritages of national importance.
Did you know that "Bull Leaping" or "Bull Taming" finds its roots in India, and was gender neutral ? It later made its way to Europe, where it goes by different names. The earliest seal dates back to around 2600-1900 BCE. The second piece of evidence for Bull Leaping comes from Banawali, near the dry Saraswati riverbed in Haryana, dating from 2300-1700 BCE.
#Archaeology
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The subsequent known depiction of bull-leaping appears on Hüseyindede vases, originating from the early Hittite period around 1650 BCE. #Archaeology
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During the period from around 1600 BCE to 1450 BCE, the late Minoans engaged in the thrilling sport of bull leaping. This bronze sculpture, crafted through the 'Lost Wax Technique' (a method originating from India that remains in use today by @Nasa), captures an acrobat in mid-somersault.
DEVDASI | Journey from GLEAM to GLOOM | Most respected to most dejected
Thread to look back in time to where we are today. An untold story in the evocative book 'NITYASUMANGALI' by Saskia C Kersenboon
Exploring the devadasi system's transformation, this narrative traces its shift from revered spiritual practice to marginalized existence. Devadasis, once divine performers in temples, faced decline as societal changes turned respect into rejection. Kersenboon's research reflects on cultural shifts, urging readers to ponder tradition, power, and identity.
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Devdasis, also known as Rudra Ganikas, played a crucial role in temple ceremonies. They were the figures who encircled the IDOLs during rituals led by the royals. Revered as both sacred and auspicious, they symbolized wealth and protection for the populace. They also conducted various ceremonies related to weddings and births.
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The initiation into becoming a DevDasi was a CHALLENGING ritualistic journey, focused on mastering Shakti and anchoring it to a symbolic DEITY. It began with the King's consent, followed by seclusion, detachment from family, and a bond with GOD. Even upon death, a Devdasi adorned herself as SU-Mangali (a MARRIED woman).
Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.