Let's start in Westminster Hall, where we find our first treasure high up in the walls. 🧱
Inside the box is part of the original Norman wall of Westminster Hall, left uncovered when the rest of the walls were restored after the Great Fire of 1834.
This broom cupboard in the Chapel of St Mary Undercroft is where suffragette Emily Wilding-Davison made history by hiding on the night of the 1911 census.
When found, she gave her address as the @HouseofCommons and was listed as head of household!
Historians recently uncovered a 17th century passageway into the original @HouseofCommons Chamber, which had been panelled over in the 1850s. The bricklayers left their names in graffiti on the walls.
Next, we come to the hidden spaces in the Elizabeth Tower and Big Ben.
Not many people know about the Prison Room of the Elizabeth Tower - and it's not quite as dark as it sounds! The Prison Room sits at the base of the Tower, in what was originally the Serjeant at Arms' Office.
The Prison Room was designed as a holding cell for anyone who was removed from the Chamber, and was last used in 1880, when an atheist MP spent a night there after refusing to swear a religious oath.
The room is no longer in use. 🗝️
Our final secret place may look strangely familiar - in fact, you've often seen it from the other side!
This is the space behind the Great Clock face. Each dial is made from 324 individual pieces of pot opal glass.
We're #hiring a Head of #Conservation#Architecture who can
📐 oversee the strategy for building conservation
🏗️ keep the programme of conservation works up to date
😃 be a great team leader
Today is #AskACurator Day, and we have 3 specialist curators answering your questions on our Parliamentary Art, Historic Furniture and Architectural Fabric Collections! 🖼️🚪🪑
Let's hear your questions and their answers ⏬
First over to our Parliamentary Art expert Melanie 🎨🖼️✏️
💬 "How many works are hidden away in storage? Do they get put on display in rotation?" ❓
80% of our 9,000 artworks are on display - a high percentage compared to many museums. We do rotate the works on display - some are fragile and can only be displayed for short periods.