1/ The deeply classical countdown of my 20 favourite recordings. Which version will be my #Beethoven2020 #1 choice for #Beethoven Symphony No. 2?
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* A mono-era #HistoricChoice
* A #ClassicChoice from the age of stereo LP
* An #80s/#90s #CDChoice
* A shiny new #21stCenturyChoice
* An original-instrument #PeriodChoice
All leading to my #TopChoice.
Old instruments, new music: the pounding timpani, braying horns, limpid winds and sinewy strings of this @GramophoneMag award winner changed the sound of Beethoven forever. Transparent, vivid, immediate. @WarnerClassics
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Half a century earlier another London recording set new standards. Weingartner knows No. 2 is something new and gives it more weight than #1 without inflation. Natural authority, integrity and warmth. @naxosrecords
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Mackerras delivers Norrington's impact, transparency and bold brass attack on an orchestra that Weingartner would have recognized. The Mozartian sweetness, charm and irrepressible zest are all his own.
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All Mackerras's transparency and impact, plus an old-school heft rarely heard in the last 40 years. In demonstration sound, Vänskä illuminates details spurned by even Mackerras; try the infamous bar 7 (00:34-7) for a shock.
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Even more spacious and full-bodied than Vänskä, the lush sustained sonority gives the symphony a special Romantic glow. Singing tone and supple phrasing impart remarkable human warmth to the Larghetto's tender lyricism.
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Are there still new things to say about this symphony? You'd better believe it! Fischer invests bar after bar with witty surprise and theatrical flair, and what can be more authentically Beethovenian than that?
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Horns stab dabs of primary colour across the introduction's canvas. String runs fudged by other sections are crystal-clear here. Firm bass delivers plenty of body as fast music drives demonically forward.
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Period performance, but which period? Horns and bassoons snarl and gurgle like prehistoric beasts rising hungry from their swamp. Brüggen paces and weights the music as if possessed by the restless spirits of Klemperer or Furtwängler.
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Kubelik's lyrical warmth plus an epic tread making even Brüggen sound impatient. Limitless string tone bathes the Larghetto in a luminous glow, while basses summon an extra bottom octave denied to mere mortals.
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A sweet-toned modern chamber orchestra that captures the transparency and bold colour pioneered by period performance. Like a flyweight boxing champion it's supple and athletic, yet surprisingly hard-hitting.
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I've found 5 accounts of No. 2 by the King of Big Beethoven. This is marginally my favourite. Brüggen, Blomstedt and Kubelik are broad; Brüggen's world sounds almost prehistoric; but Klemperer's timescales feel like geological epochs.
![Image](https://pbs.twimg.com/media/EY7WwPDXgAEoA94.jpg)
"Music is not there to soothe people's nerves" says Nik. He's true to his word: slashing brass and earth-trembling timpani give the listener "a good shaking" throughout an introduction matching Klemperer for cosmic grandeur.
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As highly-strung as Arturo, but way more Beetho-FUN! Fey makes mentor Harnoncourt sound positively mellow: strident brass, bone-dry timps and astringent strings make sforzandi explode like gunshots.
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A far grander comedy. This big band revels in the depth and velvety richness at their command, but the going is always easy: the springy first movement shows Harnoncourt and Toscanini a clean pair of heels.
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6 categories in my Top 5 records? How's that gonna work?
#5 NDR Symphony Orchestra, Pierre Monteux 1960 @WarnerClassics
This great French conductor waves his wand before his fine German orchestra and, as if by magic, Ludwig becomes Louis full of grace, charm and bonhomie. Has everyone else been playing it wrong?
![Image](https://pbs.twimg.com/media/EZHZ89bXkAUAAy5.png)
#4 SWR-Sinfonieorchester Baden-Baden & Freiburg, Michael Gielen 1998
@HaensslerMusic
Forget labels like 'traditional' or 'radical': Gielen has no musicological axe to grind. His lucid, radiant, joyful Beethoven faithfully serves only one master: the music.
![Image](https://pbs.twimg.com/media/EZKp008VAAUCs-D.png)
#3 @rpoonline, Hermann Scherchen 1954 @DGclassics
I love this perfectly-balanced performance more than I can say. Scherchen tempers Toscanini's fire with Beecham's effervescent sparkle, delivered with exhilarating virtuosity in astonishingly vivid sound.
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#2 Copenhagen Philharmonic, Lan Shui 2009 @OrchidClassics
Spirited sound delivers the letter of the score with unrivalled crispness and clarity. Period brass flash like fire and liquid winds sing strong and sweet over slim but firmly focused strings.
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And the winner is ...
Oh look, @BBCRadio3 is repeating #Symphony1 on #RecordReview #BuildingALibrary. Time to turn on @andrewCDmcg!
#1 @mco_london, Sir John Eliot Gardiner 2013 @sdgrecordings
20 years after memorable studio recordings comes a live performance with fire in its belly, joy in its heart, colour more vivid than a Dulux catalogue, all at Beethoven's spanking speeds.
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