Sorry to the STO fans who are losing their minds about #StarTrekPicard not lining up with the video game story but…a TV show with millions of viewers was never going to slavishly hew to a video game with a few thousand players. Sorry that was just never going to happen.
I’m very happy for STO players that parts of the game were canonized. But you knew this was coming because there was already precedent for this with the books. The shows took a few things from the books and dumped the rest. It’s how it was always going to be.
And you’re wrong if you think somehow the story of the video game was more important than the story of the books. They both have small and passionate audiences.
Enjoy your win! The Enterprise F is canon, just like book fans enjoy their win that the Luna class Titan is canon.
And you still have your game. Book fans like myself will never get more story in the version of #StarTrek that we spent two decades obsessing over between the end of Enterprise and the return of Star Trek to TV.
So you have a great thing going. Please see it for what it is.
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My Borg tweets yesterday about the #StarTrekPicard finale got a lot of questions about the Borg story in season 2 featuring Jurati and what impact that had on the Borg and the queen in season 3. So let’s clarify and sort out what we saw and what it all means.
In 2375, Voyager returned home thanks to the help of Admiral Janeway who infected the Borg Queen with a neurolythic pathogen. The Borg’s transwarp hub was destroyed, and the Collective seemed to go quiet.
Over the next 20 years, there were limited encounters between Starfleet ships and the Borg. The USS Protostar encountered a dormant Borg Cube in the mid-2380s, and at some point a Cube (maybe the same one) is incapacitated after assimilating a Zhat Vash ship.
…with tons of excitement about season 2, and season 3 seeming very likely.
- Animated #StarTrek has never been better, as current Trek appeals to all audiences.
BUT
- #StarTrekDiscovery was canceled, and it’s obvious it wasn’t what was planned.
- #StarTrek showrunners are pushing hard in tweets and the press for more for their shows. Trying to sway the studio?
- Merchandising and events, which really felt like they were on the upswing last year, have crashed HARD in 6 months.
Man, why is it that every time there’s some kind of big discussion about anything related to new #StarTrek, everyone just behaves like complete lunatics? On one side you’ve got the “is this what Star Trek has become?” crowd hell bent on grinding their axe about what they hate.
And honestly, on the other side, waaaay too many defenders of current #StarTrek jump into hyper defensive mode. Even the most tepid “I’m not sure I like this” gets met with a “get over it, things change” tidal wave that is just so aggressive.
I get that’s largely a learned response from the early days of #StarTrekDiscovery where fans like me felt like we were maybe in a bit of a small minority and we needed to get loud and proud because the hate was just so relentless.
The decision to make Section 31 the next best thing to public knowledge in #StarTrekDiscovery was such a bad choice. Partially because it doesn’t fit what we know about the group from the other shows, but more because it just doesn’t work.
Section 31 works as the dark side to the Starfleet’s noble values if it is a secret. Because the cool nugget of an idea DS9 tried to explore is that there’s no such thing as a free lunch. Somebody is doing the dirty work even in a 24th century utopia.
But if everyone in Starfleet knows about S31 - and there’s not a single Disco character who even feigns a “never heard of them” - then there’s nothing there to explore. In fact, you’re just saying Starfleet is consciously making morally suspect choices out in the open.