Britain in the 1970s: Raleigh choppers, lumberjack jackets and Findus crispy pancakes for tea. And one magazine really summed up the spirit of '70s Britain for me...
Children's TV reflected the British class system: the BBC was seen as worthy, educational and safe; ITV was considered brash, vulgar and rude. Some strict parents wouldn't even let their children watch the 'commercial' channel!
However by the 1970s ITV children's programmes had really started to hit their stride. And unlike the prim BBC they weren't afraid to be subversive.
Noisy, crazy and often very funny they stated to hoover up viewers...
...which was a bit of a problem for British comics, who were fast losing the battle for attention as kids chose to watch TV rather than read.
So in 1970 Independent Television Publications started work on a new kids magazine, aimed squarely at a TV savvy audience. It would be a 'Junior TV Times', featuring music, sport and the stars of commercial television. Plus regional TV listings...
Alan Fennell was recruited to edit the new venture, having successfully run TV Century Comic previously. Angus Allan was brought in to work on the comic strips for the new magazine.
Look-In: the Junior TV Times launched on Friday January 8th 1971 with Magpie's Tony Bastable on the cover. Strips included Please Sir and Timeslip, along with a World of Sport special and magic tricks from David Nixon.
The Look-In format was simple but effective: TV, music, sport and celebrities. Its production values were high, and coming out on a Friday meant it was an eagerly anticipated weekend treat for young readers.
Some of the best British comic artists were hired to work on Look-In: Mike Noble, Arthur Ranson, Harry North, Jim Baikie and many more contributed strips over the years.
Look-in cover art was normally done by Arnaldo Putzu, who had made his name in cinema poster design. Having a strong painted cover made the magazine really stand out on the newsagent's shelves.
Pop stars regularly featured on the Look-In cover. Pop magazines like Smash Hits had yet to launch so Look-in had the pre-teen music market pretty much to itself for many years.
There were the usual quizzes, freebies and giveaways in every issue...
...and of course every issue came with a colour poster!
(Though I'm not sure how many children wanted a Catweazle poster for their bedroom wall).
Most of the Look-In comic strips were based on ITV shows. From On The Buses to Sapphire and Steel anything that was ITV family viewing ended up in the magazine in some format.
Some later strips were frankly bizarre however. Here's Bucks Fizz fighting the Mafia, and Madness in space.
Look-In was also useful for plugging new TV shows that might struggle to get a younger audience. It's fair to say ITV weren't shy about using the magazine to drum up viewers. The TV listings page also encouraged readers to tune in to ITV, regardless of what their parents thought.
1981 saw a new look for Look-In, with a new logo and photo covers. Alas it wasn't enough to slow the decline in sales; by the mid 1980s rival magazines and the home computer revolution was starting to steal Look-In's lunch money.
In 1985 the BBC tried to launch a rival magazine to Look-In, but it didn't really work. The market was saturated and declining.
Look-In ceased production in 1994 after a 23 year run - impressive for any magazine. It brought high production values and glamour to kids magazines and kept people reading. And as a history of 1970s Britain it's still a fascinating read!
So look out for Look-In next time you're in a charity shop or second hand bookstore. You never know what's in it! Probably some Smurfs...
"La-la-la-la-la Look-Innnn..."
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Time once again for my occasional series "Women with great hair fleeing gothic houses!"
And today It's an open thread. Ask me anything you like about this popular pastime and I'll do my best to answer it below for the next hour.
Over to you...
One frequent question I'm asked is "do I need long hair to flee a gothic house?" The answer is no; many short-haired heroines have vacated gothic domiciles in the past. However most have worn evening gloves whilst doing it.
"Am I in the UK?" Yes I am.
"Do I own all these books?" Alas no. I have about 90 or so gothic romances but I have sold many more. I used to work in the book trade and these things went like hot cakes!
In 1989 the BBC killed off #DoctorWho. The corporation said the series was being 'rested'; the fans suspected it was dead as an Adric. But an unlikely saviour emerged to carry Who through the wilderness years: Richard Branson.
Both Michael Grade and Jonathan Powell, BBC Directors in the 1980s, disliked Doctor Who. They felt it was outdated, violent and cheap-looking. Ratings were awful, exacerbated by terrible scheduling. Relations with producer John Nathan-Turner had also hit rock bottom.