Mileva Maric was the only woman in the physics program w Einstein. She failed her exams a few weeks after discovering she was pregnant and then dropped out. They both were working on 2 papers each. A few years later he published 4 papers that became known as a miracle. No
physicist has had as strong a year in history. Their marriage suffered but she would not grant a divorce- until he promised Mileva the entire Nobel Prize if he were to win it. In 1922, he won for his work of the 1905 “miracle year.” In their love letters, Einstein refers to her
having the “better topic” and “our work” on relative motion. John Statchel, the Einstein expert who almost single handedly erased academic open mindedness to believing in a co-authorship history took down the theory by insisting Einstein gave Maric too much credit bc he was in
Love. 🙄 I should add that Einstein kept over 10,000 pieces of paper and ephemera of his work and correspondence but the original manuscript for the first theory of relativity is inexplicably missing. After their divorce, he never topped his achievements during their marriage.
I wrote a screenplay about Mileva called EQUALS that will prob never get made but I spent 3 years researching/writing about her and Einstein and her story will always stay with me. #WomenScienceDay #WomenInScience
And yeah, one of the papers is the E=MC^2 one.
Oops! I wrote the thread off the top of my head. I double checked the Einstein library website. It’s >80k saved items.
Oy. Some of the science-guy mansplainy crowd are frustrated I didn’t say she failed her exams once before the pregnancy & then after. She did! (It’s in the script.) This has been used against a co-authorship theory for yrs. The 1st time she failed she was wrapped up in research
And Einstein’s mom wouldn’t approve an engagement. They were rebelling against the syllabus and I imagine she hadnt studied hard enough. The 2nd time, she was pregnant, about to show, and unmarried, her career hopes slipping from her fingers. A professor noted on her transcript a
Disciplinary or conduct issue so it’s unclear if she failed one of the exams bc of her answers or their judgement of her behavior. I got a C in freshmen writing and I’m now a pro writer. I spent most of college making plays and almost failed astronomy. I see no correlation bw
exams and having good ideas. We know how bright she had to be to get in. We also know Einstein chose to hang out w her and work w her over everyone else. So you can choose to believe her exam results mean she couldn’t have been brilliant enough to co-author the papers or
you can see why they could both be true.
Some folks asked me to prove the miracle year manuscripts are missing. I've scoured the Princeton Einstein archive & Collected Papers of Einstein & cannot find an image or reference to the original 1905 manuscripts he submitted to the Annalen de Physik. I would be mortified to
mislead anyone & probably few would be more thrilled to see them than me. So today I took a step I never thought to do before -- I emailed the Hebrew University Einstein archive in Jerusalem to see if they have them. I found a citation
of manuscripts that fall across 1905 and I've requested to specifically see the original manuscripts of Einstein's 1905 miracle papers. I will keep you posted. I saw one yellowed, tiny, fuzzy image on the site but when you click it says 'not avail to the public.'
Here's an article by a lead Einstein scholar who argues against a co-authorship theory. His writing was sent to me by another Einstein expert (Stachel) when we were in touch. esterson.org/einsteinwife2.… Even Esterson takes pains to explain what someone may or may not have seen on the
original manuscripts. It's clear from context he has not seen them either.

But if anyone can find them, I'd love to be proven wrong.
Update: so far archivist @ Einstein collection @ HebrewU cannot locate them nor the Annalen der Physik who published them. Reaching out to Einstein Papers project at California Institute of technology and Princeton. If not there either, I assume they didn’t survive. Open to ideas
I have an update! After seeking an answer with an expert at the Einstein Archive at Hebrew U. & the the Berlin journal (Annalen der Physik) that published the miracle papers, I was able to ask the Director of the Einstein Center through a friend. I asked if Einstein's manuscripts
for the annus mirabilis papers survived. He informally confirmed they are missing. He replied, "No, they did not."
In other words, >80,000 dcuments of his were saved and archived, but all four of the original manuscripts for his 1905 miracle papers, four of the most revolutionary science papers of all time, that he submitted for publication, are gone.
We discussed Mileva Einstein on this podcast episode of @GuiltFemPod podcasts.apple.com/us/podcast/the…

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More from @MonicaBeletsky

24 Jun
When I write a scene ill lay out everything that needs to happen. When I REVISE: I find ways to reveal character, more obstacles & conflict, remove what’s not interesting enough or necessary, dig deeper into an emotional set up or pay off then hone a landing or end/point of it
Writing down a bunch of stuff that happens is not a scene. for the scene to be elevated everything has to be there not just because it could happen because it has to and because it’s furthering character story conflict emotion a set up or a pay off
I’ll also add visuals as if the sound were off but you could understand it and I’ll rewrite it psychologically —how can I enhance how it’s being told cinematically through the character’s point of view. Oh sometimes stuff can be cut that’s interesting but not necessary (research)
Read 4 tweets
13 Mar
TV writers: were you staffed once or a few times or been writing assistants for awhile and feel stuck? I’m gonna try to help bc this is a common DM I get. Not big picture advice but as far as scripts and things you might be able to control. I’ll do a Q&A on this topic only after.
Okay so maybe you have a manager but you’re not getting meetings, or you fired your manager bc they weren’t doing much. Maybe your sample got some traction but nothing solid happened. Maybe you’ve been out of work for a moment. Maybe you can’t seem to get promoted.
What can you control? Your work. Your self. Who you know (who likes you). How your work and your self are perceived to match what and who people need on staff.
Read 20 tweets
17 Dec 19
#Rewriting again, so here's some thoughts from today. After two drafts of an ambitious story, I had a lot of character and world building, but the A/B stories were muddy & meandering. My clarity ?s:
What is the premise of the series? Or, can I explain the idea of the series?
What is the pilot story? Or, what happens in the 1st episode?
This is different than:
What is the set-up of the pilot? Or, what starts the hero on their journey and why are they the perfect character to follow in this story?
What happens week to week? Or, how can I show through the pilot what can be expected to repeat, grow or become added trouble in the next episodes?
Who is the hero? What is the arc we might expect them to travel in the pilot? In the season? In the series?
Read 10 tweets
20 Apr 19
I’ve recently written two features and a feature pitch. What I’ve learned about ACT TWO: Act two starts after the protagonist achieves their stated goal. For example, in BLACK SWAN, Portman gets the part. At the top of Act Two, it’s the protagonist’s entry into a new normal. It’s
Often ACT TWO begins in a new location, it’s an arrival, the beginning of a new adventure, the start of a quest. A courageous journey that the protagonist chose to be on.
ACT TWO ends after the protagonist’s darkest moment, an utter loss of hope, followed by a miracle of courage to keep going one more time.
Read 13 tweets
28 Dec 17
I didn't go to film school. One thing that's hard for me as a writer, is every time I write, i feel like I'm still figuring out my process. So I watched myself during this last script and took notes on what I do. The big headline
for me was realizing writing is, at a basic level, answering a series of questions you ask yourself. The first four are:
1. What is the story? This is about character and plot.
2. How will I tell the story? This is about genre, structure and point of view
The next two:
3. Why will we care? This is about the protagonist
4. Why do I need to tell these stories now? This is about theme, irony, relevance
Read 30 tweets
2 Nov 17
These #s are pathetic. In prestige cable, I'm often the only woman & POC in the room & I'm biracial/black. I have to say something about the
conclusion of this study - that the lack of black writers means more stereotypes. Listen, white writers can do that work, too. Lately I see
an assumption that a black writers' job is to authenticate black characters for white writers. And maybe, on some shows, that's the gig. But
Read 11 tweets

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