Tonight is #BonfireNight2020, an event that puzzles many readers from outside the UK. What is this festival of anarchy and why do the Brits keep doing it?
Let me try to explain...
Guy Fawkes Night is a traditional re-enactment of naked sectarianism, domestic terrorism, anarchy, patriarchy, licensed beggary, arson and disrespect. It's all very quaint and happens each year on the 5th of November - #BonfireNight!
#BonfireNight 'celebrates' the disruption of an attempt to blow up the Houses of Parliament in 1605; a time in British history when everyone hated everyone else due to religion, nationalism and politics that would culminate 40 years later in a massive civil war. Like you do...
Effegies of Guy Fawkes are burnt on huge public bonfires to commemorate the event, accompanied with fireworks, disgusting jacket potatoes and moaning about how early they advertise Christmas nowadays.
But the real meaning of Guy Fawkes Night is explosives! We're really commemorating the time when citizens had ready access to military grade ordinance - like we did in the war. It's a special moment when a father first presents gunpowder and matches to his son...
Another reason we celebrate Guy Fawkes Night is because it's NOT American; unlike Halloween with it's trick or treating - exposing children to 'stranger danger' and type-2 diabetes - we prefer British children to play with their friends in front of a massive conflagration.
#BonfireNight cuts across Britain's strict class hierarchy; public schoolboys delight their teachers by setting fire to their school, whilst street urchins merrily steal anything not nailed down for a wasteground bonfire - the cheeky scamps!
(True story: in 1978 some of my primary school classmates were caught by the police sawing down a telegraph pole to burn on Guy Fawkes Night. Did they get let off? Of course they did - it was for the 'bommy!')
British parents force their children to stare at the local bonfire on Guy Fawkes Night in the same way Time Lords force their children to stare into the burning vortex of time itself. The results are much the same: no permanent psychic damage ever occurs...
Alas British fireworks, like the British Space Programme, is in decline. Foreign brands now flood the market and whilst they 'say' they will go off like a bomb they rarely deliver. Apparently they blame the weather over here...
And ever since we joined the EEC we've been obliged to follow the Fireworks Code: keep them in a biscuit tin and set them off all at once with a lit Benson & Hedges or something. It's hard to read this thing at night you know!
Many people want to ban #GuyFawkesNight on the grounds that they don't like it. Soon bonfires may go the way of asbestos blankets, lead paint, mercury tooth fillings and fireworks boxing matches - outlawed by 'health and safety' concerns.
So enjoy blowing things up while you can Britain; it will likely soon become a distant memory. Many things do: "It is Guy Fawkes who is remembered today, and King James who is forgotten."
More stories another time...
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Today in pulp: a woman with great hair is fleeing a gothic house. Why?
Well this is a signal to the reader: they hold in their hands one of ‘those’ books – not a historical romance or a ghost story, but a modern gothic romance.
New readers start here: what is a modern gothic romance? Well it's a romance story with strong supernatural themes, all tied to an atmospheric and foreboding building which our heroine must flee.
Actually it's a lot more complex than that...
Firstly it has a long pedigree. Horace Walpole's The Castle of Otranto (1764) is usually acknowledged as the first gothic romance; set during the Crusades it follows Lord Manfred's fateful decision to divorce his wife and pursue his dead son's bride-to-be Isabella.
Today in pulp... I look back at one of the most frightening British comics of the 1970s: scary, supernatural and just for girls: Misty.
IPC comics already had a reputation for tough titles by 1978: Action comic had been denounced in parliament for its violent content. But Pat Mills wanted a vehicle for fearful supermlnatural stories and persuaded IPC to run with his idea: a mystery comic aimed at girls.
Rival publisher D.C. Thompson had already launched its own supernatural girl's comic Spellbound in 1976, but IPC's Misty would be in a league of its own when it hit newsstands in 1978.
"The gun is GOOD! The Penis is EVIL!" bellows a huge stone head floating over the Irish countryside. It's quite a strange start to any movie, but it's about to get even stranger...
In honour of Sean Connery I look back at his most fascinating film: Zardoz. #SaturdayThoughts
In 1970 director John Boorman began work on a Lord Of The Rings film for United Artists. It would be an unusual adaption; The Beatles would be the Hobbits and Kabuki theatre would open the movie. Alas the studio said 'No', but the idea of making a fantasy film stuck with Boorman.
So in 1972, following the commercial success of Deliverance, John Boorman started work on Zardoz - a fantasy film into which he would cram many unorthodox ideas. Initially Burt Reynolds was to play the lead role of Zed, but pulled out citing other filming commitments.
"OK Gloria, this is an international spy novel so try and look suspenseful. And provocative. And continental. With a hint of frisson. Keep it classy."
"OK Deborah, this is a really tense scene in the novel so try and look imperiled. And intriguing. And beguiling. Maybe a hint of chagrin. Now light me."
"Right Agatha, you're an international hitwoman so try and look dangerous. And possibly Spanish. And equestrian. Give me Spanish horses in your eyes. Be a danger jockey, but a bit teasing. Maybe undo a button."
Are you writing a sci-fi or fantasy novel? Are you struggling to choose a title for it?
Well good news! I've just analysed the titles of 1,500 DAW sci-fi and fantasy novels, and I think I've found the secret!
Come with me...
It turns out the most commonly used word in a DAW fantasy title is... sword!
Well d'uh. But think about it: 'sword' is being used as a shorthand term rather than a descriptive term here, it tells the reader it's one of 'those' novels...
...much like the word 'dragon' does. Dragons are a shoo-in for any fantasy book title (assuming there is a dragon in the story!) because it clearly signals to the audience this is a fantasy novel.