St Helen's, Barmby-on-the-Marsh, Yorkshire closed in 2007. The earliest record of a chapel here dates to 1388. In 1489, the parishioners petitioned at Rome for a grander church. This was granted. Only the nave survives from this date.
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The medieval tower with timber spire was ruinous by 1773, and was dismantled, rebuilt in red brick and crowned with a copper cupola. The chancel seems to have been added only in the 19th century, when the church was restored in 1854 by Thomas Clarke.
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We are undertaking repairs now – with financial assistance from the Culture Recovery Fund.
We are delighted that we could save this church from the wrecking ball.
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Like St Helen’s, St Lawrence’s, Hutton Bonville, NR of Yorkshire also closed in 2007. It has lain empty since then. St Lawrence’s is a small medieval church that was much altered in the 18th and 19th centuries.
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There’s a lot of work to be done before we can open this church to visitors. From next spring, we will address the structural issues, restore the interior and welcome people back inside after many, many years.
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Buried in the churchyard is the Hon. Charles Stewart Rolls, pioneer aviator, who died 1910 in a flying accident, the first British aircraft fatality. It was C. S. Rolls that co-founded the Rolls-Royce firm.
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Repairs are needed to all three of these churches, but we are optimistic that we will be able welcome people back into these important buildings next summer.
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We work on a shoestring. We put everything we can into saving, repairing, and opening up places of worship. It’s your membership and donations that enables us to do this – so, thank you! *You* saved these churches!
Today, we thought we'd look back at some of our 'big saves'.
First, St Peter’s, Wickham Bishops, Essex. We took it on in the ‘70s, repaired it, found four schemes of hugely important wall-paintings. Now a stained-glass artist works from the nave, and welcomes visitors.
To Caernarfon, to Hen Eglwys Baglan. An ancient church in the shadow of Snowdon and overlooking the Menai Straits. By the 1970s, it had been neglected for years, and was teetering on the edge when we took it on. Now, it is well-used and beloved by people all over the world.
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In Sussex, the little chapel at Milland fell into disuse and dereliction in the 1930s. By 1960, it looked like this. In 1974, working with a local group – who are still active today - haul this ancient place back from the brink. And just in the nick of time too.
#OTD in 1703 a hurricane ravaged England and Wales: trees damaged, property destroyed, livestock killed, ships lost at sea...
Lives were lost too, including the Bishop of Bath & Wells and his wife - killed in their bed when a chimney of the Palace at Wells fell on them.
The weather blew in from the north Atlantic and is one of the worst storms to have ever hit the UK.
Writer Daniel Defoe engaged in one of the first examples of what would today be called 'investigative journalism', obtaining country-wide accounts of people's experiences.
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Defoe published his findings in The Storm (1704).
In Wales, most of the accounts came from seaboard towns - Chepstow, Cardiff, Swansea and Milford Haven - but one is of particular interest to the Friends; it was from "Llaneloe" (i.e. Llanelieu) in Breconshire.
The churches in our care are derived from the landscape they occupy. Forest, mountain, field and sea, in many cases, we know exactly where the raw materials came from. Locally sourced limestone formed the lime mortar that sticks masonry and brickwork together.
When it comes to buildings, mortar really does the heavy lifting. It sticks masonry together, keeps masonry apart, and impacts everything from load distribution to acoustic insulation.
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Mortar is a binding agent composed primarily of binder and aggregate. Generally, it is defined by the binding agent, i.e. lime. Aggregate provides a vital framework and prevents shrinkage. The proportion, grading and packing of aggregate will affect quality, porosity and strength
And at the dead end of the small secret valley
Folded neatly into its ancient habitat
Stands St Jerome’s, a long way from Rome
Hidden from view, tucked away safely
Unless you know that it’s there
Hidden from time and slow to transform
By the side of its small stream
Whose other small gods must once
Have played before a crucifix arrived
It hides the curlicues of its delicate screen
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And silent green men, who stare down
At you, unchanging over the centuries
Knowing more about you, than you know of them
Because they have seen footprints and faces
For hundreds of years, approach the altar
In love, in despair, in sin, in reverence...
In some churches you might spot Christ, mid ascension, carried within a colourful oval. The oval is known as the mandorla. It represents the intersection of the terrestrial and the celestial, of the human and the divine, which are linked by Christ’s resurrection.
The shape is also known as vesica piscis, and in mathematical terms is formed when two circles overlap equally. From the earliest times, it has been loaded with meaning. As its basic shape recalls the vagina, it has been a symbol of fertility and femininity, of growing life.
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When it came to iconography, Early Christians needed a way to visually symbolise the Glory of God. In the absence of divine inspiration, they borrowed ideas from the world around them. The ancient vesica piscis symbol created a visual device into a sacred space.
Just 10 weeks after Guy Fawkes and other English Catholics were discovered in the act of attempting to assassinate King James I by blowing up the House of Lords, a bill was introduced in England for a public, annual thanksgiving for the failure of the plot.
Although ostensibly a day of celebration, the wording of the ‘Thanksgiving Act’, which pointed a finger at 'malignant and devilish Papists', also sent a clear anti-Catholic message and served as a new focus for anti-Catholic sentiment and continued oppression.